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| PHOTOGRAPHY INTERNATIONAL | | 1 - 8 November 2023 | |
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| | Paris Photo 2023 opens with a Preview on Wed 8 Nov. Ader Nordmann (9 Nov), and CHRISTIE'S (online until 9 Nov) are auctioning masterpieces of photography, while PHILLIPS (6-11 Nov) presents highlights from their later London sale (21 Nov). In coherence with Paris Photo 2023 a number of photo exhibitions are already starting as part of festivals like Photo Days (Fri 3 Nov) or PhotoSaintGermain. (Thu 2 Nov) |
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| | | |  | | | Boulevard du Temple, Paris, 1959
© Johan van der Keuken |
| | | | Door de ogen van Willem van Zoetendaal | | | | | | | Sat 4 Nov 17:00
4 Nov – 30 Dec 2023 | | | | | |
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| | | Inka & Niclas: Sunset Photography XIV, 2023, mixed media, 76 x 69 x 6 cm, unique | | | | | | | | 4 November 2023 - 6 January 2024 | | | | Opening: Friday, 3 November, 6 - 9 pm | | |  | | | | | | | | | | Swedish artist duo Inka & Niclas manipulate the visual mechanics of nature photographs and playfully examine the everyday usage of landscape imagery. The artists probe the desire to consume nature through travels and photography and present oneself as being in harmony with nature. The exhibition Extensions consists of a combination of different bodies of work that revolve around this central theme.
The photographic sculptures Sunset Photography consist of landscapes and sunsets solidified in a state of wetness. Browsing through their photographic catalog Inka and Niclas picked out the panoramas they photographed on impulse, never to be looked at again. The digital waste that fills up our phones, is here used as a raw material. The glass-like, slimy creases of the sculptures hide and obscure. Only parts of the scenery are visible to us, yet it is easy to fill in the blanks, the image has been produced, shared, and seen so many times before.
In the mechanics of traveling and photography, a beautiful photo of a beach means that more photos will be taken of that same beach. This is true also in the case of the series Extensions, where the artists, before leaving home, identified the most popular spots at the tropical islands of Saô Tomé and Principe. In the works, the flashgun has left its usual position and turned 180 degrees, now aiming straight towards the photographer and us as viewers. The light striking the lens creates a sparkle as from a diamond. With the addition of extra bling to the hyper-romantic tropical beaches depicted, the artists points at the circulation of nature imagery as a commodity.
Extensions tap into the vibrant, glossy realm of fashion and style. The thin, dry, almost… | | |
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| | Edward Burtynsky
Salt Ponds #6, Near Tikat Banguel, Senegal, 2019
From the series African Studies
Archival pigment print
149 x 198 cm
Edition of 3 | | | | | | | | 7 November 2023 – 2 March 2024 | | | Opening: Saturday, 4 November, 2 – 6 p.m.
At 4 p.m., Edward Burtynsky will welcome personally with a short introduction. | | | | | | | | | | | | | The exhibition "African Studies" by Canadian photographer Edward Burtynsky is the fourth solo exhibition by this internationally renowned artist since 2014 at Galerie Springer Berlin.
For decades, his concern for the environment has been the driving force behind his artistic work. In stunningly beautiful images, he shows us the serious marks that industry leaves on the earth. At the same time, his images often document alarming ecological disasters.
For his new series "African Studies" he spent seven years travelling through ten countries in sub-Saharan Africa. He documents the continent's rapid industrialisation, probably the world's last great expansion.
The exhibition includes work from Ethiopia, Kenya, Namibia, Senegal and South Africa. The photographs show bird's eye views of the mining of sulphur, coal, iron, diamonds and salt. Breathtaking images from Namibia reveal the beauty of the country's unspoilt nature.
The same-titled book was recently issued by Steidl Verlag in the fall of 2022.
"My interest in Africa owes its genesis to an earlier body of work that I produced about China back in 2004. For that project, and while researching several topics including the Three Gorges Dam, urban renewal, and recycling, I learned how the new Chinese factories were being created. At the time, heavy machinery was literally being unbolted from concrete floors in Europe and North America, then shipped and refastened to the floors of gigantic facilities in China. This represented a paradigm shift of industry, and it seemed obvious that China was rapidly becoming a leading manufacturer for the world. I realized even then that the African continent was poised to become the next, perhap… | | |
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| | | © Christine Erhard, A-XI-GHH 2022 | | | Saison 2023 – 2024: FORMENSPRACHE | | | Free access to the outdoor exhibitions, daily, all year | | | | | | | 14 October 2023 – 7 October 2024 | | | | | | | | | | | | | Clervaux - Cité de l'image enters its new season 2023-2024 with 6 new open-air exhibitions.
