New YorkNovember 17, 2021 • View in browserA Cameroonian Artist Explores the Ambazonian Fight for Post-colonial FreedomIn his Afro-Expressionist paintings and installations, Adjani Okpu-Egbe ruminates on native resistance in Cameroon and the colonial propaganda promoted in mainstream media. | Billy Anania The Coexistence of Beauty and Evocations of Race and Power“Behold” here, in this exhibition, is an invitation to see the intertwining of aesthetic concerns and the rigors of political and historical exploration. | Seph Rodney Addie Wagenknecht’s Fraying of AmericaIn her solo exhibition, the artist creates an installation that is many things but unified is not one of them. | Hrag Vartanian Betsy Damon’s Pioneering Ecofeminist PracticeCurated by Monika Fabijanska, Betsy Damon — Passages: Rites and Rituals pulls Damon’s performance practice out from oblivion. | Ksenia M. Soboleva For Shigeko Kubota, Video Lived in the Moment of Its TransmissionThe Museum of Modern Art’s retrospective exhibition Liquid Reality showcases how Kubota turned video art into sculpture. | Justin Kamp A Rare Series of Watercolors by Hilma af Klint Is on View in ManhattanTree of Knowledge, a suite of eight paintings by the beloved artist and spiritualist, is up at David Zwirner Gallery. | Valentina Di Liscia Forgivable Lies, Three Painters Keep You GuessingIn a psychological context, confabulation refers to obvious falsehoods invented by individuals to fill gaps in their memory. In art, it’s more nuanced. | Peter Malone Support HyperallergicYour contributions support Hyperallergic's independent journalism and our extensive network of writers around the world. CLOSING SOON Emily Eveleth, “Boudoir” (detail, 2021), oil on panel, 26 x 18 inches (courtesy Emily Eveleth/Miles McEnery Gallery, New York, NY) Emily Eveleth Lennart Anderson: A Retrospective With Pleasure: Pattern and Decoration in American Art 1972–1985 at Hessel Museum of Art, Bard College, through November 28 |