In the Press

“Part of that wealth and social status came from trading in luxury goods, but also enslaved people from Africa.” —Chief curator Soyoung Lee discussing recent efforts to rewrite the gallery label for a Copley portrait of Nicholas Boylston with The New York Times
“When we consider an American canon, Homer sits right up top: a plainspoken virtuoso of the real, with a supreme command of color and a blunt narrative sense that made his painting distinctly American.” —Murray Whyte reviews Winslow Homer: Eyewitness for The Boston Globe
“If you go through Majnu ka Tilla, it’s like a little Tibet—they’ve held onto their culture, they’ve held onto their values.”
—Serena Chopra speaks with Architectural Digest India about her photos on display in Crossing Lines, Constructing Home

Image (header): Visitors pose with the “I belong” graphic just outside our Crossing Lines, Constructing Home exhibition. Photo: Caitlin Cunningham.