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| PHOTOGRAPHY INTERNATIONAL | | 8 - 15 November 2023 | |
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| | Paris Photo 2023 opens for the public on Thursday, November 9th, 2022. Also check out our comprehensive guide for more than 200 exhibitions and events in Paris this week:
Paris during Paris Photo 2023»
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| | Daniela Finke
Daniela Finke, Brooklyn Gas Station, 2010
Pigment Print, Acryl matt
90 x 135 cm
© Daniela Finke | | | | | | | | 10 November – 22 December 2023 | | | Opening: Thursday, 9 November, 6pm
Artist Talk & Finissage: Saturday, 22 December, 4pm | | | | | | | | | | | | | In her works, Daniela Finke explores the invisible relationships of the visible world. In bright colours, she marks bodies, architectures, everyday things or natural phenomena, putting them out of focus. In this way, her pictures bring elementary forms and relationships to light and turn the inside of perception inside out. Like magical illuminations of the unconscious, abstract and concrete at the same time, her series play through the temporary patterns of perception and reveal their fragile, rationally hardly graspable shape.
The exhibition focuses on the latest series of works "A Present from the Past", in which the artist deals with the ancient species of horseshoe crabs (Limulidae). In the differently edited and staged photographs, the contour of the animal appears again and again as a stereotypical sign: as a constellation or a scarab-like gem, as a shadow in the ocean blue of cyanotypes, which refers to the colouring of the coveted bluish blood of the horseshoe crabs.
A Present from the Past - not only the endangered species of Limulidae, but also other pictorial motifs in this work show seem to be a gift from the past: white-blue glacier fronts from Patagonia, discarded everyday things from the series "Discarded" or canonical buildings of modern architecture. By reducing the forms, Daniela Finke makes structures of the living visible and releases a dancing present.
Daniela Finke, born 1958 in Hanover, is a visual artist working in the field of digital photography. Playing with reality and illusion, compositional boldness and brilliant colouring have become her trademark. Always travelling and with anthropological curiosity, she captures people in action, very specific social scenarios or focuses… | | |
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| | | | | | | | Beleza, 1990 © Giovanni Gastel Foundation |
| | | | Ausgewählte Arbeiten | | | | | | | Fri 10 Nov 19:00
10 Nov 2023 – 20 Jan 2024 | | | | | |
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| | Cindy Sherman: Untitled #462, 2007/2008
Privatsammlung Europa
© Cindy Sherman
Courtesy the artist and Hauser & Wirth | | | | | | | | ... until 28 January 2024 | | | | | | | | | | | | | The American artist Cindy Sherman (*1954 in New Jersey) is one of the most important and internationally successful contemporary artists. In her photographs, she stages herself in a wide range of roles that skewer entrenched ideals and stereotypes in a manner that is as playful as it is critical. Sherman finds inspiration in various forms of visual culture: cinema, television, advertising, magazines, art history, fairy tales, the Internet, and social media act as catalysts for a multifaceted body of photographic work in which fashion is a constant.
With around 50 works spanning five decades, the exhibition "ANTI-FASHION" takes an in-depth look at the fascinating dialogue the artist maintains with the fashion world. Since the 1980s, Sherman has been drawing on a number of commercial commissions from renowned fashion houses and designers such as Chanel and Stella McCartney as well as international fashion magazines such as Vogue and Harper’s Bazaar as a constant source of inspiration. By the same token, the artist influences and stimulates the aesthetics of the fashion world and continues to inspire an entire generation of photographers.
