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| PHOTOGRAPHY INTERNATIONAL | | 23 – 30 November 2022 | |
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| | The 8th Jimei x Arles International Photo Festival will kick off in Xiamen on 25 November 2022, and continue to showcase new international photography works! Three Shadows Photography Art Centre has been working closely with Les Rencontres d’Arles since 2015 to introduce excellent overseas photography works and to explore the creative power of Chinese photography.
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| | On Tuesday, Nov 29 Miami Art Week starts with ART BASEL Miami Beach, Art Miami, Untitled, Scope and Context. More than 500 galleries will exhibit more than 1,000 artworks in photography and videoart.
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| | THE ITAMARATY PALACE – FOREIGN RELATIONS MINISTRY, WOOD AND STEEL PANEL BY ATHOS BULCÃO, BRASÍLIA, 2012
Inkjet on Hahnemuhle Baryta Paper, white hand painted wooden frame with art glass
150 x 255 cm
Edition of 10 plus 2 AP
© VINCENT FOURNIER | | | I'M SORRY DAVE | | | | | | | ... until 7 January 2023 | | |  | | | | | | | | | | | First released in 1968, Stanley Kubrick's 2001: A Space Odyssey soon became a benchmark of science fiction, offering a speculative look into a distinctly dystopian future. | | | Across a sleek and clinical universe of Kubrick's own design, the movie projected an artificial intelligence so sophisticated that it would, sooner or later, defy its creators; "I’m sorry Dave," HAL 9000 – the sentient computer – famously tells his human operator, "I'm afraid I can't do that."
Over 50 years since its release, and in spite of the unforeseeable extent of technological advancement, the questions Kubrick’s masterpiece first kicked up remain pertinent. The aesthetic world he constructed, meanwhile, is reflected back in today’s data centres, international space programmes and self-driving cars. To what extent, then, might the foresight and futuristic visual languages of imaginative artists have shaped subsequent innovations in design and technology? | | |
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| | | |  | | | Manfred Hamm
Luftaufnahme (aus der Serie "Tucson/Arizona, Davis–Monthan-Air Base"), 1980
S/W Fotografie, Unikat
30 x 40 cm
Courtesy Galerie Georg Nothelfer und Manfred Hamm |
| | | | | | | | | | | | Fri 25 Nov 18:00
26 Nov 2022 – 14 Jan 2023 | | | | | |
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| | | |  | | | | © Miriam Tölke 'ray', 2020 |
| | | | | | | | | | | | Sat 26 Nov 12:00
26 Nov 2022 – 10 Feb 2023 | | | | | |
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| | CIG HARVEY
PETUNIAS, 2020
Archival Pigment Print, 16x20 + 30x40 + 42x56 inches
Limited Edition of 7
© Cig Harvey, Courtesy Robert Klein Gallery | | | | | | | | ... until 17 December 2022 | | | | | | | | | | | | | Robert Klein Gallery is pleased to present EAT FLOWERS, a solo exhibition by renowned New England-based photographer Cig Harvey, showcasing a selection of her latest photographs from her recent monograph Blue Violet. This will be Cig Harvey’s fifth solo exhibition at Robert Klein Gallery.
Cig Harvey’s photographs in Blue Violet are a celebration of the natural world and the senses. With her magical use of color and wonder found in everyday life Harvey says, “I want my photographs to be sensory, like edible flowers, a visual taste. Color and flowers act as symbol and metaphor to access our senses.” One of the most extraordinary color photographers working today, Cig Harvey’s Blue Violet is a meditation on the procession of the seasons and sensory abundance. Plants, flowers, and our experience of the natural world are the threads that tie this unique body of work together. Exploring the five senses, Blue Violet takes the reader on a personal journey through nature and the range of human emotions.