We dive into a world full of fantastic forms, approaches, themes and techniques. The six photographers invited this year use their own formal language to express emotions, convey stories or present certain concepts. In this open-air exhibition, the focus is on playing with contrasts, experimenting with techniques or on the most diverse stylistic elements.
With depictions of fundamental themes in the life of a young woman, the artist Sanja Marušić attracts full attention with her colourful photographs on the market square. Heading towards the church, we pass the arcades with the photographic works of Christine Erhard, which have been developed out of a sculptural process in her studio. Opposite the church, Thaddäus Biberauer takes us on his journeys through nature. The snapshots, almost painterly in scene, invite us to dream. In Steph Meyer's works, the focus is on the photograph and the viewer. The picture within the picture, in which the viewers in the arcades of the Grand-Rue are included in the snapshot of the documented photo exhibition or even become voyeurs. On the castle plateau, Liz Lambert gives us a deep insight into her very personal story. In a poetic and partly symbolic way, she explores the questions of how relationships come into being and develop. In Tina Lechner's works in the garden of the castle, she focuses on the exploration of identity and the female body. Covered with self-produced props, this becomes a retrofuturistic sculpture.
Through their creative and poetic manner, the photographers a… | | |
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| | Alia Ali
Dreamer, 2023
Pigment Print, mounted, framed with handprinted cotton from Rajasthan
117 x 168 x 7.5 cm
Edition of 3 + 2 AP | | | | | | | | 4 November – 16 December 2023 | | | Opening: Friday, 3 November, 6—8 pm
in the presence of Alia Ali | | | | | | | | | | | | | "Motion is emotion. Everything gives off waves of energy, otherwise called frequencies. They are the very fiber of our being." Alia Ali
In her fourth solo exhibition with us, Alia Ali presents vibrant and energetic new work. Full-body portraits are more common, often appearing to be in motion, and her formats have become more variable. For the first time, Alia Ali also ventures into sculpture — her hand-carved works made of Lapis Lazuli re-imagine millennia-old artifacts from her home country Yemen and are part of her "Yemeni Futurism" project.
Alia Ali (Arabic: عاليه علي // Sabean: 𐩲𐩱𐩡𐩺𐩲|𐩲𐩱𐩡) is a Yemeni-Bosnian-US multi-media artist whose work explores cultural binaries, challenges culturally sanctioned oppression, and confronts the dualistic barriers of conflicted notions of gender, politics, media, and citizenship. Working between language, photography, video, textile, and installation, Ali’s work addresses the politicization of the body, histories of colonization, imperialism, sexism, and racism through projects that take pattern and textile as their primary motif.
Ali is currently expanding her practice by drawing on stories from Yemen including the nostalgic past of Queen Belquis of Saba (also known as the Queen of Sheba). By investigating histories of the distant past, she addresses the realities of the dystopian present in order to carve out spaces for radically imagined possibilities for the future in what has evolved to be Yemeni Futurism.
Ali is a graduate of Wellesley College and the California Institute of the Arts. She lives and works in and between New Orleans, Pari… | | |
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| | | Richard Mosse, still from "Broken Spectre", Roraima, Multispectral GIS aerial © Richard Mosse | | | | | | | | 3 November 2023 – 25 February 2024 | | | | Opening: Thursday 2 November 2023 6pm | | | | | | | | | | | | | Richard Mosse (Ireland, 1980) gained recognition for his socially committed documentaires often presented via immersive and monumental installations. He is known for his landscapes in shades of red and pink from the series Infra (2010) depicting the civil war in the Democratic Republic of Congo. More recently, he has focused on migratory flows, which he captures with military thermal imaging cameras (The Castle, 2017, Incoming, 2018).
Broken Spectre, shot over three years, plunges into the heart of the Brazilian Amazon. With this monumental video installation, Mosse shows the devastating impact of deforestation in the Amazonian forest.
