Early voting starts this weekend, making now a fine time to check out X-Agent Destroy Monster Regimes
Oct 21, 2020 • View in browser
Early voting starts this weekend, making now a fine time to check out X-Agent Destroy Monster Regimes, a new performance project from artists Rebecca Fischer and Anthony Hawley. Premiering online and in person this Friday, it revisits the Mueller report in its consideration of power and the purposeful spread of political misinformation. Learn more here, and don’t forget to cast your vote.
In the spirit of this long election season, Ksenia Soboleva visited Nina Katchadourian’s Monument to the Unelected, an “intriguing meditation on the flawed two-party system.” Valentina Di Liscia spends some time with Lizania Cruz’s Obituaries of the American Dream: 1931-2020, a poignant project that asks: “When and how did the American dream die for you?
Also worth checking out are Claudia Hart’s “vivid digital simulations,” artists’ attempts to grapple with the weight of the legacy of the atomic bomb, and a deep dive into the long, rich history of Africa’s Sahel region (a breathtaking show, now in its final days).
It’s Wednesday. The weekend is in sight.
– Dessane Lopez Cassell, Editor, Reviews
A New Performance Piece Mines the Mueller Report
The Afield and an excerpt from Destroy Monster Regimes (images courtesy Ben Semisch and Anthony Hawley)
The Afield and an excerpt from Destroy Monster Regimes (images courtesy Ben Semisch and Anthony Hawley)
Artists Rebecca Fischer and Anthony Hawley have made mining the details and redactions of the Mueller Report a central component of their new projectX-Agent Destroy Monster Regimes.
Working together as the collaborative duo the Afield, Fischer and Hawley have remixed and reassembled key texts (and omissions) from the report into a 12-part graphic score that will guide a new multimedia performance work, set to premiere on October 23.
Latest Reviews
Nina Katchadourian’s Tribute to Political “Roads Not Taken”
Claudia Hart Breathes Life into Static Tropes of Modernism
In the Shadow of the Atomic Bomb, Artists Respond
The Long, Rich History of Africa’s Sahel Region
The Emergence of Aubrey Levinthal
A Painter’s Belief in Painting
When Did Your American Dream Die?
Mourning the Death of the American Dream
Closing Soon
Kevin Beasley: Reunion at Casey Kaplan, through October 24
In conjuring the materiality and memories of traditions disrupted by the pandemic, Beasley’s works express reverence for his family reunion — tributes that mark its absence this year. – Alexandra M. Thomas
In Neuenschwander’s home country, Brazil, the COVID-denying, blatantly racist, right-wing extremist president Jair Bolsonaro is wreaking his special havoc. – Gregory Volk
Luchita Hurtado. Together Foreverat Hauser & Wirth,through October 31
With its emphasis on never-before-seen painting and drawings, Luchita Hurtado. Together Forever. reveals the artist’s progressively sensual and abstract representations of the body, pushing the viewer to look much closer. – Valentina Di Liscia
Richard Mayhew: Transcendenceat ACA Galleries,through October 31
Offering an up-close look at the artist’s brushstrokes, the show is a meditative space awash in incandescent pigment and texture. – Julie Schneider
Billie Zangewa: Wings of Change at Lehmann Maupin, through November 7
Zangewa’s world-building is expansive as much as it is intimate, sharply invoking the material and the political to achieve more than representation. – Danilo Machado
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Fiber Works Seek to “Celebrate, Mourn, and Heal” the Experiences of Indigenous Women
Poetry That Pulls at the Seams of Colonial Power and Memory
What Else is Going On?
The artist Carrie Mae Weems took over Lincoln Center with a sprawling public art installation designed to help educate BIPOC communities on the impact of the pandemic and share the facts to prevent its spread.
Art in General, the Brooklyn nonprofit dedicated to presenting new work by emerging and mid-career artists, has announced its closure.
Simone Leigh will represent the US at the 2022 Venice Biennale, becoming the first Black woman to represent the country at the prestigious exhibition.
The Surdna Foundation in New York has announced that it will pledge $36 million over the next three years to projects that advance racial justice.
We have exclusive video available from the Guggenheim Union about its rally at the museum’s reopening. Watch it here.
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