Throughout her twenty-five-year career, Harvey’s work “has always incited a jolt, eliciting a reflexive gasp of awe, triggered by memory and emotion,” writes Jacoba Urist in the book’s afterword. “In this regard, Blue Violet is no exception,” she continues, “and readers may be forgiven for assuming this, her fourth monograph, is about botanicals.” Yet further viewing of the works reveals that Harvey’s photographs “despite being of flora, are about something else: something deeper and less tangible, more saddening and celebratory, something all-encompassing and inescapable, like color. | | |
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| | | Dublin Bus 1989 © Tony O’Shea | | | | | | | | 25 November 2022 – 18 February 2023 | | | | | | | | | | | | | Photo Museum Ireland is delighted to present The Light of Day - the first retrospective exhibition of acclaimed Irish artist Tony O’Shea. A legendary figure in the context of Irish photography, O’Shea’s work occupies a pivotal role in the history of documentary practice in Ireland. Curated and produced by Photo Museum Ireland, this retrospective exhibition brings together for the first time his seminal bodies of work - The Hill, Dubliners , Bird Men, Turkey Markets, Drag Hunts, Border Roads, Ways of the Cross, Italia 90 and Never Forget series together with his more personal images of his late father.
O’Shea combines the approach of a poetic European documentary tradition – an empathetic, if at times almost Beckettian sense of the absurd – with an anthropologist’s eye for social realities. In these hard-hitting, eloquent pictures he has captured the many complexities of a country undergoing profound change, at the same time, securing for himself a key place in the canon of Irish photography.
"A retrospective book of his life’s work to date, The Light of Day, is full of natural wonders and human struggles that surface from the borderlands during the Troubles and in the rituals and recreation of his city. Each image wants to be a short story."- The Irish Times, 2020
Born in 1947, Tony O’Shea was born in County Kerry. He studied English and Philosophy at University College Dublin and towards the end of the 1970s became increasingly interested in photography. By 1981 he had begun working full-time as a photographer with In Dublin magazine and later for the Sunday Business Post. His first book Dubliners, including a text by Colm Tóibín was published by Macdonald Illustrated in 1996. Tony has worked as an independent photographer for more than 40 years and has documented many key events in Ireland’s social and political history. Beginning in 2017 Photo Museum Ireland undertook the work of digitising O’Shea’s extensive archive. As a result of this, a major retrospective titled The Light of Day was co-published by RRB Books and Photo Museum Ireland in 2020. | | |
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| | Fondation No 1, Le saule rieur, 2020
Tirage jet d'encre pigmentaire
60 x 90 cm / 120 x 180 cm, édition de 3
© DIDIER GOUPY | | | | | | | | 26 November – 17 December 2022 | | | | | | | | | | | | | | |
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| | Paul Mpagi Sepuya: Model Study (0X5A6854), 2022 // Daylight Studio (0X5A4577), 2022
Courtesy the artist and Galerie Peter Kilchmann, Zurich / Paris © Paul Mpagi Sepuya | | | | | | | | 25 November 2022 – 26 Februar 2023 | | | Opening: PAUL MPAGI SEPUYA / ALIX MARIE
THU, 24 NOVEMBER 2022, 7PM PHOXXI - The artists will be present.
Welcome by Ingo Taubhorn, Curator House of Photography | | | | | | | | | | | | | For his upcoming exhibition, Paul Mpagi Sepuya will present new works from his ongoing series "Daylight Studio, Dark Room Studio" for the first time at PHOXXI, the temporary House of Photography at Deichtorhallen Hamburg.
Sepuya (*1982 in San Bernardino, California, USA) is a photographic artist whose projects weave together histories and spaces of possibility of the portrait, queer and homoerotic networks of production and collaboration, and the material and conceptual potential of "blackness" at the heart of the medium. Using collage techniques, layering, fragmentation and mirroring, SEPUYA explores the complexity of photographic production. In doing so, the relationship between artist and sitter is renegotiated and placed at the centre of the art-making process.
From the early photographs taken in his bedroom to the most recent series produced in the photographer's studio, Sepuya questions the essence of the studio space and expands the definition of what that space has been and what it could be. Conceptual and aesthetic devices of 19th century studio photography are reinvented to illuminate contemporary issues of portraiture.
Paul Mpagi Sepuya graduated with a BFA from New York University's Tisch School of the Arts in 2004, and with an MFA from UCLA in 2016. He is Associate Professor of Visual Arts at the University of California, San Diego. | | |
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| | Alix Marie: Styx - The Goddess, 2021
© Alix Marie | | | | | | | | 25 November 2022 – 26 Februar 2023 | | | Opening: PAUL MPAGI SEPUYA / ALIX MARIE
THU, 24 NOVEMBER 2022, 7PM PHOXXI - The artists will be present.
