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Los AngelesSeptember 14, 2022 • View in browserThe Real Story Behind Banksy’s “Parking” Mural in LAMuch coverage of the upcoming sale of the building that houses the mural portrays it as a covert intervention into the urban fabric, but the reality, like most things Banksy, is more complicated. | Matt Stromberg More than simply “social commentary on the revitalization of Los Angeles’ historic core,” as the press announcement touts, the mural now speaks to the contested relationship between public art and private space in LA. SPONSORED Discover Art Less Ordinary: The Other Art Fair Los Angeles Returns to Barker HangarMeet new art. Meet new artists. Over 140 independent artists plus special guest Melissa Villaseñor, immersive installations & murals, tattooing, DJ sets, food trucks, and a refreshing twist on a Gin & Tonic compliments of Bombay Sapphire. Do something impulsive, get excited, and revel in creativity. General admission starts at $15. HIGHLIGHTS THIS WEEK Catherine Opie, “Lawrence” (2012), pigment print 33 x 25 inches (© the artist, courtesy Regen Projects) Stars Don’t Stand Still in the Sky: A Tribute to Lawrence Weiner Lawrence Weiner, who died last December, was a seminal figure in the development of Conceptual Art. Stars Don’t Stand Still in the Sky is a testament to his wide-reaching influence, featuring work by over fifty artists, from his contemporaries such as Sol LeWitt, Mel Bochner, and Lee Lozano, to younger generations represented by Glenn Ligon, Sue Williams, Wolfgang Tillmans, and others. Fulcrum Festival: Deep Ocean/Deep Space Justen Leroy: Lay Me Down in Praise MORE FROM HYPERALLERGIC Tucked Away in LA For Decades, 2,000-Year-Old Roman Mosaic Returns to ItalyAn art attorney contacted the FBI on behalf of an anonymous client who was in possession of a mosaic of Medusa. | Sarah Rose Sharp The piece in question is a massive “mosaic of the mythological figure Medusa,” according to an art attorney representing the anonymous client who was in possession of the work — which had been cut into 16 pieces, set on pallets, and tucked away in a Los Angeles storage facility since the 1980s, with each pallet weighing between 75 and 200 pounds. Thus, the process of repatriating the art was not just a question of researching its history, but also one of logistics. Support Hyperallergic's independent journalismBecome a member today to help keep our reporting and criticism free and accessible to all. Become a MemberCLOSING SOON Jerry Peña, “Protect Your Turf” (2022), mixed media on wood panel, 4 x 3 feet (photo by Jerry Peña, courtesy Le Maximum) This Is Not America’s Flag Noah Davis The Portable Universe: Thought and Splendor of Indigenous Colombia Mika Rottenberg ON VIEW IN MUSEUMS & GALLERIES Kaari Upson: never, never ever, never in my life, never in all my born days, never in all my life, never Lee Alexander McQueen: Mind, Mythos, Muse Martin Roemers: Relics of the Cold War The Medium is the Message: Flags and Banners Ray Anthony Barrett: …of frontiers and phantoms
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