Letter from the editor: This week, our staff writer Valentina Di Liscia spoke with an all-female group of Dominican artists about the protests they organized around New York City, in the wake of allegations of corruption and electoral sabotage on the island. Her story about their “Velada para la democracia” (“Vigil for democracy”) is worth reading if you’ve been similarly alarmed by threats to democracy around the world. Hakim Bishara also recently broke the news of a protest at MoMA PS1, during which activists had planned to tear down the work of Berlin-based Iraqi artist Ali Yass (with his consent). The guerilla action was meant “to protest alleged ties of MoMA board members to defense contractors and the prison-industrial complex,” but instead a standoff with security ensued. On a lighter note, if you’re looking for a fun trip down movie memory lane, Astoria’s Museum of the Moving Image recently opened Envisioning 2001: Stanley Kubrick’s Space Odyssey, an ode to the cult favorite. Our documentary editor Dan Schindel calls it “a thrill for anyone who has ever been affected by the movie.” Read more about it here. Dessane Lopez Cassell Your useful guide to the fairs and exhibitions of interest this week. Valentina Di Liscia A yearlong series at the Bronx Documentary Center shows how nativist US immigration policies have affected people from many different walks of life. Dan Schindel | Bronx Documentary Center, through March 29 We’ve partnered with several of this week’s Art Fairs in NYC to offer special discounts to Hyperallergic Subscribers!Just use the codes or links below to reserve your tickets. (Limited to 200 each) Following the passage of a new local law, NYC Council is establishing a task force to evaluate the creation of a museum on African American civil rights history in the city. For the closing of The Gulf Wars exhibition, one of the participating artists, Ali Yass, planned a guerrilla action to tear his drawings off the walls. After Dominican Republic’s municipal elections were abruptly halted, protesters gathered in New York City and around the world to demand electoral transparency and accountability. The announcement quelled concerns by community members that the city had neglected its pledge to help recover the museum’s damaged archives. Little of the information presented in Envisioning 2001 will be new to Kubrick diehards, but it gathers artifacts that offer a thrill for anyone who has ever been affected by the movie. Dan Schindel | Museum of the Moving Image, through July 19 Irena Haiduk materializes the fictional spaces in Mikhail Bulgakov’s Master and Margarita, imbuing them with her own imagination and creating the alternative realities Bulgakov’s Stalinist government so feared. Ksenia M. Soboleva | Swiss Institute, through March 22 It’s hard to identify precedents for Christopher Wilmarth’s sculpture, which uses its banal modern materials purely abstractly. David Carrier | Craig F. Starr Gallery, through March 14 “Each film in the series, in its own way, provides a more authentic connection to Black women’s expression, stories and experiences,” said Dara Ojugbele, one of the curators of the two-week program at MoMA. Beandrea July | MoMA, through March 5 These plays depict a reality that seems familiar and plausible yet feels dreamlike, monumental, and mythical. Paul David Young | Mabou Mines, through March 7 |