Welcome by Ingo Taubhorn, Curator House of Photography | | | | | | | | | | | | | French artist Alix Marie's latest work "Styx" will be presented at PHOXXI, the temporary House of Photography at Deichtorhallen Hamburg, from 25 November. The artist Alix Marie (*1989 in Paris, France) works in the media of photography, sculpture and installation. In London, she studied at Central Saint Martins College and the Royal College of Art and was a resident at the Victoria and Albert Museum. She is interested in photography as an object and in its potential of materiality and three-dimensionality. In the gallery of PHOXXI, Marie will present the immersive installation "Styx". In her latest work, the French artist uses the myth of Styx to explore the intersection between the body and its representation and experiments with the expanded possibilities of photography.
In Greek mythology, Styx is an oceanid, a deity and a river that forms the boundary between the earth and the afterlife. She is the daughter of darkness and night and the mother of strength and victory. In this exhibition, the deity appears in two forms: First, as an immersive labyrinth installation that explores the hollow spaces of the body and the ambiguous duality of inner and outer space and protective environments.
In the other spaces, the deity takes on a human form. In the darkness, the goddess appears in the centre of the room, kneeling, naked, her gaze boldly fixed on the viewer. Embodied by Marie's long-time collaborator, performer and writer Nina Boukhrief, the voice of the goddess surrounds the space, reflecting on death, light and life.
Influenced by the context of a pandemic, Marie reflects on loss and the lack of movement. Ultimately, "Styx" explores the fragility of the body and the contemporary world. The work was … | | |
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| | | |  | | | | Sven Johne: Still MERIDIAN (2020) |
| | | | | | | | Videos und Fotografien | | | Fri 25 Nov 19:00
26 Nov 2022 – 5 Mar 2023 | | | | | |
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| | Anna Jermolaewa
Singing Revolution, 2022
3-Kanal-Videoinstallation, je 28 Min./ 3-channel video installation, 28 min. each
Fotografie: Scott Clifford Evans | | | | | | | | 23 November 2022 – 5 March 2023 | | | | | | | | | | | | | The Linz Schlossmuseum is showing the largest exhibition of Anna Jermolaewa's work to date and is presenting the artist, who has been Professor of Experimental Design at the Linz Art University since 2019, comprehensively in Linz for the first time.
In her artistic work, Anna Jermolaewa proves to be a precise observer of human coexistence, its social conditions and political prerequisites. Often it is seemingly insignificant, everyday manifestations of the human condition that she scrutinizes in a critical yet humorous manner. In the process, she creates videos, photographs, and drawings, as well as room-sized stagings and installations. | | |
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| | | |  | | | Tamara DEAN
Ebenezer rock drop 2015
from the series The edge
pigment ink-jet print 75.0 x 100.0 cm
Monash Gallery of Art, City of Monash Collection
donated by Tamara Dean 2022
MGA 2022.19
courtesy of the artist and Michael Reid Gallery (Sydney + Berlin) |
| | | | | | | | | | | | Sun 27 Nov 13:00
25 Nov 2022 – 19 Feb 2023 | | | | | |
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| | | |  | | | | Nick Cave singing 'I'm Eighteen', Boys Next Door gig, Swinburne College, 1977(Peter Milne/M.33 Agency) |
| | | | | | | | | | | | Sun 27 Nov 13:00
25 Nov 2022 – 19 Feb 2023 | | | | | |
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| | Didier Goupy
Fondation N°66, series Fondations, 2020
Inkjet print, Edition of 3, 40 × 40 cm
© Didier Goupy, courtesy Galerie Esther Woerdehoff | Gert Motmans
From the series "From somewhere with love VIII", 2020
Collage, 8,5 x 8,5 cm, Unique
© Gert Motmans, courtesy Galerie Esther Woerdehoff |
| | | Silence | | | | | | | 24 November – 24 December 2022 | | | Opening: Thursday, 24 November, 6-9pm
In presence of the artists | | | | | | | | | | | | | The exhibition "Silence" brings together the work of Didier Goupy, Catherine Henriette and Gert Motmans. The selected works are images of silence that are part of a universe marked by human absence. Although figures appear occasionally, they do not disturb the silent immensity that is at play in the works of these three artists.
