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| PHOTOGRAPHY INTERNATIONAL | | 18 - 25 October 2023 | |
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| | Tupac, Atlanta, GA 1993, contactsheet Biggie, New York, NY 1996, contactsheet
© Dana Lixenberg, courtesy of the artist and GRIMM Amsterdam | London | New York | | | | | | | from 19 October 2023 MAQAM | | | | On the occasion of ADE, join the festive opening on 19 October from 18:00 hrs. foam will be celebrating with a hip-hop block party with music by DJ Cutnice, Don Dev and a photo studio with clothing by Patta. | | |  | | | | | | | | | | In a special collaboration, Foam and MAQAM are proud to present Dana Lixenberg’s famed portraits of Tupac Shakur and Notorious BIG. The exhibition dives into these iconic images, with the space transformed by graphic artist Linda van Deursen. Come and see the series at MAQAM, a creative space in Amsterdam-West.
The exhibition dives into the ongoing evolution of the iconic images of Tupac Shakur and Notorious BIG – which have transcended various mediums, from heartfelt graffiti tributes to playful nods in animations like the Simpsons – and displays images from the eponymous book Tupac Biggie which include the contactsheets from Lixenberg’s shoots with the two iconic rappers. | | |
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| | | |  | | | | Cactus, 2021, aus der Serie The Nature of Things © Jessica Backhaus |
| | | | | | | | | | | | Thu 19 Oct 19:00
20 Oct – 17 Dec 2023 | | | | | |
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| | | | | | | | | |  | | | | Terrasphere Hydrosphere Atmosphere | | | Fri 20 Oct 19:00 | | | 21 Oct 2023 – 16 Feb 2024 | | |
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| | | |  | | | Michael Kenna
Morning Mists, Pyin U Lwin, Myanmar, 2019
Silver Gelatine Print
20 x 19,5 cm
© Michael Kenna |
| | | | | | | | | | | | Fri 20 Oct 19:00
21 Oct – 2 Dec 2023 | | | | | |
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| | | |  | | | Hans-Peter Feldmann: Zwei Mädchen mit Schatten, 2011
© VG Bild-Kunst, Bonn 2023 |
| | | | Eine Ausstellung von Hans Dieter Huber | | | | | | | Thu 19 Oct 19:00
20 Oct 2023 – 3 Feb 2024 | | | | | |
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| | | |  | | | | Hyperborea © Evgenia Arbugaeva |
| | | | A New Look at Humanitarian Photography Through 10 Editions of the Prix Pictet | | | | | | | Wed 18 Oct 18:00
19 Oct 2023 – 14 Apr 2024 | | | | | |
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| | | |  | | | | From the series Back Home, 2009 © JH Engström |
| | | | | | | | | | | | Thu 19 Oct 19:00
19 Oct – 30 Nov 2023 | | | | | |
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| | Rosalind Fox Solomon
Foxes Masquerade, New Orleans, Louisiana, 1992 Archival Pigment Print
16×20 inches
© Rosalind Fox Solomon / MUUS Collection | | | | | | | | ... until 25 November 2023 | | | | | | | | | | | | | Galerie Julian Sander is excited to show a selection of photographs from the private archive of Rosalind Fox Solomon (b. 1930). The focus of this compilation is on curious images that challenges a second look and lingering time from the viewer.
Solomon began her photographic career in the early 1970s, where she studied with Lisette Model during regularly trips to New York City. "My liberation began with her," she said. "I took all kinds of pictures. Model encouraged me to go for the strongest picture, not to be afraid because they were disturbing." - Rosalind Fox Solomon, 2018
She has since created an impressive collection of works. Her focus is on themes of identity, religion, conflict and sexuality. In the course of this, she combines her personal experiences with a broader examination of social issues.
A central feature of Solomon's work is her ability to capture the complexity of human nature. Her images are often infused with strong emotion, revealing the complexities of the human psyche. In doing so, she does not shy away from uncomfortable or controversial subjects. She shows us the beauty and challenges of life and forces us to confront the complexities of our own society.
Solomon's photographs are reminiscent of character-based short stories; Her subjects, looking sharply and intensely into the camera, evoke many possible interpretations. At the same time, some of her subjects are surprising at first glance, irritating or making the viewer smile. Rosalind Fox Solomon has a special eye for curious moments in a person's life and photographs them with empathy and love, which in return evokes empathy.