Playing with different scales and perspectives, the artist offers a striking portrayal of the scope and organisation of the environment's destruction. Switching between aerial views and sequences shot in remote areas of the world's lagest tropical forest, Broken Spectre represents an alarm bell that warns of the rainforest's disappearance. | | |
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| | | Deborah Turbeville, “Untitled”, Rhode Island, 1976 © Deborah Turbeville MUUS Collection | | | | | | | | 3 November 2023 – 25 February 2024 | | | | Opening: Thursday 2 November 2023 6pm | | | | | | | | | | | | | The work of Deborah Turbeville (1932-2013) defies classification. The American photographer belonged to no school or movement. Her unique visual signature has been recognisable since she emerged as a major talent in the 1970s; a certain timelessness melancholy and a patina emanate from her haunting photographs taken over four decades.
This retrospective will present Turbeville's photographic explorations, from fashion photos to her very personal work.
The aim of the exhibition is to show how Turbeville's art, still essentially unknown, followed a very specific path, testifying to the manual work involved in producing images. By highlighting a wide variety of handmade collages spanning four decades, the show will offer a new appreciation of Turbeville's contribution to the history of photography. | | |
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| | | © Virginie Otth | | | | | | | | 3 November 2023 – 25 February 2024 | | | | Opening: Thursday 2 November 2023 6pm | | | | | | | | | | | | | A key figure in contemporary photography in Lausanne, Virginie Otth (Switzerland, 1971) presents four previously unseen works, as well as her first film. This monographic exhibition brings together works that combine the various interests and reflections that have animated the artist for many years, and which question the relationship to the fragmentary, lacunar and ever-renewed world offered by photography, but also by our gaze and our perception.
A monumental work entitled Multiple/désirs, which makes its debut in the museum's collection, deals with the question of the object of feminine desire. In his work Jardins, images printed on cardboard that line the exhibition space establish a link with the very concrete world of the idea of nature, the ephemeral, even the precarious. | | |
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| | | © Mathieu Bernard-Reymond | | | | | | | | 3 November 2023 – 25 February 2024 | | | | Opening: Thursday 2 November 2023 6pm | | | | | | | | | | | | | In this photographic exploration, Mathieu Bernard-Reymond (France, 1976) has chosen to combine extracts from the writings of C. F. Ramuz with image-generating artificial intelligence tools.
In D’après Ramuz, a project initiated by La Muette – literary spaces, he gives form to the mental images that are shaped when reading a text, gradually transforming them into a visual reality.
Mathieu Bernard-Reymond is a Franco-Swiss photographer born in Gap (France) in 1976. He is a graduate of the Institut d'études politiques de Grenoble and of the Formation supérieure en photographie du CEPV in Vevey. His practice is broadened by generative technologies and data manipulation. | | |
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| | | Marie Taillefer, "Teotihuacan", Mexico, 2020 © Marie Taillefer | | | | | | | A CARTE BLANCHE GIVEN TO VIRGINIE OTTH | | | | | | | | 3 November 2023 – 25 February 2024 | | | | Opening: Thursday 2 November 2023 6pm | | | | | | | | | | | | | In tandem with her exhibition A Lake in the Eye, Virginie Otth (Switzerland, 1971) has invited ten artists with whom she has crossed paths at the Vevey School of Photography (CEPV) over the past two decades.
Having enjoyed the discussions she has had with them around images and their perception, Virginie Otth has invited them to come together to work on two short stories taken from the philosophical novel Mr Palomar – The Sword of the Sun and The World Looks at the World – which deal with gazes, illusions and our relationship with the world. | | |
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| | Anthony Hernandez
aus der Serie: "Rodeo Drive", 1984
© Anthony Hernandez
Courtesy Galerie Thomas Zander, Köln | | | | | | | Eva Felten Photography Collection | | | | | | | | 19 October 2023 – 7 April 2024 | | | | | | | | | | | | | The exhibition "This Is Me, This Is You" provides the public with a first glimpse into an internationally significant photo collection that has grown over four decades. The generous donation of the Eva Felten Photography Collection enlarges the Museum Brandhorst inventory by 429 works by more than 140 artists from the 1930s to the present day. The donation marks a historic moment in the history of the museum, whose collection it not only decisively enlarges, but also enriches with the medium of photography, a central practice of 20th and 21st century art. It thus also closes a gap at Museum Brandhorst, which since its opening in 2009 has grown into one of the most important museums for contemporary art in Germany.