Far from being an emptiness, silence should be considered as the overflow of an inaccessible world, a music of the infinitely small that no one listens to, unreal and worried by turns.
"Do trees make noise?" This is the question asked by Didier Goupy's photographs, which are gateways to the silent immensity of forests. The Fondations series draws up portraits of trees, framed in tight shots, just at eye level, which confront us with these beings inhabiting the world with us. This photographic work thus draws the contours of a plant intimacy that Didier Goupy nourishes with a poetic and personal observation of forests. The undergrowth immortalised by the artist has an almost supernatural character. Fondations reads like a chronicle of the silent life of trees in constant metamorphosis. One day ghostly silhouettes, the next day networks of graceful, budding branches, the images of these threatened giants tend towards abstraction. | | |
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| | | |  | | | | © Shinya Fujiwara |
| | | | | | | | Photographs and Works of Shinya Fujiwara | | | 26 Nov 2022 – 29 Jan 2023 | | | | | |
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| | Michael Najjar
posthuman waves, 2022
Format 1: 132 x 202 cm / 52 x 79.5 in, edition of 6 + 2 AP
Format 2: 67 x 102 cm / 26.3 in x 40.2, edition of 6 + 2 AP
Hybrid photography, archival pigment print, aludibond, diasec | | | | | | | | 26 November 2022 – 14 January 2023 | | | | Opening: Saturday, 26 November, 11:30 am | | | | | | | | | | | | | Michael Najjar’s latest work series "cool earth" deals with our planetary future in times of climate change, and the role of new climate technologies. It explores the far-reaching ecological, economic and cultural impacts of human-induced climate change which are leading to a redefinition of the relationship between humans and nature. In the Anthropocene era humans have become the major transformative force in the Earth system which is fast approaching its breaking point. Humans are now transforming nature hundreds of thousands of years into the future; the natural environment is being changed into a post-natural landscape; the technosphere is enveloping our planet and increasingly expanding into space. It now weighs more than the entire biomass of the planet. We are fast approaching a time when the technical will contend with the natural for the future shape of the world. Synthesis will determine the future of the planet.
Ever since Alexander von Humboldt we have known that the Earth is a complex self-regulating system in which everything is connected with everything else. Biophysical processes link the polar regions with equatorial regions; local weather systems interact with global precipitation systems; the oceans exchange energy with the atmosphere; biodiversity stabilises our ecosystems. Science has defined nine planetary boundaries in our Earth system: climate change, stratospheric ozone depletion, the rate of biodiversity loss, chemical pollution, acidification of oceans, consumption of freshwater, changes in land use, nitrogen and phosphorous pollution. These boundaries define a safe biophysical margin of action within which a stable and resilient planet is guaranteed. If these limits are exceeded, we enter a high-risk area of irr… | | |
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 | Fairs |
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| | | | | | fair of today for art, antiques and design | | | | | | | 20 – 27 Nov 2022 | | | | | |
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| | | | | | | | | | | | | | Tue-Mi 29-30 Nov
1 – 3 Dec 2022 | | | | | |
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| | | | | | | | | | | | | | Mon 28 Nov 13:00
29 Nov – 3 Dec 2022 | | | | | |
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| Auctions / Sales |
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| | Lot 4328
Patrick Tosani
"L'homme qui tombe" (glacons feu series). 1983.
Chromogenic print mounted to aludibond.
120 x 160 cm. Edition 1/3, framed under plexiglass in wooden frame. | | | | | | | | | | Bassenge Photography Auction: Wednesday, 7 December, 2022, 3 pmErdener Str. 5a, 14193 Berlin
Online Catalogue
Preview:
Rankestraße 24, 10789 Berlin
Mon Nov 28 – Fri Dec 2 10:00 AM – 6:00 PM,
Sun, Mon Dec 4,5 10:00 AM – 6:00 PM
Tue Dec 6 10:00 AM – 2:00 PM
Please make an appointment to preview.