Sherman’s provocative photographs do not convey the glamour, sex appeal, or elegance that we commonly associate with fashion. Instead, they show characters that are anything but desirable and run counter to the fashion world ideals of flawlessness. Last, but by no means least, the exhibition reveals the subject of fashion as the starting point for the artist’s critical examination of aspects of identity, sex, gender, and age. Sherman’s myriad characters demonstrate the artificiality and mutability of identity, which appears – now more than ever – to be selectable, (self-)co… | | |
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| | Laurenz Berges
View on Mudersbach, 2019, from the series The Becher House in Mudersbach,2018-2022
© Laurenz Berges / VG Bild-Kunst, Bonn 2023 | | | | | | | | 12 November 2023 – 21 January 2024 | | | | Opening: Sonntag, 12 November, 3pm | | | | | | | | | | | | | In the series "The Becher House in Mudersbach," Laurenz Berges (b. 1966) explores the history of a half-timbered house in the Siegerland region that has been home to over three generations and which has become something of a monument. Originally the house of the grandparents of Bernd Becher (1931–2007), it was afterward inhabited by his two aunts. Becher loved the house from childhood on and later cherished it with his own family as an occasional domicile. A number of biographies are intertwined within these walls, as reflected in the furnishings and in the numerous items left behind. At many moments, it seems as if time were standing still.
In the photographs by Laurenz Berges, a master student of Bernd Becher at the Düsseldorf Art Academy, the aspect of time comes into play in a heightened form. The subdued lighting that characterizes his compositions contributes to a haunting atmospheric density.
An exhibition catalogue has been published: Laurenz Berges: "Das Becherhaus in Mudersbach," with an essay by Hanns-Josef Ortheil, Munich: Schirmer/Mosel, 2022 (in German only). | | |
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| | Simone Nieweg
Garden Shed (with Carpet Tiles), Meldorf-Holstein, 1986
© Simone Nieweg, VG Bild-Kunst, Bonn 2023 | | | | | | | | ... until 21 January 2024 | | | | | | | | | | | | | "You have to hurry up if you want to see something; everything disappears." This observation made by the French Impressionist Paul Cézanne based on his own experience also applies to the work of photographer Simone Nieweg (b. 1962). For the master student in Bernd Becher’s class at the Düsseldorf Art Academy, the view of nature and the arable land created by human hand formed important starting points for her artistic work back in the 1980s. Even then, she was already preoccupied by urgent questions about how we treat our natural resources.
Her color photographs, which Nieweg shoots in the Rhineland and other regions of Germany as well as in France using a large-format camera, draw our attention to the often overlooked outskirts of towns and industrial areas. They highlight the aesthetic qualities that unfold when these still un-zoned areas are cultivated in a limited fashion, usually upon individual initiative, for gardening or agriculture. Elements that give the land structure and continuity are captured here: alternative allotment gardens, future building land, patches of meadow, fields going to seed with wild vegetation, vegetable beds, plowed fields in winter, or blossoming fruit trees as harbingers of spring. Structures built by simple means, whether sheds or compost racks, reveal themselves to be typical components of their particular landscapes.
The exhibition will be accompanied by an eponymous catalogue, published by Schirmer/Mosel Verlag. | | |
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| | | | | | | | Daniel Arnold: New York Life |
| | | | | | | | | | | | Fri 27 Oct 18:00
27 Oct – 22 Dec 2023 | | | | | |
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| | TERRI WEIFENBACH
Air and Dreams #9579
Archival pigment print 76 x 50.8 cm
EdiJon of 10 + 2 AP | | | | | | | | 7 November – 23 December 2023 | | | | | | | | | | | | | For over thirty years, Terri Weifenbach has built a dense photographic opus that studies different aspects of the natural world - gardens, insects, flowers, clouds, water, birds, forests - and their unobtrusive, daily interactions with humans. Rather than seek overt signs of a dramatically changed landscape, Weifenbach has always been drawn to quieter subjects and, through her more than 20 publications and 50 exhibitions organized in the US, Japan and Europe, Weifenbach has developed a precise and lyrical signature, often recognizable by her mastery of the bokeh or sfumato play of blur and sharp within an image.
Without a specific geographical identity, Terri Weifenbach's photographs presented at Galerie Miranda recount a collective space, of land and sky, sun and clouds, but also cities and town gardens. Her underlying philosophy is inspired by the great English historian Simon Schama, whose landmark book Landscape and Memory (1995) explored the myths, memories, and obsessions that underlie the Western world's interaction with nature. Like Schama, Terri Weifenbach is not an activist but a messenger, informing us and sharing her reverence for the natural world; reminding us of the great beauty that is in danger and that we must strive to preserve. | | |
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| | © Morvarid K.
