New York
May 19, 2021 • View in browser
Organizing is in the air. In Midtown, “Strike MoMA” protests are growing and further downtown, staffers at the Whitney Museum announced plans to unionize. Meanwhile, guerrilla projectionists bathed a building in glowing messages of solidarity with Palestinian communities.
Elsewhere in the city, contributor Ilana Novick basks in the resonant works of Nan Goldin, now on display in a massive solo show at Marian Goodman, while Alexandra Thomas examines Maren Hassinger’s stately vessels.
— Dessane Lopez Cassell, Editor, Reviews
The Thrill and Intimacy of Nan Goldin’s Gaze
New York News
Fred Wilson’s installation “Guarded View” (1991), featuring four headless mannequins dressed as museum guards, housed in the Whitney’s collection (photo by Edward Blake via Flickr)
Fred Wilson’s installation “Guarded View” (1991), featuring four headless mannequins dressed as museum guards, housed in the Whitney’s collection (photo by Edward Blake via Flickr)
Also: After a yearlong delay, Film at Lincoln Center is now hosting in-person screenings of the newly restored films featured in its Wong Kar-wai retrospective. If you’re game for going to the theater again, there’s no better choice.
Latest Reviews
The Poetic Grace of Maren Hassinger’s Vessels
What Abstraction Can Face Up To
Artists Channel the Collaborative Ethos of New York's Lower East Side
An Artist Standing Outside an Either/Or World
Closing Soon
David Hammons, “The Wine Leading the Wine” (c. 1969) grease and pigment on paper, (Hudgins Family Collection, New York)
David Hammons, “The Wine Leading the Wine” (c. 1969) grease and pigment on paper, (Hudgins Family Collection, New York)
On View in NY Museums
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