More information:
Jennifer Augustyniak
+ 49 30 219 97 277
jennifer@bassenge.com or art@bassenge.com |  |
| | | | | | | | | | | | | With Photographs by:
Abdullah Frères | Ansel Adams | Lai Afong | Pedro Almodóvar | James Anderson | Dieter Appelt | David Armstrong | Ragnar Axelsson | Jean-Marie Auradon | Eugen Batz | Felice Beato | Sibylle Bergemann | Peter Bialobrzeski | Dieter Blum | Erwin Blumenfeld | Victor Bockris | Félix Bonfils | Lev Borodulin | Katharina Bosse | Édouard Boubat | Adolphe Braun | Domenico Bresolin | Will Burgdorf | Balthasar Burkhard | Harry Callahan | Giacomo Caneva | Edward Clark | Eugène Constant | Tommaso Cuccioni | Christian Diener | Robert Doisneau | Harold Edgerton | William Eggleston | Alfred Eisenstaedt | Dimitri N. Ermakov. Elliott Erwitt | Frank Eugene | Walker Evans | Lyonel Feininger | Christine Fenzel | Ben J. Fernandez | Hans Finsler | Arno Fischer | Thomas Florschuetz | Franco Fontana | Louis-Antoine Froissart | Wilhelm von Gloeden | Nan Goldin | Greg Gorman | Ara Güler | F.C. Gundlach | Robert Häusser | Heinz Hajek-Halke | Philippe Halsman | Franz Hanfstaengel | Raoul Hausmann | Roswitha Hecke | Heinrich Heidersberger | Fritz Henle | Herbert Hensky | Jacob Hilsdorf | Bernd Heyden | Lewis Hine | Kitty Hoffmann | Ewald Hoinkis | Emil Otto Hoppé | Frank Horvat | Teresa Hubbard & Alexander Birchler | George Hurrell | Yasuhiro Ishimoto | Dan Kane | Peter Keetman | Annette Kelm | Willy Kessels | Hannes Kilian | Kusakabe Kimbei | Jürgen Klauke | William Klein | Dimitrios Konstantinou | Georg Koppmann | Volker Krämer | Vincenzo Laera | Karl Lagerfeld | Oscar Victor Lange | Adolf Lazi | Annie Leibovitz | G. Lékégian | Lehnert & Landrock | Robert Lenz | Lucien Levy | El Lissitzky | Alois Löcherer | Robert Macpherson | Ute Mahler | Man Ray | Manassé | Gaudenzio Marconi | Sven Marquardt | Olaf Martens | Charles Marville | Will McBride | Arno Rafael Minkkinen | Stefan Moses | Nadar | NASA | Dr. Richard Gustav Neuhauss | Floris M. Neusüss | F. August Oppenheim | Helga Paris | Robert Paris | Norman Parkinson | Albrecht Renger-Patzsch | Alexandr Paul | Nicola Perscheid | Richard Peter Sr. | George Platt-Lynes | Carlo Ponti | Bill Ray | Ursula Richter | Heinrich Riebesehl | Leni Riefenstahl | Karin Rocholl | Franz Roh | Tata Ronkholz | Willy Ronis | William Ropp | Martin Rosswog | Alphonse Rubellin | Thomas Sandberg | August Sander | Jan Saudek | Kyoichi Sawada | Roger Schall | Xanti Schawinsky | Franz Schensky | Michael Schmidt | Pascal Sebah | Georg Schmidt | Karl Hugo Schmölz | Toni Schneiders | Gundula Schulze Eldowy | Hans Martin Sewcz | Cindy Sherman | Fritz Simak | Raghubir Singh | Ré Soupault | Anton Stankowski | Bert Stern | Louis Stettner | Dennis Stock | Sasha Stone | Karin Székessy | Joseph Tairraz | Wolfgang Tillmans | Patrick Tosani | Kurt Triest | Linnaeus Tripe | Carlo Valsecchi | Robert Voit | Tim Walker | Kurt Wendlandt | Ludwig Windstosser | Reinhart Wolf | Dr. Paul Wolff | Iwao Yamawaki | Hartmut Zickmantel | Tobias Zielony and many others. | | |
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| | Lot 643
Anton Corbijn - Naomi Campbell (lips), London 1993
Gelatin silver print (lith print).
