| In honor of Harvard Commencement, the Harvard Art Museums will extend free admission to all visitors on Thursday, May 26. Check out the calendar to view other free admission days in May. Don’t forget, all visitors can visit for free on Sundays! |
| It was a hit! Thank you to everyone who came out for the first Harvard Art Museums at Night event on April 28. If you missed it—or if you want to experience the museums with friends for more fun, music, and refreshments—our next At Night is happening on Thursday, May 26. |
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| Discover how artists from the Dutch Republic such as Rembrandt, Van Goyen, and Van Ruisdael captured humankind’s relationship with the environment during rapid colonization in Crossroads: Drawing the Dutch Landscape, opening on Saturday, May 21. |
| Travel through time and admire the diverse styles, textures, subjects, and colors from the Harvard Art Museums’ collection of Asian ceramics. Earthly Delights: 6,000 Years of Asian Ceramics makes connections between potters working between the 5th millennium BCE and the 21st century. |
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| Sit in on this free, in-person lecture on Tuesday, May 24 with Jane Shoaf Turner of the Rijksmuseum, Netherlands, to learn about the experiences 17th-century Dutch draftsmen had to face as they journeyed from their studios to places near and far. |
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| Students in last fall’s class Music 4: Introduction to Composition created quartet compositions in response to a work from the Harvard Art Museums collections; those compositions were then played by Harvard’s Parker Quarter in a virtual concert. Now you can enjoy these compositions from home or on your earbuds when touring the galleries! |
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| | Images: (header) Cornelis Vroom, Dutch, Landscape with a Road and a Fence, 1631. Brown ink over graphite on off-white antique laid paper. The Maida and George Abrams Collection, Fogg Art Museum, Harvard University, Cambridge, Massachusetts, Gift of George Abrams in memory of Robert M. Light, 2020.209. Spring Celebrations and Lights On!: Photo: Danny Hoshino. Dutch Drawings: Hans Bol, Netherlandish, Abraham and the Angels (detail), 1589. Opaque and transparent watercolor over traces of black chalk on antique laid paper mounted overall to wood panel, traces of framing lines in shell gold and dark red opaque watercolor. Harvard Art Museums/Fogg Museum, The Kate, Maurice R. and Melvin R. Seiden Special Purchase Fund in honor of Joseph Koerner and Margaret Koster, 2004.75. Last Days of Social Fabrics: Cushion cover with tiraz inscription, Egypt, early 9th century. Wool and linen: tapestry weave. Cleveland Museum of Art, J.H. Wade Fund, 1959.48, TL42343.6. Courtesy of Cleveland Museum of Art. Earthly Delights: Ceremonial stand, Korea, Three Kingdoms period, Kaya, 5th century. Stoneware with incised, applied, and openwork decoration. Harvard Art Museums/Arthur M. Sackler Museum, Partial gift of Maria C. Henderson and partial purchase through a fund established by Ernest B. and Helen Pratt Dane for the purchase of Asian art, 1991.501. Brandywine Prints: Odili Donald Odita, American, Cut (detail), 2016. Offset lithograph on white wove paper. Harvard Art Museums/Fogg Museum, Margaret Fisher Fund, 2018.33.44. © Odili Donald Odita. Courtesy of the artist and Jack Shainman Gallery, New York. Beyond the Photograph: Anneliese Hager, German, Untitled (Portrait A. H.) (detail), 1947. Gelatin silver print (photogram). Harvard Art Museums/Busch-Reisinger Museum, Gift of the German Friends of the Busch-Reisinger Museum, 2018.313. © Estate of Anneliese Hager. The Sound of Art: Morris Louis, American, Blue Veil (detail), 1965. Acrylic resin paint on canvas. Harvard Art Museums/Fogg Museum, Gift of Lois Orswell and Gifts for Special Uses Fund. © Artists Rights Society (ARS), New York. Makeup Art: Courtesy of Metropolitan Museum of Art Instagram. |
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