It was snowing this past Saturday, and as I tromped through the newly pearly plain beneath the subway tracks, I realized I didn’t quite recognize the white-blanketed world of my own neighborhood.
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New York • February 11, 2025

It was snowing this past Saturday, and as I tromped through the newly pearly plain beneath the subway tracks, I realized I didn’t quite recognize the white-blanketed world of my own neighborhood — a feeling simultaneously jarring and wondrous.  

Some of this week’s reviews similarly address the ways that the surreal can bubble up in the everyday. Alexis Clements’s review of the Guerilla Girls, for instance, is in conversation with Hrag Vartanian’s around the efficacy of the group’s strategies of revealing the inequities of the art world. Natalie Haddad walks us through the dark fairytales of Nathalie Djurberg and Hans Berg — gold beavers and girlish pigs acting out tales of iniquity — remarking dryly that it’s about as dreamlike as the nightly news. And don’t miss Haddad’s review of the light-infused landscapes of Etel Adnan and my review of Cy Twombly’s little-seen experiments on canvas and paper. 

Brecht Wright Gander points out that Allan Wexler’s elegant sculptures magnify the prosaic absurdities of life (though not without railing against our word count first). In one work, Wexler drives wedges into a twisted tree branch to straighten it out; in woodworking nomenclature, Gander tells us, that’s called making something “true.” Stay true out there, whatever that means in a world as warped as this. And remember that there are guideposts all around to help straighten out your thinking, from the art in the galleries to the ephemeral eden of an expanse of snow.

— Lisa Yin Zhang, Associate Editor

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Five NYC Art Shows to See This Week

From AbEx giant Cy Twombly to explorations of assimilation by Serena Chang to the politics of prettiness in the portraits of Marie Laurencin, these shows deserve close looking.

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FROM OUR CRITICS

Natalie Haddad

Etel Adnan: This Beautiful Light at White Cube

“How many visitors had been raised, like myself, in the diaspora, surrounded by pictures and stories of a bygone Lebanon, grown-ups mythologizing the landscape so that it seemed eternal to a child, the sun-bleached buildings and Roman ruins radiating an otherworldly light?”

Nathalie Djurberg and Hans Berg: Only for the Wicked at Tanya Bonakdar Gallery 

“The show is a grand drama of depravity and degradation, sometimes enacted by official powers like Church and State, other times by rogue players exploiting their powers of intimidation.”

Marie Laurencin: Works from 1905 to 1952 at Almine Rech Gallery

“The beauty that charmed Laurencin is not limited to an individual’s appearance; it is a state of being.”

Lisa Yin Zhang

Cy Twombly at Gagosian Gallery

“These works are distinctly earthly endeavors, showcasing the human hand in all its striving.”

Hrag Vartanian

Nolan Oswald Dennis: overturns at the Swiss Institute

“That invitation to reimagine — and the ability to withhold — is an apt way to see how art can promise the unattainable, creating spaces that have never existed before while demanding we follow certain rules to be granted access.”

Serena Chang: Sweet Water at Island Gallery 

“The suggestion of a field evokes the memory of a historical time and place, utilizing a product that was once ubiquitous for working women as a way to conform to corporate standards, encouraging them to cover up for propriety’s sake.”

Brecht Wright Gander

Allan Wexler: Probably True at Jane Lombard Gallery 

“If [Allan Wexler’s] work is otherworldly, its strangeness is still tethered to this one.”

Alexis Clements

Discrimi-NATION: Guerrilla Girls on Bias, Money, and Art at Hannah Traore Gallery 

“Revisiting their work at this moment feels useful and important, but it is also a reminder that for these kinds of pressure campaigns to produce results, those in power must be ashamed of their behavior or worried enough about saving face with funders and buyers that they change.”

CLOSING SOON

AX Mina

Enzo Camacho and Ami Lien: Offerings for Escalante at MoMA PS1 through Feb 17

“As [the children in Enzo Camacho cycle through the lyrics, they point at other kids in the circle, and one becomes “it,” as in tag: “Dead, alive. Who will leave your mother’s place?”

WHAT ELSE IS HAPPENING?

  • The Brooklyn Museum will lay off dozens of workers due to a $10 million budget deficit. 

  • In happier news, the Schomberg Center for Research in Black Culture is celebrating its 100th birthday.  

  • Editor-in-Chief Hrag Vartanian will be in discussion with Tamara Lanier about her new book documenting her struggle with Harvard over ownership of photographs of her ancestors. [hyperallergic.com]

  • Aperture, Parsons, and the Vera List Center team up for a conversation about Maurice Berger’s Race Stories: Essays on the Power of Images (2024) at the New School. (Wed Feb 12) [aperture.org

  • Eric Adams was just effectively un-indicted by the Justice Department, in part due to the proximity of the election. Thursday the 13th is the final day to change your party affiliation and vote in the primary. [vote.nyc]

  • Mohammed El-Kurd will be in conversation with Fred Moten to discuss Perfect Victims, his book about treating Palestinians with dignity, at McNally Jackson Seaport. (Thu Feb 13) [mcnallyjackson.com]

  • Thots & Trots: A Socialist Singles Mixer is happening at SILO Brooklyn this Thursday. (Thu Feb 13) [instagram.com]

  • In 2011, Lindsay Caplan, Colby Chamberlain, and Nadja Millner-Larsen began thinking through their individual book projects in the wake of Occupy Wall Street’s encampment. Now, they discuss its impact on their now-published books at Printed Matter. (Thu Feb 13) [printedmatter.org]

  • MORESOUPPLEASE — Isaac “Soup” Campbell’s DJ persona — is headlining House Party, an audio experience and opening reception for his exhibition at BRIC. (Sun Feb 15) [bricartsmedia.org

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