| | | |  | | | Otto Steinert, Blick vom Arc de Triomphe [Vue de l’Arc de triomphe], 1951
© Museum Folkwang, Essen – ARTOTHEK | | | BLUR | | | | A PHOTOGRAPHIC HISTORY | | | | | | UNDER YOUR SMELL | | | | ECAL X JEAN PAUL GAULTIER | | | GABRIEL LIPPMANN | | | | COLOR PHOTOGRAPHY | | | | 3 March – 21 May 2023 | | | | Opening: Thursday 2 March 6pm | | |  | | | PHOTO ELYSEE Place de la Gare 17 . CH-1003 Lausanne
T +41(0)21-3169911
info@elysee.ch
www.elysee.ch
Mon, Wed 10am-6pm, Thu 10am-8pm, Fri-Sun 10am-6pm |  |
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| | | | | | | | | |  | | | Catherine Leutenegger, Apocalyptic-Post, Fire&Fury, 2022,
from the series Apocalyptic-Post, 2017 – ongoing
© Catherine Leutenegger, Collections Photo Elysée | | | BLUR | | | | A PHOTOGRAPHIC HISTORY | | | | | | | 3 March – 21 May 2023 | | | The exhibition traces the history of blur in photography, from the invention of the process to the contemporary era. With comparisons to painting and cinema, it tells the story – through key works – of the evolution of this form, as well as the values associated with it according to the different periods and photographic practices.
From Alfred Stieglitz to Gerhart Richter, and including Auguste Rodin, Man Ray, William Klein, Jan Groover and Sarah Moon, one can perceive the richness of blur, which often evokes an element and its opposite, whether in its relationship to reality or to mimesis, in its bourgeois and revolutionary affinities, in its relationship to amateurism and expertise, or in the technical virtuosity that it evokes, or on the contrary the primary defect it indicates. | | | | |
| | | | | | | | | | | | | | | | | |  | | | Gabriel et/ou Laurence Lippmann
"Bouquet de pavots d’Orient", 1892–1910
© Collections Photo Elysée | | | GABRIEL LIPPMANN | | | | COLOR PHOTOGRAPHY | | | | 3 March – 21 May 2023 | | | | This exhibition is the culmination of several years of collaborative work by Photo Elysée. It highlights images from the Gabriel Lippmann collection held at the museum and produced using the interferential technique – the color process for which Gabriel Lippmann was awarded the Nobel Prize in Physics in 1908. The museum holds the largest collection of plates made by Lippmann himself. | | | | | |  | | | Gabriel et/ou Laurence Lippmann
"Mont Cervin", 1893-1910
© Collections Photo Elysée | | | | | | | To better understand the complexity of interference photography, Photo Elysée joined forces with the AudioVisual Communications Laboratory (LCAV) of the Swiss Federal Institute of Technology in Lausanne (EPFL). This partnership not only allowed us to study the process, but also to explain it and present it to the public in an innovative way. In this exhibition, the display cases in which the plates are presented required research at the EPFL to create a unique lighting system, adapted to the observation of each original image. | | | | | | unsubscribe here
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© 26 Feb 2023 photography now UG (haftungsbeschränkt) i.G.
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Editor: Claudia Stein & Michael Steinke
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