45 x 45.3 cm (mat opening), 69 x 68 cm (frame)
Estimate: 5.000 € - 6.000 € | | | Lempertz – Photography | | | Auction 1210
Photography | Friday, 2 December 2022, 2 pm
(lot 500 – 673)
Online catalogue | PDF catalogue
Auction 1212
Day Sale | Saturday, 3 December 2022, 2 pm
(lot 280 – 435)
Online catalogue | PDF catalogue
Preview
Saturday 26 November – Thursday 1 December 2022
weekdays 10 am – 5.30 pm | Sat 10 am – 4 pm | Sun 11 – 4 pm |  |
| | | Further information:
Dr. Christine Nielsen
Tel: +49-(0)221-92 57 29-56
photo@lempertz.com | | | | | | | | | | | | | Auction 1210 │ Photography
The season highlight of this auction is an unusually large and high-quality print of an icon of the history of photography: "Das Bäumchen" by Albert Renger-Patzsch. The photographer’s favourite motif was already successfully auctioned by Lempertz in 2015. The photograph offered for sale here - in a format that has hitherto not yet emerged in an auction - was printed by the photographer himself on Kodak Royal paper in the dark room of the Folkwang School and subsequently mounted and framed by Renger Patzsch as a gift for an important client (lot 528, € 50/70,000). Vintage prints by Karl Blossfeldt, whose photographic oeuvre was first discovered in the 1920s, are also rarities on the photo market. They served their creator as illustrative material for tuition in the subject of "modelling from living plants" at the Unterrichtsanstalt des Königlichen Kunstgewerbemuseums (School of the Royal Museum of Applied Arts). Lempertz is offering two of these early prints this season (lots 512/513, €9-12,000 and € 25-30,000).
Heinrich Kühn’s large platinum gum print from 1910 is in excellent condition and depicts the photographer’s sons during a portrait sitting (lot 511, € 5/6,000).
This time many outstanding works which enrichen the selection of classical photographs of the mid-20th century derive from American collections: From Eugène Atget's view of a narrow alley in Paris (lot 506, € 3/4,000), to Herbert List’s shot of happy young men swinging on ship’s ropes (lot 558, € 2/2,500), Henri Cartier-Bresson’s cowboys enjoying the evening at the amusemant park (lot 576, € 3,500), Elliott Erwitt’s touching portrait study of his first wife with their new-born daughter on a bed from 1953 (lot 581, € 2,5/3,500), and Nick Brandt’s picture of a group of giraffes in the Kenyan evening sun (lot 652, € 5/6,000).
Two further highlights of the auction are within the context of American Fashion Photography: "Schiaparelli Jacket with Tinsel and Glass", a mysterious costume study from the year 1974 by Irving Penn (lot 647, € 14-16,000), and the famous shot "Round the Clock I, New York" by the German-American fashion photographer Horst P. Horst (lot 617, € 10-15,000). Latter is from an American private property.
Amongst the rich offer of contemporary photography are three portraits by Anton Corbijn (lots 651-643, € 3/4,000 to 5/6,000), a group of six staged, partly hand coloured works by Jan Saudek (Lot 632-637, € 800/1,000 to € 1,200/1,500), and – a premier on the German auction market – the large-format meditative photograph of a fairy tale pine forest by the South Korean photographer Bae Bien-U from his famous "Sonamu" series (lot 653, € 13/15,000).
Auction 1212 | Day Sale – Contemporary Art
Alongside several industrial landscapes by Bernd and Hilla Becher (lots 328-331, € 6/8,000 to 8/10,000), a group of various works by Elger Esser from a Rhenish private collection form a particular focal point of the Day Sale: Three large-format photographs of French motifs reminiscent of historical landscape paintings and the three-part sequence "Marne", all from the series "Vedute and Landscapes" and partly with exhibition provenance, as well as a 24-part tableau with pumpkins in playfully varying arrangements depict important work phases of the artist. Fans of nude photography will be delighted by three large-format works by Nobuyoshi Araki from the series "Kinbaku" (lots 361-363, each € 3/4,000). | | |
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| Festivals |
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| Upcoming |
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| | | | | | | | The Land Where The Sun Was Born | | | | | | | | 26 November 2022 – 3 January 2023 | | | | Opening: Friday 25 November 2022 | | | | | | | | | | | | | The 8th Jimei x Arles International Photo Festival will kick off in Xiamen on 25 November 2022, and continue to showcase new international photography works!
