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| | | | | | | | | | Photo London 2021 | | Photo London features the world's most iconic photographers, leading photography galleries and publishers, alongside the most exciting emerging galleries and talents exhibiting in the 'Discovery' section. VIP preview: Wednesday 8 & Thursday 9 September 11am-1pm Preview Day: Wednesday 8 September 1-9 pm Public days: Thursday, 9 September 1-9pm; Friday, 10 & Saturday, 11 September 11am-7pm; Sunday, 12 September 11 am-6.30pm | | | | | | | | | |
| | | | | | | | | Shirin Neshat, ‘Land of Dreams’ (video still), 2019. Courtesy of the artist, Gladstone Gallery, New York and Brussels and Goodman Gallery, London. | | Photo London Exhibitions » | | Photo London is delighted to present the 2020-2021 Master of Photography Award to the Iranian artist Shirin Neshat (b. 1957, Qazvin, Iran). The award is given annually to a leading contemporary photographer who is the subject of a special exhibition at the fair. Close Enough is dedicated to legendary Hungarian-American war photographer Robert Capa, and will feature a succession of iconic stories made throughout his career, from the altogether varying contexts in which he found himself. | | |
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| | | | | | | | | | | GUIDO GUIDI Audinghen, F, 11 July 2005, 2005 Photograph; C-type print 19.5 x 24.5 cm / 8 x 10 in © Guido Guidi Courtesy the artist and Large Glass, London | | | | | | | | | | MARK RUWEDEL 'Bunker, Camp Dunlap, CA #1A, 2004', 2004 Photograph; Gelatin silver print mounted on board Print size: 8 x 10 in / 20.3 x 25.4 cm Board size: 16 x 20 in / 40.6 x 50.8 cm © Mark Ruwedel Courtesy the artist and Large Glass, London |
| | | | This year’s Photo London presentation features two unique, and yet related, bodies of work: "Bunker - Along the Atlantic Wall" by the Italian photographer Guido Guidi and "Bunker", an ongoing series by the LA based artist Mark Ruwedel. Both photographers have featured prominently in Large Glass’s programme over the years.
Known primarily as a Western landscape photographer, LA-based Mark Ruwedel (b.1954) has acknowledged a varied range of artistic influences from 19th Century photographers Carleton Watkins and Timothy H. O’Sullivan, as well as Earthworks artists such as Robert Smithson and Michael Heizer, to the New Topographics photographers.
He won the Scotiabank Photography Award and a Guggenheim Fellowship (both in 2014), was shortlisted for the Deutsche Börse Photography Foundation Prize (in 2019) and is currently shortlisted for the Prix Pictet (2021).
Ruwedel has had solo exhibitions at the Chinati Foundation, Marfa, Texas (US); Presentation House Gallery, Vancouver and Southern Alberta Art Gallery, Alberta (CA) and, most recently, the California Historical Society, San Francisco (US) and Tate Modern, London.
His work was included in notable group shows such as "Walker Evans Revisited", Biennale für Aktuelle Fotografie, Mannheim (DE); "Mapping Space", Getty Museum, Los Angeles (US); "The Extended Monument"" Morgan Library, New York (US).
Mark Ruwedel is currently showing "Between: Artist Books, Albums and Portfolios from his Photography Archive at Stanford Libraries"", Stanford, California (US).
Guido Guidi (b.1941) is one of Italy’s most respected photographers. In his career, spanning more than four decades, architectural history, neorealist film, and conceptual art have all played a significant role in shaping his unsentimental but also intensely personal images of rural and suburban landscapes in Italy and Europe.
Guidi’s work was included in the seminal exhibition "Viaggio in Italia" curated by Luigi Ghirri in 1984 and has been exhibited at the Venice Biennale (2004), Centre Georges Pompidou, Paris (1989), Guggenheim Museum, New York (1994), Fotomuseum Winterthur (2014) and "Veramente", a retrospective, toured from the Henri Cartier-Bresson Foundation (Paris). A major exhibition of previously unseen and unpublished photographs taken in Sardinia, during two visits (1974 and 2011) was on view at MAN (Museo d’Arte Provincia di Nuoro), Sardinia (2019), accompanied by a publication (MACK) for which he was awarded the Hemingway prize (Premio Hemingway 2020) for Photography.
Guido Guidi is currently preparing for a major retrospective exhibition "From Zero", curated by Marta Dahó, at La Virreina, Barcelona due to open in October 2021.
