FineArtViews - The AMP Newsletter


Hi There,


FASO artist websites were designed with the artist in mind. We make it easy to build and generate a beautifully designed website that will continue to work for you day after day. And, even better, you can sell your art right from your artist website with our built-in ecommerce.


In the article below, Tina Garrett, artist and FineArtViews Guest Contributor details 8 website content strategies that can be utilized whether you're just starting out or you're needing to spruce up your existing artist website.


Don't forget to send in your questions so they can be answered in an upcoming newsletter!


If you're struggling to sell your art online or just want to boost your art sales, click here to sign-up for a free trial of FASO today.


By the way, for my latest thoughts on art marketing, posted daily, please follow me on Twitter.


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Enjoy,

Clint Watson




I often work with artists who have been students for the better part of their painting experience. They have put a lot of time, sometimes years, into developing their skills and are beginning to see the fruits of their labor. Their paintings are improving, they are creating work that is consistent and they are beginning to truly create beyond the lessons they've learned and to develop a voice of their own.


This is right about the time that their work catches the attention of collectors, who begin to ask where they can see more of their work for sale. These students start to ask me less and less about how to create good art and more and more about how to talk about themselves and their work publicly, and how to sell their work. Well, first on the agenda is a website.


This is typically a very exciting time for a painter. It feels so great to finally start creating works you know are going to be up to your own good standards and taste. Many artists want to set up a fully functioning website at this point, but the bulk of the work they have done is usually student-level work. They don't have enough work to create fully-developed websites. However, waiting until they do is really difficult; nobody wants to have a one page website.


These artists are stuck in the gap between student and professional, so they feel compelled to include their student work on their websites anyways. Unfortunately, this can backfire. Yes, if you include student work on your website, you may have 30 paintings to display, but if 25 of them are not up to par, they bring the value of your 5 finest works down.


As the great Casey Baugh taught me, your greatest artwork is judged by your worst. Don't worry, he also says even the masters made bad paintings, only they were smart enough not to show them off!



Collectors don't usually know how to compare your student work to your best work, especially if you have not labeled your student work as such. In the collectors mind, you've created all the works on your website within a year or so. There is no way they could know that most of your work was created under a teacher five or more years ago. So they get the overall impression that your work is sometimes pretty good - and that's not nearly good enough.


Here are some simple website content strategies for artists right on the cusp of professionalism.



1. Remove your student quality work from your website or from your public albums on social media. This way, when a potential collector googles you, only your finest paintings are likely to show up. In Facebook, simply create a photo album labeled Student Work, go through your images, send all your student quality images into that album, and choose the setting: ONLY ME for the whole album. That way you can still see the images, but no one else can.


2. Get great images of your best paintings, and take some in multiple different scenarios: unframed, framed, framed and hung on the wall, detailed shots of different areas within the same painting. Now you have four images of the same work, so even if you only have ten great paintings on your site, at a glance it looks like you have more!


3. If you have a website design like mine, you can use detailed images as your backdrops. This is a lovely way to create the appearance of more artwork.


4. Use a simple and spaced design. If your website design is frilly or crowded with graphics and buttons, it will drown out your few lovely works of art. Remember, everything on your site should support the images of your work, and finding out how to look at your work and purchase it should be effortless.


5. Include a few pages in your website other than 'available works.' This could include images of works in progress (only if they look good while in progress!), videos of you painting, a blog, events, news, a bio, contact information, etc. The point is to engage those who are interested in coming to your site without making it hard for them to buy your art.


6. Separate your available work into categories such as small works, large works, sketches, themes, and series.


7. Make it easy for those who are interested in your work to connect with you either by emailing you or following you on social media or both.


8. List your prices, or at least a price range, for each of your categories. If you don't have gallery representation, your website is your storefront, so this is crucial. Read my three part blog on how to price your work to see if my strategy works for you (Part 1 here!). If you are starting out selling through a gallery, well done, you! Let that gallery earn their commission; you can simply display your work and point everyone to your gallery.



Sincerely,


Image 4212373


Tina Garrett

FineArtViews Guest Contributor




PS - If you're still not ready to pull the trigger and sign-up for your free account, click here and join us for an upcoming webinar and ask us anything that you want to know about the FASO platform before joining. The webinar is on June 23 at 12:00 PM ET / 11:00 AM CT / 10:00 AM MT / 9:00 AM PT.




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