New York
May 26, 2021 • View in browser
In the latest museum news, workers at the Brooklyn Museum are moving to unionize. The union vote petition comes on the heels of allegations of “harm and daily mistreatment” from staff of color at the institution. 
In Manhattan, contributors Billy Anania and Sinclair Spratley review exhibitions that have stuck with them lately: a winning critique of the old imperial smoke and mirrors act at Carriage Trade, and MoMA’s first exhibition dedicated to Blackness and architecture, respectively. Spratley calls the latter “dense, and rightfully so.”
In another exercise in unpacking, artist Robert Visani takes a clever (and recyclable) approach to paternalistic tropes of British anti-slavery campaigns.
— Dessane Lopez Cassell, Editor, Reviews
From Humble Materials...
Do-It-Yourself Sculptures That Probe the White Savior Narrative
Plywood Obelisks Reflect on a Year of Racial Justice Protests
New York News
Latest Reviews
Revealing the Prickly Side of Imperial “Soft Power”
Don Voisine’s Restless Shapes
In "Reconstructions," Black Artists and Architects Move Beyond the Limitations of the Present
Lingering in the Crossroads Between the Human and the Divine
Guy Goodwin’s Colorful Inelegance
Closing Soon
L. Brandon Krall, “Experior” (1989), oil on canvas, 48 x 48 inches (courtesy Steven Harvey Fine Art Projects)
L. Brandon Krall, “Experior” (1989), oil on canvas, 48 x 48 inches (courtesy Steven Harvey Fine Art Projects)
On View in NY Museums
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