In this issue:- This weekend’s “People’s Ball” at the Brooklyn Public Library is your antidote for the Met Gala
- John Yau reviews Maia Ruth Lee’s multidisciplinary work, which goes beyond the literal as she shares her experiences with migration, diaspora, and rootlessness
- Censored in its home country, an award-winning Pakistani film is screening in full at NYC’s Film Forum
We rely on member support to publish quality arts journalism and criticism that is free and available to all. Unlike the Met Museum’s fest, this beloved Brooklyn celebration is completely free and no invitation is required. | Elaine Velie The People’s Ball Apr. 30 Brooklyn Public Library, 10 Grand Army Plaza, Prospect Heights (bklynlibrary.org) Marking the 80th anniversary of the Warsaw Ghetto Uprising, this exhibition at the Derfner Judaica Museum includes 36 images from 1993 and 1994 by noted street photographer Jill Freedman documenting sites of destruction and the resurgence of Jewish life after the Holocaust in Hungary, Poland, and the Czech Republic. Learn more Jill Freedman (b. Pittsburgh, Pennsylvania, 1939–d. New York City, 2019), “Auschwitz 1. Tourist family entering gas chamber” (detail) (1994), gelatin silver print, 8 1/2 x 12 11/16 inches (courtesy the Jill Freedman Family Estate) Maia Ruth Lee wants viewers to make associations as well as recognize the unstable world in which she and many others live. | John Yau Maia Ruth Lee: The skin of the earth is seamless Apr. 6–May. 6 Tina Kim Gallery, 525 West 21st Street, Chelsea (tinakimgallery.com) On view through October 1 at the Jewish Museum in New York, this exhibition features works by 47 contemporary artists made between 1963–2023. Learn more. Saim Sadiq’s award-winning film is still banned in Punjab, where it was filmed. | Rhea Nayyar Joyland is a breakthrough film that holds the mirror up to Pakistan’s past, present, and future through an examination of womanhood and its expectations, for both trans and cis women, within the combined web of patriarchy and religion. And through its confrontation of womanhood is truth in how stringent gender roles impact men as well, a side effect that has yet to be unpacked across South Asia.
Joyland Screening through May 4 Film Forum, 209 West Houston Street, South Village (filmforum.org) On May 6, come watch the races, party, and leave with a work of art — all in support of the Brooklyn arts organization! Learn more. Jesus Benavente presents I Am America and America Hates Me, a series of installations and performances exploring how our surroundings shape our sense of self and the permissible. On view in Purchase, NY, May 3–7. Learn more. Of Mythic Worlds: Works from the Distant Past through the Present Mar. 8–May 14 The Drawing Center, 35 Wooster Street, Soho (drawingcenter.org) Bispo do Rosario: All Existing Materials on Earth Jan. 25–May 20 Americas Society, 680 Park Avenue, Upper East Side, Manhattan (as-coa.org) Crafting Freedom: The Life and Legacy of Free Black Potter Thomas W. Commeraw Jan. 27–May 28 New-York Historical Society, 170 Central Park West, Upper West Side, Manhattan (nyhistory.org) | Read the review. Uncommon Denominator: Nina Katchadourian at the Morgan Feb. 10–May 28 The Morgan Library & Museum, 225 Madison Avenue, Murray Hill (themorgan.org) Claude Gillot: Satire in the Age of Reason Feb. 24–May 28 The Morgan Library & Museum, 225 Madison Avenue Murray Hill (themorgan.org) What That Quilt Knows About Me Mar. 17–May 28 American Folk Art Museum, 2 Lincoln Square, New York, Upper West Side (folkartmuseum.org) Deconstructing Power: W. E. B. Du Bois at the 1900 World’s Fair Dec. 9–May 29 Cooper Hewitt, Smithsonian Design Museum, 2 East 91st Street, Upper East Side (cooperhewitt.org) For more recommendations, check out our Spring 2023 New York Art Guide. |