"[Kenneth] Tam always comes back to the body." Contributor Aaron Hunt surveys Silent Spikes, the art
“[Kenneth] Tam always comes back to the body.” Contributor Aaron Hunt surveys Silent Spikes, the artist’s current show at the Queens Museum, which presents a vision of Asian American masculinity that feels blissfully “free of performativity, ulterior motives, or deflections.”In Manhattan, the famed artist and architect Maya Lin will soon erect a deadly accurate installation about the growing climate emergency, and Adjua Gargi Nzinga Greaves’s imagines a radical, botanical future at Artists Space.More, more, more below.— Dessane Lopez Cassell, Editor, Reviews | |
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A Painter of Organized Chaos Brazilian artist Caetano de Almeida lets colors call to colors, and shapes to shapes, as he works his way across the painting. John Yau |
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| Ilse D’Hollander, “Untitled” (1990/1991), mixed media on cardboard (© The Estate of Ilse D’Hollander, courtesy Sean Kelly, New York) |
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