Topography of Loss: A Symposium on Doris Salcedo

Friday, March 3, 10am–5pm 
Menschel Hall, Lower Level

This two-day symposium brings together scholars to discuss Doris Salcedo’s work within the contexts of political science, human rights, religion, philosophy and literature, and art history. Organized around three panels on Friday, March 3, and featuring a sold-out keynote address by Judith Butler on Thursday, March 2, the symposium seeks to prompt wider conversation about the issues that are underscored in the exhibition Doris Salcedo: The Materiality of Mourning and in Salcedo’s work as a whole. More


Midday Organ Recitals

Adolphus Busch Hall, 29 Kirkland Street, Cambridge

Join us for lunch-hour recitals performed on Harvard’s famous 1958 D. A. Flentrop organ. Audience members are invited to lunch quietly while listening. 

Thursday, March 2Angela Kraft Cross
Thursday, March 9Harvard Organ Society
Thursday, March 23Janet Yieh
Thursday, March 30Tate Addis


An Afternoon with Filmmaker Deborah Stratman

Saturday, March 4, 2–3:30pm
Menschel Hall, Lower Level

Join us for a screening of seven short films by Chicago-based artist and filmmaker Deborah Stratman. The artist will introduce her films and will participate in a brief conversation and Q&A with Ernst Karel, lab manager of Harvard’s Sensory Ethnography Lab, at the end of the program. More


Harvard Treasures Tour: Catching the Wave: Photographs of the Women’s Movement, at the Schlesinger Library

Monday, March 6, 12–1pm
Radcliffe Yard, 3 James Street, Cambridge

Research librarian Diana Carey and photo archivist Joanne Donovan will lead this exclusive members tour of the library’s photography exhibition Catching the Wave: Photographs of the Women’s Movement. If you’re not yet a member, you can join hereMore


First 100 Days: Gallery Talks

Offered during the first 100 days of the new U.S. administration, these talks look closely at selected works from across the collections and from around the world to consider questions of political power and activism, human rights and planetary consciousness, national borders and global citizenship, and the role of the arts in various historical contexts.

Tuesday, March 7Easel Painting and Radical Politics in Weimar Germany
Thursday, March 9Reclusion as Resistance—Japanese Ink Painting from the Feinberg Collection
Tuesday, March 14Race and Citizenship
Saturday, March 25Social Realism, Social Action
Tuesday, March 28A New Leader in Times of Uncertainty


Modern Art in Technicolor: Art, Film, and American Identity

Thursday, March 9, 6–8pm
Menschel Hall, Lower Level

This series examines the construction of American identity by pairing artworks from the museums’ collections with films. Following a screening of John Huston’s Moby Dick, viewers are invited to view Jackson Pollock’s No. 2 in Gallery 1200, Level 1. More


Doris Salcedo’s Public Works  

Friday, March 10, 2–2:30pm
Menschel Hall, Lower Level

This film documents Salcedo’s site-specific works and ephemeral public projects, which have been central to her artistic production over the past 15 years. More

Members Tour

Wednesday, March 15, 5:30–6:30pm

Members are invited to discover our collections during a special curator-led tour through select galleries, held outside the museums’ public hours. If you’re not yet a member, you can join hereMore


Dr. Hendricks at Harvard

Tuesday, March 21, 6–7:30pm
Menschel Hall, Lower Level

Join us for an artist talk by painter Barkley Hendricks, followed by a discussion with Harvard professor Matt Saunders and students from his painting class. More


On Not Being At Home, Part 3: The Colors of the Mountain

Tuesday, March 21, 6–8pm
David Rockefeller Center for Latin American Studies
Tsai Auditorium, 1730 Cambridge Street, Cambridge

During the run of the exhibition Doris Salcedo: The Materiality of Mourning, the David Rockefeller Center for Latin American Studies, the Harvard Film Archive, and the Harvard Art Museums are collaborating on a three-part film series that looks at the conditions behind displacement and forced migration, in Latin America in particular. The screening of The Colors of the Mountain, the final film in this series, will be followed by a Q&A with director Carlos César Arbeláez. More


New Digs and Discoveries at Sardis in Turkey

Wednesday, March 22, 6–7:30pm
Menschel Hall, Lower Level

Sardis Biennial Lecture

The Archaeological Exploration of Sardis in western Turkey continues to make exciting and unexpected discoveries. Director Nicholas Cahill, professor of art history at the University of Wisconsin-Madison, will present recent results from the expedition. More


The Eagle Huntress

Thursday, March 23, 6–7:30pm
Menschel Hall, Lower Level

This family-friendly documentary follows Aisholpan, a 13-year-old girl who lives in the Altai Mountains in Mongolia, as she trains to become the first female in 12 generations of her Kazakh family to become an eagle hunter. The film traces her rise to the pinnacle of this centuries-old tradition. More


Eva Hesse: Film Screening and Discussion
Monday, March 27, 6–8:30pm
Menschel Hall, Lower Level
The documentary Eva Hesse investigates the life and artistic practice of one of the most influential and experimental artists of the last half-century. Following the screening, Annette Lemieux, artist and senior lecturer on visual and environmental studies at Harvard University, and curator Mary Schneider Enriquez will discuss Hesse’s legacy. More

From Byrsa to the Tiber: Carthaginian Coins and History

Wednesday, March 29, 6–7pm
Menschel Hall, Lower Level

Ilse and Leo Mildenberg Memorial Lecture

Paolo Visonà, associate professor at the University of Kentucky at Lexington, will discuss how coins provide essential information on the history and the economy of Carthage. Visonà will further reveal how these findings underscore the city’s connectivity with other Punic centers and its relations with its Mediterranean neighbors and rivals, particularly Cyrene, Syracuse, and Rome. More


Highlights from Index

The Calderwood Courtyard’s hanging sculpture Triangle Constellation, by Carlos Amorales, recently needed a dusting. Watch as a crew carefully cleans the work from an aerial lift. More

The Robert S. and Betsy G. Feinberg Collection is an extraordinary collection of more than 300 works that spans the breadth of Edo period painting in Japan. Every six months, a new selection of works from the collection is installed; the latest is a selection of Japanese Nanga painting. More

The private artist interview is a regular practice at the museums, with conservators recording their conversations with living artists whose works are in our collections. Doris Salcedo’s interview last November, just a few days before the opening of the special exhibition Doris Salcedo: The Materiality of Mourning, focused on her work A Flor de PielMore


Visitor Information

Open daily, 10am–5pm

Plan your visit


Also This Month


Gallery Talks

Join our experts for regular gallery talks. Upcoming topics include the photography of August Sander, the Pre-Raphaelites, and the exhibition Drawing: The Invention of a Modern MediumCheck the calendar for the full lineup.


Art Study Center

Art Study Center Open Hours will be held on Mondays, on March 6, 13, 20, and 27, from 1–4pm. See works of art related to exhibitions, programs, or current staff research; or request a favorite that is not currently on view. Check the calendar for details.


Student Guide Tours

On Fridays, Saturdays, and Sundays during the academic year, Harvard undergraduates lead these tours focused on one or more objects in our collections. See the calendar for the full schedule.



Image credits: (header) Franz Wilhelm Seiwert, Mass, 1931. Oil on wood. Harvard Art Museums/Busch-Reisinger Museum, Richard Norton Memorial Fund, 2015.43; Still from Doris Salcedo’s Public Works: © MCA Chicago.

           
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