Large Glass is an independent, commercial gallery. For a decade now, the gallery has worked with a range of significant international artists to conceive of and curate solo and group exhibitions through a particular and uncommon lens. The gallery’s effort is to show art in a wider cultural context that is thought provoking, rigorous, innovative and of exceptional quality. | |
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| | | | | | | | Alia Ali: Flight, MIGRATION series, 2021. Archival Pigment Print, mounted on aluminum Dibond in upholstered frame (wood & wax print), 152.5 x 112 x 7.5 cm (60 x 44 x 3 in), Ed. 3 + 1 EP + 1 AP | | | | | | | | | | Alia Ali: Magenta Leaves, FLUX series, 2021. Archival Pigment Print, mounted on aluminum Dibond in upholstered frame (wood & wax print), 124.5 x 89 x 6.5 cm (49 x 35 x 3 in) Ed. 5 + 1 EP + 1 AP | Alia Ali: Stripes, FLUX series, 2021. Archival Pigment Print, mounted on aluminum Dibond in white wooden frame, 84 x 84 cm (33 x 33 in) Ed. 5 + 1 EP + 1 AP |
| | | | We are very pleased to present a solo show by Yemeni-Bosnian-US multi-media artist Alia Ali (1985), featuring new work from her latest series MIGRATION and new editions from FLUX and INDIGO.
Find us at Booth D 18.
„MIGRATION engages a global dialogue, highlighting patterns of trauma, erasure, and reconstructed identities experienced by numerous nations and diasporic communities across the globe. Collectively the photographic sculptures in the series create a distorted constellation of imagery intended to suspend the viewer the multiple horizons of possibilities.“ Alia Ali
Alia Ali (Arabic: عاليه علي // Sabean: 𐩲𐩱𐩡𐩺𐩲|𐩲𐩱𐩡) is a Yemeni-Bosnian-US multi-media artist. Having traveled to sixty-seven countries, lived in and between seven, and grown up among five languages, her most comfortable mode of communication is through photography, video, and installation.
Alia’s work has been featured in the Financial Times, Le Monde, Vogue, and Hyperallergic. Alia has won numerous awards and has exhibited internationally. Her work is in collections at Princeton University, the New Orleans Museum of Art, the British Museum and numerous international private collections.
Alia Ali lives and works in Los Angeles and Marrakech, and is currently in residency at the Roswell Artist-in-Residence Program (RAiR) in Roswell, New Mexico. | |
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| | | | | | | | ERWIN BLUMENFELD Vogue, New York, 1953 1er mai 1953 120 x 100 cm Ink-jet print Courtesy Galerie Esther Woerdehoff | | | | | | | | | | ALBARRÁN CABRERA #640, 2020 The Mouth of Krishna 25 x 17 cm Pigments, Japanese paper and gold leaf Courtesy Galerie Esther Woerdehoff | KARLHEINZ WEINBERGER No. 62063152 1963 34,5 x 34,5 cm Silver gelatin print Courtesy Galerie Esther Woerdehoff |
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| | | | | | | | WILLIAM KLEIN Tatiana + Marie Rose + Camels, Morocco, 1958 (Vogue) Gelatin Silver Print | | | | | 3 book signings at Photo London: Bryan Adams: Friday 10th, 5 to 6 pm Bastiaan Woudt: Saturday 11th, 12:00 to 1 pm Nick Brandt: Sunday 12th, 12:00 to 1 pm | | | | | | | | BILL BRANDT Nude, London July, 1956 Gelatin silver print, printed 70’s | BASTIAAN WOUDT Hyde, 2021 Archival pigment print |
| | | | At this year's Photo London Atlas are showing new works by contemporary artists Nick Brandt, Bastiaan Woudt, Niko Luoma and Franco Fontana and an exceptional group of vintage works by masters such as Bill Brandt and Robert Capa.
The fair will be the official launch of Nick Brandt’s brand new series The Day May Break. This new collection, photographed in Zimbabwe and Kenya in late 2020, is the first part of a global series portraying people and animals that have been impacted by environmental degradation and destruction. The people and the animals in the photos were all affected by climate change, displaced by cyclones and repeated droughts. Photographed at five different sanctuaries, the animals were rescues which can never be re-wilded. As a result, it was safe for humans to be in proximity to them and photographed at close quarters within the same frame. The fog on location is the unifying visual, as we increasingly find ourselves in a kind of limbo, a once recognisable world now fading from view. However, in spite of their loss, these people and animals are the survivors. And therein lies possibility and hope.