This Too Shall Pass - Chapter 1, Temps 3.20, 2023
courtesy Galerie Thierry Bigaignon, Paris | | | | | | | | ... until 23 December 2023 | | | | | | | | | | | | | First solo show by Iranian artist Morvarid K at the gallery, this exhibition, entitled "This Too Shall Pass", is a continuation of the one held at the Musée de l'Église Saint-Vincent in Mérignac (France), and follows on from the Bibliothèque nationale de France 's acquisition of three works from the same series. It also allows us to extend the scope of the series to the scale of our space, as it was partially exhibited in Amsterdam last September during a highly acclaimed participation at the Unbound by Unseen fair.
Born in Teheran in 1982, Morvarid K's attachment to Iranian identity is the foundation of her relationship with the world and her artistic sensibility. Through the manipulation of photographic material, her work questions our relationship to the world, transformative memory and the in-between. The photographic medium is the starting point, anchoring his work in reality, while superimposition and transformation techniques provide the additional expressions that photography cannot capture.
Overwhelmed by the images of the fires in Australia in 2019 and 2020, Morvarid K feels the compelling need to go there and see the static, silent, empty landscapes, to witness the overwhelming absence of life, to confront what remains … | | |
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| | | Chicago © Jean-François Mollière | | | | | | | | ... until 19 November 2023 | | | | | | | | | | | | | A photographic research synonymous with multiple quests
"Jean-François Mollière, a photographer, freelance reporter and journalist from le Mans, has collaborated on numerous books and magazines in the fields of art, sports and architecture. As an artistic director, he also designs photographic installations for public and private places. These commissioned works necessarily bear the imprint of his photographic research.
In 30 years of photographic research, Jean-François Mollière has never ceased to break away from habit, to go where the imagination becomes stronger. To beat back the ineluctability of finitude, to resist, inexorably. We recognize in his photography, images, icons very inspired by cinema and painting. | | |
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| | | Jan A. Staiger & Malte Uchtmann - Exhibition view - "The Perfect Crime: Concerning the Murder of Reality", two channel video installation with sound | | | | | | | Biennale de l'Image Tangible #3 - BIT20 Paris | | | | 1 November – 16 December 2023 | | | | | | | | | | | | | Nine satellite exhibitions take place in the Biennale's partner venues and galleries, located in the East and the Center of Paris. The 40 artists exhibited were selected by a Jury of professionals from the world of art, image and photography, following a call for projects.
PLATFORM, 73 rue des Haies, 20e
Bastien Cuenot » Bruno José Silva » Caroline Mauxion » Aaron Parish » Antoine De Winter »
CHARLOT GALLERY, 47 rue Charlot, 3e
Anne-Lou Buzot » Katherine Melançon » Thomas Paquet » Camille Sauer » Jan A. Staiger & Malte Uchtmann »
OLIVIER WALTMAN GALLERY, 16 rue du Perche, 3e
Cedric Arnold » Edouard Burgeat » Guangli Liu » Kasia Ozga »
DATA GALLERY, 26 Boulevard Jules Ferry, 11e
Daniel Bourgais » Florence Cardenti »
Opening Thu 9 Nov 18:00 to 22:00
NIGHT GALLERY, 7 rue d'Aix, 10e
Tomás Amorim » Alain Delorme » Anna Katharina Scheidegger » Mozziconaci Robert-Teyssier » Laure Winants »
Opening Fri 10 Nov 18:00 to 01:00
JULIO - ARTIST RUN SPACE, 13 July Street, 20e
Julie Laporte » Shinji Nagabé »
Opening Sat 11 Nov 17:00 to 21:00
FLORÉAL BELLEVILLE, 43, rue des Couronnes, 20e
Luz Blanco » Emilio Chiofalo » Lenka Glisnikova » Thomas Jorion » Silvana Reggiardo »
Opening Tue 14 Nov 18:00 to 22:00
THE AHAH, 24-26 rue Moret, 11e
Hélène Bellenger » Clara Chichin & Sabatina Leccia » Marie-Jeanne Hoffner » Michael Mazzoni »
Opening Thu 16 Nov 18:00 to 22:00
PLATFORM, 73 rue des Haies, 20e
Karin Fisslthaler » Mathilde Geldhof » Margherita Muriti » Mathieu Roquigny » Brigitte Zieger »
Opening Thu 23 Nov 18:00 to 22:00 | | |
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| | Roger Ballen
YOUNG MAN, 1998
from the "Outland" series
36 x 36 cm | | | | | | | | ... until 18 November 2023 | | | | | | | | | | | | | Les Douches la Galerie is pleased to present, for the first time this Fall, a solo show by Roger Ballen, including his early series from the 80s and 90s. Roger Ballen was born in New York in 1950, but has lived and worked in Johannesburg, South Africa since 1982. After working in mineral exploration, he took his camera to dig into the layers of his own inner life and pierce the external surface of a poor and deeply rural country.
