Good morning. Not immediately after the election but a few days later, I felt a sinister calm overtake my various feeds, not unlike the ominous stillness I sensed growing up in Miami right before a hurricane hit.
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November 11, 2024

Good morning. Not immediately after the election but a few days later, I felt a sinister calm overtake my various feeds, not unlike the ominous stillness I sensed growing up in Miami right before a hurricane hit. The mixture of reality shock, resignation, and urge to take to the streets was temporarily stultifying, yielding only a flood of memes that are among the darkest we’ve seen in a while. Because the images we share on the internet are reflective of a given moment in our visual and collective culture, Staff Reporter Isa Farfan has rounded them up for us along with some much-needed comedic commentary below.

But another Trump presidency isn’t the only scary news, and there is a major story worth your reading time today: Yelena Ambartsumian’s report on the removal of photos of an Armenian monument in Artsakh from Wikimedia Commons under Azerbaijani copyright laws. It’s a testament to the ways in which regimes of oppression control not just tangible heritage but also memory.

Read about a UN exhibition altered to remove pro-Palestine messages, this year’s DOC NYC film festival lineup, a Tamara de Lempicka show at the de Young Museum, and more — and take care of yourselves this week.

— Valentina Di Liscia, News Editor

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When Copyright Transforms the Right to Remember

Images of “We Are Our Mountains,” an Armenian monument in occupied Artsakh, have disappeared from Wikimedia Commons in the months since Azerbaijan’s invasion. Yelena Ambartsumian

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