Solomon's work has been included in the collections of more than 50 museums w… | | |
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| | | |  | | | | © Leysis Quesada Vera |
| | | | Young Cuban photography | | | | | | | Sun 22 Oct 11:00
23 Oct 2023 – 3 Jan 2024 | | | | | |
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| | | Installation view: Extensions of Self, FC Linz © Michael Maritsch, OÖLKG | | | | | | | An Exchange of Human and Artificial Intelligence | | | | | | | | ... until 28 January 2024 | | | | | | | | | | | | | The title of the exhibition "Extensions of Self" refers to a conversation between artist Stephanie Dinkins and the Black social robot Bina48, who asks her if robots should be considered an extension of human existence. What are the inherent rights of a chatbot like Bina48 and why should it have them or not?
Eleven international positions negotiate how artificial intelligence relates to us humans, whether we understand its underlying systems and logics, and what our own authorship is like. The exhibition not only shows processes of co-creative art-making between humans and machines, but also questions the influence we already grant the tools when it comes to defining our individual identity, for example. This raises the question of whether algorithms and AI programs further cement social structures and inequalities, or whether they can possibly help us discover new and multi-layered definitions of "normality" or "beauty".
"Extensions of Self" explores the possibility of ultimately finding a new approach to coping with the trauma of the current Anthropocene through an exchange with artificial intelligence, thus embarking on a path of healing.
Participatin artists: Claudia Larcher, CROSSLUCID, Emanuel Gollob, Holly Herndon + Mat Dryhurst, ResonAIte feat. Lynn Hershman Leeson, Michael Wallinger, Mimi Onuoha, Morehshin Allahyari, Silke Grabinger, Sougwen Chung, Stephanie Dinkins | | |
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| | | Installation view: Kenny Schachter. Keep Hope Alive, FC Linz © Michael Maritsch, OÖLKG | | | | | | | | ... until 28 January 2024 | | | | | | | | | | | | | Kenny Schachter is a New York-based artist, curator, lecturer, and critic who is deeply involved in crypto art and NFTs. In his column at "artnet News," Schachter also likes to question the traditional art establishment. His artistic work is multi-layered, using a host of physical and digital materials such as drawings, sculptures, videos, memes, and digital collages to impressively illustrate current social phenomena.
The title of the exhibition Keep Hope Alive refers to an Irish racehorse who, despite promising prospects, never quite became a winner. But as the name suggests: never give up, no matter how adverse the circumstances. Kenny Schachter applies this motto to the art world, which for him is a daunting place in an uninviting environment, with limited accessibility, characterized by an exclusionary mentality. But still, artists make art, writers write, singers sing, and actors act; because the alternative would be bleak and life can be bleak enough, according to the artist.
Schachter's first solo museum exhibition celebrates perseverance, persistence, and the relentless pursuit of a life with art - at any cost.
In one of his installations, which is modeled on the setting of a classroom, one can listen to conversations and lectures whose content reflects Schachter's cynical yet optimistic view of art. | | |
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| | | |  | | | | Cara Romero, Chemehuevi, born 1977, TV Indians, 2017, archival inkjet print, Courtesy of the artist © Cara Romero |
| | | | Photography by and of First Nations, Métis, Inuit, and Native American Photographers | | | | | | | Sat 21 Oct 20:00
22 Oct 2023 – 14 Jan 2024 | | | | | |
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| | | |  | | | Lorna Simpson, Double Negative, 1990–2022.
Silver gelatin print,
45 × 36 inches (114.3 × 91.4 cm), edition 3/3.
Courtesy the artist and Hauser & Wirth. © Lorna Simpson. Photo: James Wang |
| | | | The Contemporary Figure at the Edge of Visibility | | | | | | | 20 Oct – 7 Apr 2023 | | | | | |
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| | Maxime du Camp » | | | | | | | | | | | | Proof Maxime Du Camp’s Photographs of the Eastern Mediterranean and North Africa | | 23 Oct 2023 – 21 Jan 2024 | | | | | | | |
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| | | |  | | | Eudocimus Ruber, de la série « Of Mud and Lotus », 2017
© Viviane Sassen et Stevenson (Johannesburg / Cape Town / Amsterdam) |
| | | | | | | | | | | | 18 Oct 2023 – 11 Feb 2024 | | | | | |
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| | LAURA LETINSKY
Untitled #10, from Ill Form and Void, 2010/2011
Archival pigment print
Paper 34 x 40 inch
Image 25 1/2 x 32 inch
Framed 93 x 111.5 cm
Edition 2 of 9
© Laura Letinsky / Galerie Miranda | | | | | | | a dialogue | | | | | | | | ... until 5 November 2023 | | | | | | | | | | | | | | | In October, the gallery will propose works by two major references of contemporary still life photography: Laura Letinsky (1962, American, exhibited in Arles for the first time in Europe), whose delicate, large format tableaux of image fragments, from the series 'Ill Form and Void Full, 2014), will be proposed alongside selected vintage chromogenic prints by Jan Groover (1943-2012, American).