"This Is Me, This Is You" brings together renowned positions in the history of photography from Robert Frank, Evelyn Hofer, Gordon Parks to Isaac Julien, Sherrie Levine, Richard Prince, Zoe Leonard, Arthur Jafa and LaToya Ruby Frazier. In a selection of some 140 works, it addresses the complex relations of the gaze in photography, reflecting on questions of intimacy and desire as well as on power relations and structural inequalities inscribed in the medium. The exhibition is titled after a work by Roni Horn. With "This Is Me, This Is You" (1997-2002), the U.S. artist created a key work that raises questions about the fleetingness of identity as well as the presence of photographers within her works.
With her striking statement "Where you look from is always half the picture," U.S. artist Zoe Leonard (*1961) got to the heart of how central the historical, social and physical perspective of the photographer and the viewer is for the interpretation of art. The encounter with photography is thus not only… | | |
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| | Ralph Gibson, from the series Days at sea, 1974
© Ralph Gibson | | | | | | | | ... until 26 November 2023 | | | | | | | | | | | | | Ralph Gibson is one of the most interesting American photographers of our time. His great international reputation is based on his exceptional work, which is shown and collected by leading museums around the world: He is represented with works in the collections of the Museum of Modern Art in New York and the J.P. Getty Museum in Los Angeles as well as in the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie and the Bibliothèque Nationale de France in Paris or the Fotomuseum Winterthur in Switzerland.
Gibson's works, dating back to the early 1960s, completely defy the conventional purpose of the medium of photography – the meticulous recording of so-called reality: Gibson is not interested in the photographic documentation of reality; he perceives photography itself as an aesthetic reality. A central motif in his works arises from the original meaning of the term "photography" – drawing with light. Gibson regards light not only as a material requirement for the creation of each of his photographs but also as the subject of examination and a tool for composition. Equally significant is his play with its counterpart, shadow. Thus, Gibson elevates light itself to the theme of his oeuvre.
The comprehensive retrospective of the photographer Ralph Gibson (* 1939) presents the development of his work from the 1960s to the immediate present through selected series. The exhibition and the accompanying book were developed in direct cooperation with the artist and draw from approximately 300 black and white and color, analog and digital works from the artist's private collection, as well as works acqu… | | |
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| | | |  | | | | © Prateek Arora |
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| | | |  | | | | © Olivia Bee |
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| | | |  | | | | © Myriam BOULOS |
| | | | | | | | En partenariat avec la Galerie Magnum. Photo Saint Germain 2023; Photo Days | | | Thu 2 Nov 17:00
2 Nov – 30 Nov 2023 | | | | | |
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| | | |  | | | © Sophie HATIER
Loin des jardins, Norvège, 2023
courtesy de l'artiste et Photo Days |
| | | | | | | | | | | | Thu 2 Nov 19:00
3 Nov – 3 Dec 2023 | | | | | |
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| | | |  | | | | Costanza GASTALDI, 2022 winner of the Photo Days |
| | | | | | | | | | | | Sat 4 Nov 18:00
4 Nov – 3 Dec 2023 | | | | | |
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| | | |  | | | Fall Players. Black River Falls, USA. 2018.
© Alessandra Sanguinetti / Magnum Photos |
| | | | | | | | Photo Days | | | Mon 6 Nov
7 Nov – 23 Dec 2023 | | | | | |
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| | TERRI WEIFENBACH
Air and Dreams #110
Archival pigment print 76 x 50.8 cm
EdiJon of 10 + 2 AP | | | | | | | | 7 November - 23 December 2023 | | | | | | | | | | | | | For over thirty years, Terri Weifenbach has built a dense photographic opus that studies different aspects of the natural world - gardens, insects, flowers, clouds, water, birds, forests - and their unobtrusive, daily interactions with humans. Rather than seek overt signs of a dramatically changed landscape, Weifenbach has always been drawn to quieter subjects and, through her more than 20 publications and 50 exhibitions organized in the US, Japan and Europe, Weifenbach has developed a precise and lyrical signature, often recognizable by her mastery of the bokeh or sfumato play of blur and sharp within an image.
