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From the Magazine

July 18, 2019

Inside 'Orange Is the New Black's' Unlikely Journey to Become Netflix's Most-Watched Original

The end of Netflix’s most-watched original series marks the passing of one era for the streaming service and the beginning of a …

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This Week's Issue:

Aziz Ansari, Chris Hardwick's Reemergence Complicate the #MeToo Conversation

The entertainers’ reemergence further complicates the public dialogue about which alleged offenders should be allowed to make a …

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Why Consumers Are Already Losing in the Streaming Wars

A dizzying array of on-demand viewing platforms will bring new costs and confusion.

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New Wave of TV Shows Lets Viewers Watch the Rich Get Their Just Deserts

A number of new and recent TV shows, like HBO's "Big Little Lies," depict the wart-and-all lives of the very rich.

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Why the Emmy 2019 Nominations Represent an Overdue and Refreshing Change of Pace (Column)

Variety’s TV critics talk about key themes of this year’s Emmy ballot.

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Despite MoviePass' Struggles, Exhibitors Bet on Their Own Ticketing Subscriptions

Exhibitors are betting on their own movie ticketing subscription services, but analysts and studios are skeptical they can turn a pro …

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Hans Zimmer on Recreating Iconic Score: 'The Lion King' 'Brought People Together'

Composer Hans Zimmer reunited many key members of his original "Lion King" team in recreating his iconic score for Disney's new remak …

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