Three Shadows Photography Art Centre has been working closely with Les Rencontres d’Arles since 2015 to found the International Photo Festival in Xiamen’s Jimei District. Jointly organised by Three Shadows Photography Art Centre and Xiamen Tianxia Jimei Media Co. Ltd., Jimei x Arles introduces excellent overseas photography works with an open and inclusive attitude, synchronising with the freshest international vision. Jimei x Arles works with various experts and institutions to explore the creative power of Chinese photography, facilitates the dissemination of excellent contemporary photography works and continues to promote them on the international stage. Since its founding, Jimei x Arles has presented more than 200 exhibitions from China and the rest of Asia, as well as a selection of excellent shows from Les Rencontres d’Arles. To date, the festival has attracted 400,000 visitors.
Since 2020, Christoph Wiesner, director of Les Rencontres d’Arles, and RongRong, Chinese contemporary photographer and co-founder of Three Shadows Photography Art Centre, have been serving as Co-Directors, with noted photography critic Gu Zheng serving as Art Director. The 8th Jimei x Arles will present thirty exhibitions, featuring works by more than one hundred artists from France, Thailand, Brazil, the United States and mainland China: Six Exhibitions from Arles selected from 202… | | |
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| | | | | | #2 collection Bruno Decharme | | | | | | | Wed 23 Nov 15:00
24 Nov 2022 – 19 Mar 2023 | | | | | |
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| | | | | | 10th International Photography Festival | | | | | | | 23 Nov – 3 Dec 2022 | | | | | |
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| | | | | | | | | | CHALLENGING ORDERS | | | – 25 Nov 2022 | | | | | |
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| | | | | | Bangkok Art Biennale 2022 | | | | | | | – 23 Feb 2023 | | | | | |
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| | | | | | | | | | | | | Barcelona Foto Biennale II The 7th Biennial of Fine Art and Documentary Photography - showcasing 358 artists from 47 countries | | – 27 Nov 2022 | | | | | | | |
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| | | | | | Festival de la photographie sociale | | | | | | | – 17 Dec 2022 | | | | | |
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| | | | | | au sein du programme VIP de Paris Photo | | | | | | | – 11 Dec 2022 | | | | | |
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| | | Melanie Bonajo: ‘Big Spoon’, film still from ‘When the body says Yes’ . Courtesy of the artist. The Netherlands national Pavillion | | | | | | | The Milk of Dreams | | | | | | | | ... until 27 November 2022 | | | | | | | | | | | | | The 59th International Art Exhibition of La Biennale di Venezia, titled The Milk of Dreams, will open to the public from Saturday April 23 to Sunday November 27, 2022, at the Giardini and the Arsenale; it will be curated by Cecilia Alemani and organised by La Biennale di Venezia chaired by Roberto Cicutto. The Pre-opening will take place on April 20, 21 and 22; the Awards Ceremony and Inauguration will be held on 23 April 2022
Read the statement by Cecilia Alemani »
Read the statement by Roberto Cicutto »
THE INTERNATIONAL EXHIBITION
The Exhibition will take place in the Central Pavilion (Giardini) and in the Arsenale, including 213 artists from 58 countries; 180 of these are participating for the first time in the International Exhibition. 1433 the works and objects on display, 80 new projects are conceived specifically for the Biennale Arte.
The artists »
NATIONAL PARTICIPATIONS
The Exhibition will also include 80 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the city centre of Venice. 5 countries will be participating for the first time at the Biennale Arte: Republic of Cameroon, Namibia, Nepal, Sultanate of Oman, andUganda. Republic of Kazakhstan, Kyrgyz Republic and Republic of Uzbekistan participate for the first time with their own Pavilion.
The National Participations » | | |
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| | | | | | 33 exhibitions in 12 districts, 21 talks, 15 side events and 17 workshops | | | | | | | – 26 Nov 2022 | | | | | |
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© 23 November 2022 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
contact@photo-index.art . T +49.30.24 34 27 80 |
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