New YorkMarch 16, 2022 • View in browserReading Anne Ryan’s Poetic CollagesRyan harnessed visual art as a means for creating poetry through the relatively new, nonverbal idioms of American abstract art. | Tim Keane NEWS THIS WEEK
SPONSORED The Rubin Museum Presents Healing Practices: Stories from Himalayan AmericansThe New York City museum’s latest exhibition highlights how Tibetan Buddhist art and practices serve as roadmaps to well-being in times of crisis. Learn more. LATEST REVIEWS Alone in the Dying of the LightOne thing that comes across in the drawings of Rackstraw Downes is the austere, almost monastic life he has lived in order to make art. | John Yau Was Jacques-Louis David Really That Radical?Rather than accentuating his radicalism, the Metropolitan Museum of Art’s new exhibition makes Jacques-Louis David a compelling case study in opportunism and survival. | Billy Anania SPONSORED Dakota Modern: The Art of Oscar Howe Opens at the National Museum of the American IndianThis exhibition at the museum’s New York City location introduces new generations to one of the 20th century’s most innovative Native American painters. Learn more. Fragmentation as a Queer Artistic StrategyWhat becomes of the body in the work of artists who challenge cisheteronormative frameworks? | Cassie Packard The Medieval Body Balances the Heavenly and CorporealCentral to The Medieval Body at Luhring Augustine is the tension between the bloodied or bruised abject body and the beatified soul. | Jillian McManemin An Artist Welcomes You With the Tools of Play TherapyMimi Park’s artwork is about the DIY creation and sustenance of an open-ended, experimental ecosystem, a non-hierarchical space of aimless exploratory interactions — in short, play. | Cassie Packard Elizabeth Glaessner’s Wonderfully Weird MenagerieThe notion of stories, bodies, and selves that change incrementally and radically as they repeat pervades the mesmerizing world of Glaessner’s Phantom Tail. | Cassie Packard The Pleasures of Slow LookingJule Korneffel is not after denial in her paintings but rather affirmation, even in these chaotic, seesawing times. | John Yau Become a member today to support our independent journalism. CLOSING SOON Tom Burckhardt, “Monster Shame” (2021), oil on linen, 20 x 16 inches (© Tom Burckhardt, courtesy the artist and George Adams Gallery, New York. Photo by George Adams Gallery) Elmer Bischoff/Tom Burckhardt: A Dialogue Elizabeth Glaessner: Phantom Tail Rackstraw Downes: Drawings ON VIEW The New Bend Gillian Wearing: Wearing Masks Vik Muniz: Scraps Mimi Park: Dawning: dust, seeds, Coplees Jule Korneffel: Here comes the night |