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New YorkJuly 27, 2022 • View in browserRobert Colescott’s Indecorous TruthsColescott’s use of stereotypes and humor continues to make viewers feel uncomfortable because it jabs indelicately at our complicity. | John Yau SPONSORED SVA MFA Fine Arts Opens 2022 Thesis Exhibition in New York CityOutro: World-Building Within and Outside the Studio at the SVA Chelsea Gallery features new work by 26 recent graduates, on view through August 15. Learn more. WHAT TO CATCH THIS WEEKEND Untitled painting by Lee Lozano (1963) (photo by Stefan Altenburg, courtesy Hauser & Wirth) Lee Lozano: All Verbs & Cindy Sherman 1977–1982 Hauser & Wirth’s summer programming highlights Cindy Sherman’s early series of staged images and Lee Lozano’s warm yet haunting minimalist oil paintings. From Student to Master: Tokuko Ushioda and Her Teachers The exhibition traces the pedagogical influence of Ushioda’s lesser-known mentors, Yasuhiro Ishimoto and Kiyoji Ōtsuji. Between Worlds Two group exhibitions at the Red Hook gallery trace the influence of Japanese printing traditions on contemporary artists. Tuçe Yasak: Light Is Generous Tuçe Yasak’s summer residency Light Is Generous creates space for silent introspection, with colorful lights and shadowplay on reflective sculptural installations. Support Hyperallergic's independent journalismBecome a member today to help keep our reporting and criticism free and accessible to all. Become a MemberLATEST REVIEWS We Need to Talk About the Middle PassageDoreen Lynette Garner renders flesh in silicone with unforgiving realism, representing the pathology of colonialism, slavery, and white supremacy. | M. Charlene Stevens Who Has the Authority to Tell a Region’s History?Lydia Ourahmane asks whether her journey to the remote Tassili n’Ajjer plateau should be considered neocolonial tourism or an artistic exploration of cultural heritage. | Annabel Keenan The Visionary From AntiguaThe sense of isolation, of being alone in the natural world, is pervasive in Frank Walter’s art, and yet one can also sense a muted calm. | John Yau CLOSING SOON Woomin Kim, “Shijang: Out of Business” (2021), fabric, 56 x 54 inches Woomin Kim: The Shijang Project By Land, Air, Home, and Sea: The World of Frank Walter Ani Liu: Ecologies of Care Lydia Ourahmane: Tassili ON VIEW IN MUSEUMS & GALLERIES Steven Anthony Johnson II: Getting Blood from Stone Francheska Alcántara: Secure the Bag, Mint the Soaps, and Throw the Bones Suzanne Lacy: The Medium Is Not the Only Message Garmenting: Costume as Contemporary Art Passages: Sculpture by Liu Shiming everything slackens in a wreck BLACK VENUS Our Streets! Our City! Self-Determination and Public Space in NYC Carla Zaccagnini: Accounts of Accounting
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