| A big, round zilch. That’s the amount that President Trump allocates to the Smithsonian’s National Museum of the American Latino in his budget. If he has his way, the burgeoning DC museum would be dissolved along with the Anacostia Community Museum. But there’s some resistance in Congress, as our Staff Writer Isa Farfan reports.
Here in New York, community members brave the rain to celebrate the annual Brooklyn Pride festival. Our reporter Maya Pontone was there, with an umbrella.
Also today: a corrective exhibition looks beyond the “glamorous girl artist” stigma associated with Marisol; Susumu Shingu’s delicate kinetic sculptures come to NYC; and a new book explains how Matisse may have left Morocco, but Morocco never left Matisse. — Hakim Bishara, Managing Editor | | |
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| You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a member. | | Become a Member |
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 | | A retrospective rescues aspects of her career from her long-running reputation as “glamorous girl artist,” including her politics, humor, and sense of self. | Martha Buskirk |
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SPONSORED |  | | | | The first US retrospective of Shahn’s work in nearly 50 years, highlighting the social realist artist and activist’s enduring relevance, is on view at the Jewish Museum through October 12. Learn more |
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LATEST NEWS |  | -
Despite less-than-ideal weather, Brooklyn Pride Day kicked off without a hith this past Saturday, June 14, along Park Slope’s Fifth Avenue. -
The National Museum of the American Latino and the Anacostia Community Museum in Washington, DC, are on the chopping block as the Trump administration targets the Smithsonian Institution.
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REVIEWS & MORE |  | | Inspired by the colors and textiles around him, the artist’s two trips to Tangier became an impetus for growth and exploration. | Lauren Moya Ford |
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|  | | A new exhibition at the Japan Society in NYC will center the sculptor’s animated artworks, maquettes, and inspiring sense of gratitude for the miracle of being alive. | Rhea Nayyar |
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FROM THE ARCHIVE |  | | In 1962, Andy Warhol desperately wanted to be like his accomplished new pal, Marisol. | Karen Chernick |
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MEMBER COMMENT | | Alex Clark on “Do We Need to Vindicate Paul Gauguin?” | | Given that art history involves the history of human beings making art, it seems obvious that negative human behaviors exist in the arts alongside the benign, good, and inspiring. Picasso is an artist whose personality and behaviors (especially toward women) were repugnant and cruel. Still, I love much of his art production. Is this wrongheaded? I think it’s only human. |
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| You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a member. | | Become a Member |
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