New York
February 16, 2022 • View in browser
Brenda Goodman’s Fearless Self-Portraits
While I have seen Goodman’s self-portraits numerous times, the unlikely combination of raw pathos and tenderness always stops me in my tracks. | John Yau
SPONSORED
Jennifer Packer Shows Us the Responsibility of Seeing
Most everything in this show, is unsure, a maybe, might be there, might not be, could fulfill your hopes, might leave them by the side of the road. | Seph Rodney
“Creative Seeing” in the Paintings of Elmer Bischoff and Tom Burckhardt
Bischoff and Burckhardt questioned assumptions and conventions regarding abstraction and how we apprehend it. In fact, their questioning is what makes this a fruitful pairing. | John Yau
SPONSORED
Museum of the Moving Image Launches Screening Series Focused on Extinction & Life as It Might Be
MoMI’s yearlong Science on Screen series opens February 13 with classic films Woman in the Dunes and The World, the Flesh, and the Devil presented in 35mm. Learn more.
Deborah Jack Explores the Shared Histories of the Body and Landscape
A current retrospective highlights Jack’s insistence on photography’s capacity to express stories held in the environment rather than the archive. | C. C. McKee
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CLOSING SOON
Adjani Okpu-Egbe, Trip Hazard, 2014, mixed media on canvas, 48 x 60 in. (image courtesy of the artist)
On Delegitimization and Solidarity: Sisiku AyukTabe, the Martin Luther King Jr. of Ambazonia, the Nera 10, and the Myth of Violent Africa
International Studio & Curatorial Program through February 25
Mary Lum: When the Sky Is a Shape
Yancey Richardson through February 26
Jane Freilicher and Thomas Nozkowski: True Fictions
Milton Resnick and Pat Passlof Foundation through February 26
