Today: Lothar Osterburg’s worlds of longing, Chantal Joffe’s self-portraits as an empty-nester of late, and a close look at an extremely rare Wu-Tang Clan album that’s about to go on display at an Australian museum. In the news, the Cleveland Museum of Art returns a 2,200-year-old Ptolemaic statue to Libya, while the FBI investigates the potential sale of objects that were stolen from the British Museum in London.
And don’t forget to check out our recommendations of exhibitions to see this June in Upstate New York, an area brimming with art activities. On a side note, did you know that Hyperallergic is about toturn 15 this fall? As we continue to grow and make an impact on the art world, we need your support to keep up the work. If you haven’t already, please join us as a Hyperallergic member. Your contribution would mean a lot to us. Thanks for reading! — Hakim Bishara, Senior Editor
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As a free subscriber to Hyperallergic, there are lots of ways you can champion our independent arts journalism. We love it when you share our stories with your friends and colleagues, and when you send us your thoughts, but the very best way to support us is by becoming a paid member. Starting at just $8/month or $80/year, your membership will help us maintain our editorial independence, continue to pay our writers fairly, and invest in deeper investigations and new initiatives. You’ll be part of an arts publication that doesn’t just cover the big institutions — we also highlight new and underrepresented voices and hold the powerful accountable. If you’re excited about creating a more inclusive art world and supporting independent journalism, join us as a member today.
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The tension between optimism and yearning remains taut throughout the artist’s exhibition of photogravures and found-material sculptures. | John Yau
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WHAT'S HAPPENING
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EXHIBITIONS ON OUR RADAR
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A narrative unfolds in Joffe’s My dearest dust that explores motherhood, loss, and individual identity as her daughter leaves home. | Rebecca Schiffman
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This month: the feminine nostalgia of Pam Poquette, the witty impact of Nina Chanel Abney, GUZMAN’s sideways glance at the state of the world, and more. | Taliesin Thomas
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