| Starting this month, take your lunch on Thursdays in the beautiful Adolphus Busch Hall and enjoy an organ recital on Harvard’s famous 1958 D. A. Flentrop organ. |
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| Join Gavin Whitelaw, executive director of the Reischauer Institute of Japanese Studies, on Sunday, March 5, to reexamine Victor Grippo’s conceptual sculpture and look more closely at the historical entanglement between humans and nature. |
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| Join us Wednesday, March 22, for a film screening of Art & Krimes by Krimes and a panel discussion focused on art as a tool for surviving prison and for critiquing mass incarceration. After the film, formerly incarcerated artists Jesse Krimes and Russell Craig will talk about the current state of the criminal legal system, the power of art, and how we can plot a course toward ending mass incarceration. |
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| | Images: (Header) Artist active in present-day Bolivia or Peru, Our Lady of Guadalupe of Extremadura, 18th century. Oil on canvas. Collection of Carl & Marilynn Thoma, TL42430.6. New on View: Artist active in Cuzco, Peru, Saint Michael the Archangel, 18th century. Oil on canvas. Collection of Carl & Marilynn Thoma, TL42430.14. Food as Art: Victor Grippo, Argentinian, Analogia I (detail), 1970–71. Electric circuits, electric meter and switch, potatoes, ink, paper, paint, and wood. Harvard Art Museums/Fogg Museum, Richard Norton Memorial Fund and gift of Leslie Cheek, Jr., 2010.3. © The Estate of Victor Grippo. From “Milli” to Nelly: Natasha A. Kelly, from her documentary film Milli’s Awakening (2018). Credit: Anh Trieu, Henning Fehr, and Philipp Rühr. Art & Krimes: Still image from Art & Krimes by Krimes. © Molly Schwartz. Spring Reading: Attributed to Mateo Pérez de Alesio, Italian, Virgin Mary Reading, c. 1589–1616. Oil on canvas with gold (gold likely added in the 18th century). Carl & Marilynn Thoma Collection, TL42430.21. Courtyard Fun: © Caitlin Cunningham Photography.
Loans and exhibition coordination for From the Andes to the Caribbean: American Art from the Spanish Empire courtesy of the Carl & Marilynn Thoma Foundation. Support for the exhibition is provided by the Henry Luce Foundation Fund for the American Art Department; the Bolton Fund for American Art, Gift of the Payne Fund; the Alexander S., Robert L., and Bruce A. Beal Exhibition Fund; and the Gurel Student Exhibition Fund. Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund.
Support for A World Within Reach: Greek and Roman Art from the Loeb Collection is provided by the Kelekian Fund. |
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