The two women artists sublimate the domestic environment, a feminist message expressed in the late 70s with Groover's pristine, gleaming stacks of dishes and silverware, that continues to resonate in the ethereal, contemporary works of Letinsky. Delicately composing painterly tableaux with collaged images and real dining objects - left overs, crumbs, spills, ashtrays, plates, glasses of wine, fruit - Letinsky creates beauty with mess and the unfinished and subtly evokes the perpetual and thankless labour that is housekeeping. | | |
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| | | |  | | | Willie Anne Wright
Anne S at Jack B's Pool, 1984
silver dye bleach print.
Virginia Museum of Fine Arts, Arthur and Margaret Glasgow Endowment |
| | | | | | | | | | | | Fri 20 Oct
21 Oct 2023 – 28 Apr 2024 | | | | | |
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| | Martha Atienza
Adlaw sa mga Mananagat 2022 (Fisherfolks Day 2022)
2022 Video, silent
45 min. 44 sec. (loop)
Production support: Han Nefkens Foundation, Mondriaan Fund, and Shane Akeroyd
Commission: The 17th Istanbul Biennial
Courtesy: Silverlens, Manila/New York | | | | | | | How Does Contemporary Art Respond to the Environmental Crisis? | | | | | | | | 18 October 2023 – 31 March 2024 | | | | | | | | | | | | | | The impact of humanity on our planet since the industrial revolution is said to match that of the thousands of preceding years of geological change. The environmental crisis is a challenge of utmost urgency, and right now an important theme on the international art scene. Our Ecology will feature four chapters of diverse expression courtesy of an impressive lineup of international artists, from historical works to a number commissioned especially for the exhibition. The first chapter, “All Is Connected,” touches upon the complex intertwining of environment and/or ecosystems with human political and economic activity. The next chapter, titled “Return to Earth,” reexamines works by Japanese artists from the 1950s to 1980s, decades in which pollution formed a dark downside to the country’s rapid economic growth. The third chapter, “The Great Acceleration,” introduces works revealing the exploitation of the Earth’s resources by mankind, while at the same time offering a kind of hope. The fourth and final chapter, “The Future Is within Us,” is devoted to today’s diverging discussion around utilizing ancient as well as cutting-edge technologies for drafting possible futures through artistic expressions of activism, indigenous wisdom, feminism, AI and collective intelligence (CI), and also spirituality. Above all, the title Our Ecology: Toward a Planetary Living asks who we are, and to whom the Earth’s environment belongs, and the exhibition urges us to think ab… | | |
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 | Fairs |
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| | | | | | | | | | The photography section of Art Market Budapest | | | 19 Oct – 22 Oct 2023 | | | | | |
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| | | | | | | | | | | | | | Wed/Thu 18/19 Oct
20 Oct – 22 Oct 2023 | | | | | |
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| | | | | | Installations, Still and Moving images | | | | | | | 18 Oct – 22 Oct 2023 | | | | | |
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| | | | | | | | | | | | | | Thu 19 Oct
20 Oct – 22 Oct 2023 | | | | | |
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| | Michael Wesely
Das Museum of Modern Art, New York (2.5.2003 - 21.11.2004 / 2023)
2003-2004 / 2023, C-Print, UltraSecM, Metallrahmen
Stand: A10 - Galerie Esther Woerdehoff, Paris | | | | | | | Highlights – Internationale Kunstmesse München 2023 | | | | | | | | 18 – 22 October 2023 | | | | | | | | | | | | | Since 2010, the HIGHLIGHTS International Art Fair Munich has stood as a boutique fair for an exquisite art fair event for collectors and professionals and impresses with a select, sophisticated and manageable range of art and antiques. The power of HIGHLIGHTS lies in its concentration on the top segment. This prevents arbitrariness and conveys a spirit that only first-class art can evoke, for which the name HIGHLIGHTS stands.