With the Dorps series (small dormitory towns) which he begun in 1983 in a sun-scorched landscape, the doors and shutters of cafés are closed, the buildings of Victorian Cape architecture inanimate and the images are frontal. But when he decided to enter homes directly and confront stained surfaces, saturated with lines, marks, photos and children's drawings, the interior wall became an essential element in his work. It's not a background, but rather a surface, like a picture plane. Between 1986 and 1994, Roger Ballen also took an interest in marginalized population. "They may well become another fragment of human detritus of the new South Africa," he writes in the preface to Platteland, the first impactful book among his singular bibliography. In 2001, Outland introduced the "wire" period. Roger Ballen draws with wires, linking the formal elements of the image with straight lines and curves. | | |
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| | | Installation view 2023 THANDIWE MURIU KENYA, 193 Gallery | | | Thandiwe Muriu »
You thought you could throw me away | | | | ... until 30 December 2023 | | | | | | | | | | | | | The perception and treatment of others in a globalized world is one of the cornerstones of our society. Images carry as much weight as the loudest speeches. Quite often, they even help to legitimize certain behaviors. For the different generations of the 21st century, Africa has always been represented as a subcontinent. Those who live there are dehumanized, reduced to poor children covered in flies or, at best, worn as trophets, glorifying the examples of those who find success once they arrive (and are accepted) in the West. But this mechanism of pity, of the single narrative, often even of demonization, tirelessly produces a distortion of reality. There's something to never be the norm in a world where that term seems empty of meaning. What's more, this frustration can only be reinforced when we are dispossessed of one's own narrative.
But therein lies Thandiwe Muriu's strength. An atypical career path, breaking with the norms of her country and the expectations of a "great artistic career", while recounting the beauty of her reality. You thought you could throw me away presents the elements that make the artist's work so iconic. Her work encourages viewers to take a fresh look at the concepts of identity and free expression, exploring what it means to be a strong, modern woman. By drawing on her own experience, the Kenyan artist is ultimately addressing women the world over. Indeed, if there's one subject common to all the demands, expectations, criticisms and stolen speeches, it's Woman. In just 3 years, the young photographer has established a vibrant identity that cannot be ignored, joining the ranks of those who are helping to reclaim the African narrative and its image. | | |
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| | © Sophie HATIER
Loin des jardins, Islande, 2019
courtesy de l'artiste et Photo Days | | | | | | | | 3 November – 3 December 2023 | | | | | | | | | | | | | | Sophie Hatier is the first artist in residence at the Château Jean Faure, our Photo Days partner. This exhibition presents part of this residency, alongside a selection of previously unseen images from the Loin des Jardins series (Camargue, Iceland), some of which were taken this summer (Norway). | | |
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| | Costanza GASTALDI, PARANAPIACABA, 2023
2022 winner of the Photo Days | | | | | | | | 4 November – 3 December 2023 | | | | | | | | | | | | | | During the 2022 portfolio readings, Italian photographer Costanza Gastaldi has won an artistic residency in Brazil, a collaboration between Photo Days, the Iandé collective and the Paranapiacaba Festival. Her images speak of a distant, colonial past, of the legends that have come down to us today, and of the future stakes involved in preserving the Mata Atlantica and its eco-system. | | |
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| | | © Rinko KAWAUCHI, Untitled, 2022, série M/E / Untitled, 2021, série M/E courtesy de l'artiste, Priska Pasquer Galerie et Photo Days | | | | | | | | 7 – 26 November 2023 | | | | | | | | | | | | | After the first exhibition in 2006 in Milan, Rinko Kawauchi returns at Fondazione Sozzani with a site-specific exhibition curated by Emmanuelle de l’Ecotais on the occasion of Photo Days 2023 in Paris.