Without a specific geographical identity, Terri Weifenbach's photographs presented at Galerie Miranda recount a collective space, of land and sky, sun and clouds, but also cities and town gardens. Her underlying philosophy is inspired by the great English historian Simon Schama, whose landmark book Landscape and Memory (1995) explored the myths, memories, and obsessions that underlie the Western world's interaction with nature. Like Schama, Terri Weifenbach is not an activist but a messenger, informing us and sharing her reverence for the natural world; reminding us of the great beauty that is in danger and that we must strive to preserve. | | |
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| | | |  | | | © Rinko KAWAUCHI
Untitled, 2015, série An interlinking
courtesy de l'artiste, Priska Pasquer Galerie et Photo Days |
| | | | | | | | | | | | Tue 7 Nov 18:00
7 Nov – 26 Nov 2023 | | | | | |
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| | Roger Ballen
YOUNG MAN, 1998
from the "Outland" series
36 x 36 cm | | | | | | | | ... until 18 November 2023 | | | | | | | | | | | | | Les Douches la Galerie is pleased to present, for the first time this Fall, a solo show by Roger Ballen, including his early series from the 80s and 90s. Roger Ballen was born in New York in 1950, but has lived and worked in Johannesburg, South Africa since 1982. After working in mineral exploration, he took his camera to dig into the layers of his own inner life and pierce the external surface of a poor and deeply rural country.
With the Dorps series (small dormitory towns) which he begun in 1983 in a sun-scorched landscape, the doors and shutters of cafés are closed, the buildings of Victorian Cape architecture inanimate and the images are frontal. But when he decided to enter homes directly and confront stained surfaces, saturated with lines, marks, photos and children's drawings, the interior wall became an essential element in his work. It's not a background, but rather a surface, like a picture plane. Between 1986 and 1994, Roger Ballen also took an interest in marginalized population. "They may well become another fragment of human detritus of the new South Africa," he writes in the preface to Platteland, the first impactful book among his singular bibliography. In 2001, Outland introduced the "wire" period. Roger Ballen draws with wires, linking the formal elements of the image with straight lines and curves. | | |
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| | | |  | | | | Charles Lee, Tattoos and Horsetrailers, 2023, 44 x 56 inches, Unique Silver Gelatin Print. Image courtesy of the artist. |
| | | | | | | | | | | | Fri 10 Nov 18:00
7 Nov 2023 – 3 Feb 2024 | | | | | |
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| | Peter Hebeisen
Rhône Glacier, 2022
Pigment print on Archival paper, 162 x 91 cm | | | | | | | | 2 until 25 November 2023 | | | Opening & Award ceremony : Wednesday 1st November 2023, 6.30 pm
with Laudatio by Nadine Olonetzy
Artist Talk: Saturday 11 November, 2 pm
Anna Wesle (Museum Franz Gertsch) and Detta Kälin (KWS) in conversation with Peter Hebeisen. | | | | | | | | | | | | | This year, the Keller-Wedekind Foundation (KWS) is awarding its highly endowed art prize to the photographer Peter Hebeisen, who lives in Zurich.
Hebeisen's photographic series revolve around the theme of portraiture. His photographs are interpretations of what the camera lens captures. It is the sharp look behind and below the visible surface that surface that allows penetration into the subcutaneous landscape of man, animal and nature.
The 20th Century European Battlefields series is remarkably topical. Peter Hebeisen photographed places in Europe where the great battles of World War I and World War II took place. Where nature and cities were devastated for miles around and thousands of people died, there are today towns, tranquil woods or idyllic beaches with sun umbrellas and ice cream stands. Yet it is war photography that, as it were, posthumously portrays the place and its dead.
Hebeisen's latest series of Swiss glaciers, What remains, is also impressive. The photograph brings the glacier as a living being that suffers and dies - a fascinating counterpoint to the beauty of the mountain world.
The Keller-Wedekind Foundation (KWS) promotes figurative art in Switzerland. The KWS has awarded its prize every two years since 2013.
