New York
November 24, 2021 • View in browser
The Frenzied Cacophony of Adam Pendleton
For the artist, history doesn’t simply settle for repeating itself but jolts forward, stammers, pauses for breath, weaves around itself. | Zöe Hopkins
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The Double Consciousness of Being a Chinese Woman Living in America
Fei Li knows that achieving rapprochement between the world views and customs of China and America is unlikely. | John Yau
Genieve Figgis Paints High Society as a Spectacle of Humor and Horror
Figgis’s musings on bourgeois decadence feel particularly canny in a time of widespread inequality. | Billy Anania
Dread Scott Celebrates a Long-forgotten Rebellion as a Moment of Resilience
Merging past and present Scott magnifies what has been reduced in American history to a plaque on a highway. | Taylor Michael
In Neelon Crawford’s “Moving Paintings,” the Natural and Manmade Face Off
MoMA’s exhibition Neelon Crawford: Filmmaker is a retrospective of his experimental work documenting machinery, travels in South America, and more. | Mark Asch
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CLOSING SOON
Lennart Anderson, “Still Life with Lion Head Mask and Spider Plant” (2006) (image courtesy Leigh Morse Fine Arts/ Estate of Lennart Anderson)
Lennart Anderson: A Retrospective
NYSS Gallery through November 28
Melvin Edwards: Brighter Days
City Hall Park through November 28
With Pleasure: Pattern and Decoration in American Art 1972–1985
Hessel Museum of Art, Bard College, through November 28
Ron Gorchov: The Last Paintings 2017–2020
Cheim & Read through December 18
Hilma af Klimt: Tree of Knowledge
David Zwirner through December 18
