Washington Post / Finbarr O'Reilly
Why I keep taking photos the world ignores →“Photographers may aspire to capture scenes that galvanize public opinion and pressure world leaders to act to end wars, but few images — if any — have ever done this. The most graphic and disturbing images from Ukraine and Gaza have hardly slowed the carnage. So I focus on gentle interactions, quiet conversations and gestures. I’m steadily amazed by the openness and candor with which people share their lives and experiences, no matter how traumatic.”
Marketing Brew / Ryan Barwick
New York Times / Jessica Testa
Tina Brown, the queen of legacy media, takes her diary to Substack →“Her newsletter, Fresh Hell, is set to debut on Tuesday. In an introductory note to readers, she said the title referred to the experience of waking ‘every day to a news alert from Hades.’ The newsletter, she said, would be written mostly in weekly ‘notebook form,’ rather than ‘Big Think columns.'” (Note: the Times reports Substack did not offer Brown payment, as it did for other writers years ago.)
Financial Times / Daniel Thomas
The BBC will cut 155 roles from its news operation →“All BBC divisions have been told to reduce content creation by one-fifth. The newsroom cuts announced on Tuesday include closing the bespoke Asian Network News service, axing the HARDtalk long-form interview program, and synchronizing the production of news bulletins used on Radio 5 Live and Radio 2.”
New York Times / Ben Mullin
What should a music magazine be in the TikTok era? Pitchfork alumni have an idea. →“Most of the publication will be free to read. But it will offer several subscription tiers for those who want a deeper experience. A basic subscription ($70 a year) includes unlimited access to the site and the ability to comment on the site. The highest tier, Super Deluxe Remastered Hi-Fi Membership ($1,000 a year), includes a handmade mix CD or cassette or streaming playlist made by a Hearing Things editor, as well as quarterly hangouts with the staff.”