It's the first LA newsletter of 2021, and we already have some great stories and events lined up for
Jan 6, 2021 • View in browser
Los Angeles
It’s the first LA newsletter of 2021, and we already have some great stories and events lined up for you. 
Today’s must-read is Anne Wallentine’s profile of Cara Romero, who will be installing photographs of California’s Indigenous peoples on billboards throughout Los Angeles this year. Her photos are stunning, and she hopes to make SoCal’s Indigenous communities more visible — especially since Los Angeles County is home to more Natives than any other county in the US. 
Next week, don’t miss an evening of performances organized by Suzanne Lacy and her class at USC Roski. There will be a special guest performance by the great Nao Bustamante as well.
– Elisa Wouk Almino, Senior Editor
Keep up with the latest in film and documentary
Get reviews and recommendations from Hyperallergic in your inbox every Friday.
“The World I Wish People Knew”
Cara Romero, “Sisterhood is Sacred” (2018)
Cara Romero, “Sisterhood is Sacred” (2018)
According to 2012 data, Los Angeles County is home to more Natives than any other county (about 140,000 American Indian/Alaska Natives). Visibility is long overdue — as well as continued counter-narratives to the story of disappearance and erasure.
“Most Californians do not know this history, and do not understand modern Native struggles for recognition and cultural landscape preservation. We are literally invisible,” says photographer Cara Romero.
A New Book from Martine Syms
Martine Syms's New Book Is an Irreverent Performance of Contemporary Living
Martine Syms's New Book Is an Irreverent Performance of Contemporary Living
In Shame Space, the narrator obsesses over sex, money, fitness, drugs, friends, work, and self-hatred.
Allison Conner
More from Hyperallergic
What It’s Really Like to Work at the California Arts Council
What It’s Really Like to Work at the California Arts Council
“I and other arts program specialists found it to be a space that causes fear of retaliation, targeting and silencing, and where leadership lacks accountability.”
Sarah Garcia
How Cameras and Webcams Have Helped Us Bear Witness in 2020
How Cameras and Webcams Have Helped Us Bear Witness in 2020
Suzanne Lacy and her students suggest that screens can help us become more empathetic and aware of “each other’s practices, and realities.”
Elisa Wouk Almino
Now on View
Sophia Narrett Traces Her Embroideries to “Playing With Dolls”
Sophia Narrett Traces Her Embroideries to “Playing With Dolls”
By creating “a space of play,” Narrett says, “you can reach some sort of truth within yourself or with the other person.”
Samuel Anderson | through January 15
A Surreal Portrait of Solitude and Isolation During 2020
A Surreal Portrait of Solitude and Isolation During 2020
Running like a red thread through Marcel Alcalá’s paintings and ceramics is a quiet foreboding, winding along the ocean floor of the subconscious.
Elisa Wouk Almino | through January 16
Uncanny Paintings Tell a Story of This Year’s Unease
Uncanny Paintings Tell a Story of This Year’s Unease
Lauren Satlowski’s paintings reflect the angst and solitude of the present moment, while thankfully leaving out any mention of face masks.
Jennifer Remenchik | through February 13
From Our Partners at KCET
7 Dance Videos That Helped Us Get Through 2020
7 Dance Videos That Helped Us Get Through 2020
From bathtub ballets to TikTok dance challenges, our screens have exploded with dance videos since the coronavirus pandemic forced us to dance together but apart.
What Does Art Have to do with Abolition?
What Does Art Have to do with Abolition?
With Crenshaw Dairy Mart, artists Patrice Cullors, Alexandre Dorriz and Noé Olivas are trying to bridge the disparate worlds of art and abolitionist thinking.
As arts communities around the world experience a time of challenge and change, accessible, independent reporting on these developments is more important than ever.
Please consider supporting our journalism, and help keep our independent reporting free and accessible to all.
Did you enjoy this issue?
Update your email preferences or unsubscribe from this newsletter.
If you were forwarded this newsletter and you like it, you can subscribe here.
Hyperallergic Media
181 N 11th St., Suite 302, Brooklyn, NY 11211