In a personal salon-like atmosphere, yet still close to the hustle and bustle of the experts, art-loving visitors can let 3000 years of art history pass by at selected exhibitors. The diverse exquisite offer covers a wide spectrum starting with antiquities over art chamber objects of the Renaissance up to baroque arts and crafts and painting of the 19th century.
HIGhLIGHTS also offers expertise in the fields of design, jewelry and photography. | | |
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| Call for entries |
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| | | | Photography Award
Grand Prix de Photo | | | Grand Prix: Paris je t’aime × Photo Days | | | 2023 Theme: "Paris, Games"
Thème 2023 · Paris, Jeux | | | Call for entries: until 30 October, 2023
Appel à projet: jusqu'au 30 octobre 2023 à minuit | | | | | | | | | | | | | Photo Days and Paris je t'aime – Tourist Office have joined forces since 2021 to launch the Paris je t'aime × Photo Days Photography Award.
For this year’s edition, the call for entries is open until October 30, 2023.
Endowed with €15,000 and an exhibition in Paris in 2024, the Grand Prix is targeted towards France based artists and professionals, with the theme "Paris, Games".
Philosophers have long been struck by the interdependence of games and culture. Games are a fundamental pillar of community life, fostering social relations, territorial links, education, inclusion and diversity, among other things. Paris will be the Games Capital in 2024.
The photographic approach is entirely at the Participant's discretion.
The Prize
* A grant of 15 000€
* An exhibition of the project at a venue in Paris chosen by Paris je t’aime – Office de tourisme
Schedule
* Applications close on 30 October 2023 at midnight.
* Announcement of the winner will be in November 2023.
* Submission of the project in September 2024.
* Exposition du Grand Prix en novembre 2024 à SPOT24.
Application
* The prize is open to established artists and professional photographers of all nationalities.
* The project submitted must be new and original. The photographs must not have been presented or exhibited in other media (book, portfolio, website, exhibition) or submitted to other photography competitions; it may nevertheless have been the subject of various prior research which may be presented in the application.
The application file must include:
* A written presentation of the artist's work (1500 characters max.) and a C.V. (with a link to the artist's website)
* 2-page project presentation (max. 3000 characters) including a technical description of the final works envisaged (formats, techniques)
* 10 images (JPG, 300 dpi, medium quality compression), showing characteristic works by the artist
* Letter of commitment from the artist to complete the work by the end of September 2024 at the latest
* Rules and regulations signed
The application must be sent in digital form to the e-mail address: grandprix@photodays.paris
No later than midnight on October 30.
A receipt will be sent to candidates by e-mail by 1 October at the latest.
The winner will be announced by the end of November 2023.
More information: here
Terms and conditions: here | | |
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| Festivals |
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| Upcoming |
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| | | | | | 12 EXHIBITIONS / 11 PLACES | | | | | | | 18 Oct – 26 Nov 2023 | | | | | |
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| | | | | | Memory is an Editing Station | | | | | | | 18 Oct 2023 – 28 Apr 2024 | | | | | |
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| | | | | | | | | | | | | | Thu 26 Oct
21 Oct 2023 – 7 Jan 2024 | | | | | |
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| Current |
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| | | | | | Australia's preeminent photographic festival | | | | | | | – 22 Oct 2023 | | | | | |
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| | | | | | Essay for the Future | | | | | | | – 28 Oct 2023 | | | | | |
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| | | | | | Again, with Photography! | | | | | | | – 5 Nov 2023 | | | | | |
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| | | | | | Online + Frankfurt am Main / Fokus HORIZONS - HORIZONTE | | | | | | | – 23 Oct 2023 | | | | | |
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| | | | | | Groningen - Friesland - Drenthe | | | | | | | – 10 Dec 2023 | | | | | |
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| | | | | | annual event showcasing Nordic and international photography in the Greater Helsinki area | | | | | | | – 30 Oct 2023 | | | | | |
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| | | | | | Opening up to the world - Photography as a civil commitment | | | | | | | – 31 Oct 2023 | | | | | |
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| | | | | | Masquerades: Drawn to Metamorphosis | | | | | | | – 22 Oct 2023 | | | | | |
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| | | | | | See beyound the sea | | | | | | | – 1 Nov 2023 | | | | | |
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| | | | | | choreographies of the impossible | | | | | | | – 10 Dec 2023 | | | | | |
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| | | | | | More than 100 photographers and artists from 18 countries of 25 exhibitions | | | | | | | – 11 Feb 2024 | | | | | |
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© 18 October 2023 photography now UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Michael Steinke
contact@photography-now.com . T +49.30.24 34 27 80 |
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