New York

September 1, 2021 • View in browser

Your Concise New York Art Guide for September 2021

Greet fall with Hyperallergic’s September art guide in your back pocket. From an experimental opera inspired by new research into arboreal communication, to the first New York City solo exhibition dedicated to celebrated Gee’s Bend quilter Mary Lee Bendolph, to the Armory Show, which boasts over 200 exhibitors this year, options abound. Enjoy!

— Cassie Packard

The Collective: Chosen Family
Martos Gallery, September 8–October 23

Artmaking under carceral conditions can be a profoundly communal act, with materials, specialized knowledge, and care flowing from networks of support among incarcerated, formerly incarcerated, and otherwise system-impacted people. During their time at Federal Correctional Institution (FCI) Fairton, a men’s prison in New Jersey, Jesse Krimes, Jared Owens, and Gilberto Rivera committed themselves to fostering one another’s artistic practices longterm. The Collective: Chosen Family presents their work as well as that of Mary Enoch Elizabeth Baxter (aka Isis Tha Saviour), Tameca Cole, Russell Craig, and James “Yaya” Hough, who also make art that reflects their experiences of incarceration and their investment in carceral communities.

The Armory Show
Javits Center, September 9­–12

The Armory Show, now on its 27th edition, will be held at its new digs at the Javits Center for the first time (and in the fall rather than the spring). Fifty-five of the 212 participating galleries have moved their booths online due to the pandemic — and in the case of some far-flung galleries facing travel restrictions, physical booths will be staffed by “proxy booth attendants.” There will be a lot to see, though between the ongoing pandemic and the art world’s carbon footprint problem, big international art fairs might be losing their luster.

Pamela Council: Bury Me Loose
Denny Dimin Gallery, September 10–October 23

Pamela Council brings together Black vernacular camp, pop culture, horror, and humor in their visceral, ongoing exploration of “Blaxidermy,” a fusion of the words “taxidermy” and “blaxploitation.” Among the works on view are a scale model of a racetrack built from fake nails modeled on the manicure of Olympic track star Florence Griffith-Joyner, and a video of a recent “Juneteenth fountain” from the artist’s Fountains for Black Joy series.

Dawoud Bey: In This Here Place
Sean Kelly Gallery, September 10–October 23

For the third installment of Dawoud Bey’s History series (2012–present), which has previously delved into the 16th Street Baptist Church Bombing in Alabama and the Underground Railroad in Ohio, the photographer visited the site of former slave plantations in rural Louisiana. The resulting evocative, large-format black-and-white photographs, and one multi-channel video, bear witness to painful and complex Black histories that are embedded in the American landscape. It is also the last chance to see Dawoud Bey: An American Project at the Whitney Museum, a major survey of the artist’s work — including some pieces from the History series — that will close in early October.

Bushwick Open Studios
Various location throughout Brooklyn, September 17–19

Organized by volunteer-based nonprofit Arts in Bushwick, the annual Bushwick Open Studios (BOS) invites the public into the studios of local artists at venues scattered across the neighborhood. This year, additional offerings include an opening exhibition at a warehouse at 49 Wyckoff Avenue — where BOS is also inviting local artists to paint murals — and a film festival that centers the work of Black and Brown independent filmmakers. Stay tuned for an official map of the event.

The Last Stand
Prospect Park, September 18–October 10

What would an opera for trees sound like? For Creative Time’s Emerging Artist Open Call, experimental composer and performer Kamala Sankaram worked in the spirit of musique concrète, building an aural assemblage of field recordings, archival nature sounds, and abstract sonic loops to tell the story of a three-centuries-old Northern Red Oak located in the Black Rock Forest in the Hudson Highlands. The 10-hour soundscape, which was inspired by recent research surrounding communication and cooperation among trees, will emanate from multi-channel speakers and vibrating benches set amid the trees of Prospect Park.

Piece of Mind: Mary Lee Bendolph
Nicelle Beauchene Gallery through September 25

Gee’s Bend, an isolated hamlet in rural Alabama with a predominantly Black population, is celebrated for its rich quilting traditions, which have been established over three generations. Piece of Mind features a collection of bold quilts made from 1979 to 2010 by Mary Lee Bendolph, who is perhaps the best known of the Gee’s Bend strip quilters. Composed of simple geometric shapes made of repurposed found fabric including denim, satin, and corduroy, the quilts frequently occupy improvisational terrain, riffing on the local canon.

Shigeko Kubota: Liquid Reality
at the MoMA through January 1, 2022

Shigeko Kubota may not be a household name, but the early Japanese video artist and Fluxus “vice president,” who died in 2015, perhaps should be. Video sculptures made between 1976 and 1985 are the subject of this small but mighty museum exhibition, the artist’s first in the US in 25 years. A highlight is the first video sculpture ever acquired by MoMA (in 1981), an homage to Marcel Duchamp’s famous painting “Nude Descending a Staircase” for which Kubota embedded a series of video monitors into a plywood staircase.

“From Surface to Space”:
Max Bill and Concrete Sculpture in Buenos Aires
Institute for Studies on Latin American Art through October 30

Challenging the common Western-centric narrative of concrete art, From Surface to Space considers the reciprocal relationship between Swiss artist Max Bill and Latin American concrete artists affiliated with the Buenos Aires-based groups Arte Madí and Asociación Arte Concreto-Invención. The exhibition presents a number of elegant and animated sculptures by Argentine artists Claudio Girola, Enio Iommi, and Gyula Kosice, Uruguayan artist Carmelo Arden Quin, and Max Bill, as well as charcoal drawings by Argentine painter Lidy Prati that playfully invert the sculptural notion of “drawing in space.”

59th New York Film Festival
Lincoln Center for the Performing Arts, with select virtual events,
September 24–October 10

For its 59th edition, the New York Film Festival will take place in-person, with a selection of virtual events but no virtual screenings. Take in the US premiere of Thai auteur Apichatpong Weerasethakul’s Memoria, starring Tilda Swinton as a botanist haunted by an auditory aberration; the world festival premiere of octogenarian Armenian director Artavazd Peleshian’s first feature film in 27 years, Nature; and a special sidebar dedicated to Amos Vogel, the late film programmer and film historian who ran the New York City avant-garde film society Cinema 16 with his wife Marcia Vogel from 1947 to 1963.

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CLOSING SOON

Guadalupe Maravilla: Planeta Abuelx at Socrates Sculpture Park through September 6

Wu Tsang: Anthem at the Guggenheim Museum through September 6

Marcia Schvartz: Works, 1976–2018 at 55 Walker through September 7

Niki de Saint Phalle: Structures for Life at MoMA PS1 through September 6 

ON VIEW IN MUSEUMS

Born in Flames: Feminist Futures at the Bronx Museum of the Arts through September 12 

Louise Bourgeois, Freud’s Daughter at the Jewish Museum through September 12

Off the Record at the Guggenheim Museum through September 27

Lynn Hershman Leeson: Twisted at the New Museum through October 3

Gregg Bordowitz: I Wanna Be Well at MoMA PS1 through October 11

Deana Lawson, Centropy at the Guggenheim Museum through October 11

Kusama: Cosmic Nature at the New York Botanical Gardens through October 31