| Unprecedented textures and shades for impactful combinations |
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 |  |  | | Mira: Design in the Details | Sophisticated details, unprecedented textures and shades for impactful combinations: these are the buzzwords to describe Mira, Scavolini’s new furnishing system, designed by Vuesse, devised to generate refined settings with a strong visual impact.
Thanks to a contemporary outlook, conveyed through kitchen and living room compositions, the distinguishing feature of Mira is its squared door with L-shaped profile, available in combination with two types of recessed grip profile, Flat or Round: the ideal solution for a linear and elegant design, without compromising on practicality. Scavolini’s stylistic research is also evident in the side facing panel with recessed grip profile which distinguishes the model. | | |  |
Thanks to the extensive variety of colours, finishes and materials available, Mira provides ample scope for design to accommodate the most demanding tastes. Specifically, three new pearl-effect colours — Cuvée, Pas Dosé and Perlage – have supplemented the glossy and matt lacquered range and are also offered in a distinctive vertical slat version in four veneered colours. The versatility of the Mira project is further enhanced by the possibility of opting for framed glass doors, which are available in smooth or vertical and horizontal slat version, plain coloured or in the three pearl-effect colours. |  |
Thanks to the extensive variety of colours, finishes and materials available, Mira provides ample scope for design to accommodate the most demanding tastes. Specifically, three new pearl-effect colours — Cuvée, Pas Dosé and Perlage – have supplemented the glossy and matt lacquered range and are also offered in a distinctive vertical slat version in four veneered colours. The versatility of the Mira project is further enhanced by the possibility of opting for framed glass doors, which are available in smooth or vertical and horizontal slat version, plain coloured or in the three pearl-effect colours. | | |        | | |
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