Peter Hebeisen is the sixth recipient of the KWS Art Award after Gabriella Gerosa, Joëlle Flumet, Thomas Ritz, Tobias Weber and Andrea Muheim. It is one of the highest endowed privately financed Art Wards in Switzerland. It is worth 70’000 Swiss francs. The artist receives 10’000 Swiss francs and at least one work is purchased by the foundation. The sponsorship also includes an exhibition at the Zurich gallery Fabia… | | |
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 | Fairs |
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| | | | | | | | | | | | 9 – 12 November 2023 | | | | Preview: Wednesday 8 November 2023 | | | | | | | | | | | | | | |
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| | | | | | The salon dedicated to the experimentation of the photographic medium | | | | | | | Wed 8 Nov
9 – 12 Nov 2023 | | | | | |
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| | | | | | 50 specialized international photography book publishers | | | | | | | Wed 8 Nov 15:00
8 Nov – 12 Nov 2023 | | | | | |
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| | | | | | | | | | Chile Arte Contemporáneo | | | 8 Nov – 12 Nov 2023 | | | | | |
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| Auction |
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| | Lot 41
JEAN-BAPTISTE MONDINO
Karen Elson for Gianni Versace, 1997
Estimate EUR 10,000 - 15,000 | Lot 42
NICK KNIGHT
Kirsten Owen for Martine Sitbon, 1991
Estimate EUR 10,000 - 15,000 |
| | | Photographies & Lothar Schirmer's Glamour Collection | | | | | | | Online Auction: 26 October – 9 November, 2023 | | | Viewing Paris: All lots offered in the sale will be exhibited at Christie’s Paris from November 4 - 9.
Online catalogue: here | | | Specialist, Head of Sale:
Fannie Bourgeois
fbourgeois@christies.com
+33 (0)1 40 76 84 41
Head of Photographs, Europe:
Elodie Morel-Bazin
emorel-bazin@christies.com
+33 (0)1 40 76 84 16 | | | | | | | | | | | | | Christie’s Photographs Department in Paris is pleased to announce their fall Photographies sale, an online auction open for bidding from 26 October - 9 November.
The auction will present 153 photographs by major artists of the 20th and 21st Century’s, such as Peter Beard, Constantin Brancusi, William Klein, Robert Mapplethorpe, Man Ray, Hiroshi Sugimoto and Irving Penn alongside Contemporary practitioners like Wolfgang Tillmans, Shirin Neshat, Anne Collier, Prince Gyasi, Sarfo Emmanuel Annor, Reine Paradis and Viviane Sassen.
The first section of the sale, Lothar Schirmer’s Glamour Collection (lots 1-82), is dedicated to the famed Art Publisher.
After publishing more than 1,500 books dedicated to Art and Photography (including 386 editions still available), Lothar Schirmer needs no introduction. Behind the name is a founder infusing the famous publishing house with boundless life and passion. The common thread in his collection – assembled with passion over the last fifty years – is Glamour. Divided into three categories: celebrity portraits, erotic nudes, and fashion advertisements, featuring famous photographers such as Helmut Newton, Cindy Sherman, Peter Lindbergh, Anton Corbijn, Dominique Isserman, Patrick Demarchelier, Jeanloup Sieff, Jean-Baptiste Mondino, Steven Klein and Nick Knight.
All lots offered in the sale will be exhibited at Christie’s Paris from November 4 - 9. | | |
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Robert Mapplethorpe (1946-1989)
Parrot Tulips, 1988.
Vintage gelatin silver print, signed.
