 | | His elegantly simple exhibition — just darkness and flashlights — prompts a rethinking of what we consider worthy art. | Nereya Otieno |
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| You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a paid member. | | Become a Member |
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FAIR HIGHLIGHTS |  | | The diverse array of printed matter on view points to the role of small publishers in archiving and restoring lesser-told histories, preventing them from being forgotten. |Matt Stromberg |
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MORE TO SEE THIS MONTH |  | | Amalia Mesa-Bains’s altars to memory, Akinsanya Kambon’s Pan-Africanist sculptures, colonial wine production, restaging Diane Arbus’s 1972 retrospective, and more. | Matt Stromberg |
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