With a dramatic approach to black and white Bastiaan Woudt reaches for universality through the abstraction of the individual traits into pure forms. In his portrait we aren’t presented with a specific person but rather an archetype of a woman that has become pure shape. His signature style– abstract yet sharp, with a strong focus on detail – permeate his new works, shown here for the first time. | | |
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| | | | | | | | Cut Out #44, 2020 CUT OUTS, 112,5 x 75 cm Archival Pigment Print © Jessica Backhaus, Courtesy Robert Morat Galerie |
| | | | | | | | | | Cut Out #18, 2020 CUT OUTS, 112,5 x 75 cm Archival Pigment Print © Jessica Backhaus, Courtesy Robert Morat Galerie | Cut Out #320a, 2020 CUT OUTS, 112,5 x 75 cm Archival Pigment Print © Jessica Backhaus, Courtesy Robert Morat Galerie |
| | | | Jessica Backhaus (*1970, Cuxhaven, Germany) is considered one of the most important voices in contemporary photography out of Germany. Her work has been exhibited internationally in numerous solo and group shows, e.g. at the National Portrait Gallery, London, Martin-Gropius-Bau, Berlin and MARTA Herford. In 2013, the Kunsthalle in Erfurt dedicated a large-scale museum exhibition to Jessica Backhaus. Jessica Backhaus’ works also have their permanent place in important collections, e.g. the collection of the Museum of Fine Arts, Houston, the Margulies Collection, Miami, the Art Collection of the Taunus Sparkasse, Bad Homburg, the Art Collection Deutsche Börse, Frankfurt and the ING Art Collection, Brussels. Kehrer Verlag, Heidelberg, has published eight monographs so far. | |
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| | | | | | | | © Paul Cupido, Umami, 2021 Handmade carbon print with ultramarine pigment on Kozo paper (left) and carbon print on gold sheets (right) 24 x 32 cm, Edition 5 & 3 AP Courtesy of Bildhalle | | | | |
| | | | | | | © Ilona Langbroek, Njai #3, 2020 from the series «Silent Loss» Archival pigment print on Canson Platine. Available: 60 x 40 cm, Edition of 7 & 2 AP. Courtesy of Bildhalle | © Ilona Langbroek, Njai #3, 2020 from the series «Silent Loss» Archival pigment print on Canson Platine. Available: 60 x 40 cm, Edition of 7 & 2 AP. Courtesy of Bildhalle |
| | | | Paul Cupido was born in 1977 on the small Dutch island of Terschelling. The inhabitants lived for the most part from what nature had to offer: from local food sources and the things that were washed ashore. The islanders' deep bond with nature and a life strongly affected by the rhythm of the seasons, the phases of the moon and the tides also characterize Cupido's artistic work to this day. He is convinced that people's lived existence is closely interwoven with nature. Paul Cupido's photographic explorations led him to Japan shortly after graduating from the Academy of Photography and later to the tropical zones of the Brazilian Amazon. But every investigation of a place by means of photography is for Cupido also a spiritual journey into his inner self. His mesmerizing image sequences seem to have been created at the transitional moment between day and night, in a zone without time and geographical placement, but full of magic, melancholic beauty and poetic power.
BILDHALLE present Ilona Langbroek’s personal series “Silent Loss”, which is based on her family’s history in the former Dutch East Indies. The Netherlands has a long history with the Dutch East Indies, which leave all kinds of traces that are reminiscent of the vast but also complex colonial past between these two countries. In fact, her work is about the lost identity of the large number of people who were forced to leave their country after the Independence and their emotions regarding this loss which are dormant but still very much alive. Langbroek shoots purely intuitively based upon her memories of her grandmother: how she looked, her accent and tone of her voice. In addition, research is an important part of the work to find inspiration. By studying books, interviewing people from previous generations and scrutinizing old photo albums, Lang¬broek gets closer to the life of her grandparents in the Dutch East Indies. Furthermore, her ideas are re¬fined and elaborated in detail, in search of the right items, models, locations and clothing which are partly original antiques but were also specifically handmade based on her own ideas and designs. | |
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| | | | | | | | Ed Asmus, Untitled #10 (Omo Valley, Ethiopia), 2015 | | | | | | | | | | JACQUELINE WOODS, Inevitable, 2020 |
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| | | | | | | | BAS LOSEKOOT LONDON From the book ""Out of Place", published by Kehrer Verlag © Bas Losekoot | | | | | | | | | | | | LIZA AMBROSSIO From the book "Blood Orange / Naranja de sangre" published by Kehrer Verlag © Liza Ambrossio | | | | Founded in 1995, Kehrer Verlag is an independent publisher specialising in photography and fine art books. Its list includes leading photographers such as Helen Levitt, Saul Leiter, Arno Rafael Minkkinen, Sarah Moon, Stephen Shore and Nicholas Nixon, as well as numerous emerging artists. Over the years, many Kehrer publications have been nominated for and honoured with international book awards. Kehrer regularly participates in national and international fairs and festivals.
At Photo London we will present new photography books by Renate Aller, Ragnar Axelsson, Jessica Backhaus, Christoph Bangert, Elina Brotherus, Richard Gosnold, Damian Heinisch, Susan Hefuna, Ed Kashi, Anton Kusters, Bas Losekoot, Sonia Lenzi, Boris Loder, Arno Rafael Minkkinen, Gregor Sailer, Christopher Taylor, Tariq Zaidi and others.
We are delighted to announce new editions of our classics: Saul Leiter, Helen Levitt, and Fred Stein, as well as an exquisite selection of our finest Collector's Editions. | |
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© 7 Sept 2021 photo-index UG (haftungsbeschränkt) Ziegelstr. 29 . D–10117 Berlin Editor: Claudia Stein & Michael Steinke contact@photo-index.art . T +49.30.24 34 27 80 | |
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