Edition of 3. | | | Photographs Photographies | | | | | | | | | | | | | | | | | 19th century photographs by :
Photographies anciennes :
Lai Afong | Marie-Alexandre Alophe | Albert d’Amad | Eugène Atget | François Aubert | Charles Hippolyte Aubry | Edmond et Henri Becquerel | Bisson Frères | Félix Bonfils | Adolphe Braun | Alphonse de Brébisson | Julia Margaret Cameron | Étienne Carjat | Jules Chevrier | Thomas Child | Ladislas Xavier Chodzkiewicz | Charles Clifford | Louis Joseph Deflubé | Jules Duboscq | Louis-Émile Durandelle | Eugène Disdéri | Henri-César-Désiré de Ferron de l’Échapt | Hippolyte Frandin | Jules Gervais-Courtellemont | Joseph-Philibert Girault de Prangey | Gustave Le Gray | Émile Gsell | William John Hawker | Alphonse-Eugène Hubert | George Huebner | Edward King Tenison | Charles Kroehle | Auguste Laresche | Charles Marville | Jules Micol | Paul Nadar | Charles Nègre | Kazumasa Ogawa | Pierre-Louis Pierson | Pierre Alfred Raginel | Stanislas Ratel | Pierre-Ambroise Richebourg | Jean-Baptiste Sabatier-Blot | William Saunders | Suzuki Shin’ichi II | Félix Thiollier | Adrien Tournachon | Francisco Van Kamp | Amédée et Adolphe Varin and others
- Large collection of daguerreotypes
- Edward King Tenison’s personal album
- Travel albums (China, Japan, Pacific)
- Disdéri albums from the Maurice Levert collection
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| Festivals |
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| Upcoming |
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1 Nov – 15 Dec 2023 | | | | | |
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| | | |  | | | | Carlos Novella |
| | | | International Photography Festival of Tenerife | | | | | | | November 2023 | | | | | |
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| | | | | | | | au sein du programme VIP de Paris Photo | | | | | | | | 3 November – 3 December 2023 | | | | | | | | | | | | | A PHOTO ● VIDEO TOUR IN AND AROUND PARIS
Photo Days 2023
For the past 4 years, Photo Days has been inviting visitors to a unique photographic experience in and around Paris. For the entire month, museums, cultural institutions, galleries, foundations, fairs and festivals join forces with Photo Days to introduce enthusiasts and curious onlookers to the full diversity of the worldwide photographic production.
Photo Days takes you from one bank of the Seine to the other, for an exceptional immersive experience, from November 3 to December 3.
Exhibitions
Photo Days promotes contemporary creation by commissioning artists to invest atypical spaces and venues.
● Rinko KAWAUCHI, M/E
November 7 to 28 2023, at the Fondazione Sozzani, 22 rue Marx Dormoy, Paris 18e
For the first time since 2005, Rinko Kawauchi is back in Paris, with an installation especially conceived for Photo Days in an exceptional private venue, the Fondazione Sozzani.
● Elger ESSER, Le Lys dans la Vallée
November 10 to December 3, 2023 at Rotonde Balzac, Fondation des Artistes - Hôtel Salomon de Rothschild, 24 rue de Balzac, Paris 8e
Photo Days presents an exhibition of Elger Esser in the Rotonde Balzac, opened for the occasion. Inspired by the world of the famous writer, the artist from the Düsseldorf school has delved into his archives of the Loire riverbank landscapes to illustrate the settings of Balzac's novel "Le Lys dans la vallée".
● Véronique ELLENA, Le ciel, la terre, et tout ce qu’ils renferment Tribute to Pierre-Alain Parot
November 9 . December 3, 2023 at Sorbonne Artgallery, Galerie Souffot - 12 Place du Panthéon - Université Paris 1 Panthéon-Sorbonne, Pari… | | |
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| | | | | | Festival de cinéma dédié à un nouveau genre : le film photographique. | | | | | | | 3 Nov – 5 Nov 2023 | | | | | |
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2 – 25 Nov 2023 | | | | | |
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| | | |  | | | Noga Shadmi's series of the kidnapped penetrates the heart.
Keep sharing your images, together we will raise the global awareness and bring them back home. |
| | | | | | | | International Photography Festival | | | November 2023 | | | | | |
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| | | | | | Japan Contemporary Art Platform in collaboration with Art Basel | | | | | | | 2 – 5 Nov 2023 | | | | | |
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| | | | | | 12 EXHIBITIONS / 11 PLACES | | | | | | | – 26 Nov 2023 | | | | | |
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| | | | | | Again, with Photography! | | | | | | | – 5 Nov 2023 | | | | | |
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| | | | | | Groningen - Friesland - Drenthe | | | | | | | – 10 Dec 2023 | | | | | |
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| | | | | | Memory is an Editing Station | | | | | | | – 28 Apr 2024 | | | | | |
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| | | | | | choreographies of the impossible | | | | | | | – 10 Dec 2023 | | | | | |
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| | | | | | More than 100 photographers and artists from 18 countries of 25 exhibitions | | | | | | | – 11 Feb 2024 | | | | | |
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© 1 November 2023 photography now UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Michael Steinke
contact@photography-now.com . T +49.30.24 34 27 80 |
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