Rinko Kawauchi (1972) is renowned for her kindness and the brightness of her color photographs that reveal since her early works the mystery, the genius, the fragility, and the strength of life in all its forms. Her gaze also rests on the immediate environment’s delicate beings – be it the flora, wildlife, or its family members, forces of nature consisting of volcanoes and glaciers formed over long periods of time. The unique sensitivity of his photography reveals the links between these subjects, which all shine with the same vital splendor.
The exhibition imagined by Rinko Kawauchi consists of a monumental installation, occupying the entire space of the former industrial building, a video, and a series of photographs selected from his latest series, M/E, An interlinking, and Illuminance. Addressing an existential question — “Why am I alive, here and now?” —, her photography invites the viewer to reconsider several questions about human life and our relationship with nature.
An interlinking is a new work comprising images shot in the 6 x 6 square format that Kawauchi is known for, seen in Utatane and Illuminance. The images in An interlinking were assembled from Kawauchi's photographic archive, reaching back two decades or more; some have never been seen by the public before. By contrast with the macro perspective often adopted in M/E, the latter half and main series of this exhibition, An interlinking chiefly depicts the everyday tiny lives shot from a faithfully life-sized perspective. Additionally, while M/E was shot entirely digitally, the works in An interlinking were all shot with a Rolleiflex 6 x 6 film camera. The print size is intentionally enlarged in order to place the viewer in a 1:1 relationship with each image.
M/E is Kawauchi's latest series begun in 2019. The two halves of the title are the initial letters of "Mother" and "Earth," combining to form "Mother Earth" or simply "Me." The series began with photographs of glaciers, waterfalls, and volcanoes taken in Iceland in 2019, where Kawauchi experienced a deep connection to the planet when inside a dormant volcano. After this came the COVID-19 pandemic, and Kawauchi continued the series with photographs of everyday family scenes and the living things around her house, images of floating ice and snowy landscapes from the Hokkaido winter, and photographs with cosmic elements such as lunar eclipse and moon rocks. The subjects Kawauchi photographs range back and forth from distant locations to places very near Kawauchi herself, but all are events on the planet we call home, evoking in the viewer a sense of continuity and connection. | | |
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| | Jess T. Dugan
(American, b. 1986)
Erica and Krista, 2012 Pigment print
25 1/4 x 20 1/4 x 1 3/8 in. | | | | | | | ICONIC & RECENT PHOTOGRAPHS IN THE JPMORGAN CHASE ART COLLECTION | | | | | | | | 9 – 12 November 2023 | | | | Preview: Wednesday 8 November 13:00 | | | | | | | | | | | | | For 12 years, J.P. Morgan has served as lead partner of Paris Photo, exhibiting the full breadth of our esteemed modern and contemporary art collection. This year, we are excited to present highlights of the JPMorgan Chase Art Collection – championing the dynamic lenses of geographic & cultural diversity, with an emphasis on NextGen artists. Global Visions convenes 10 photographs by artists from Europe, the Middle East, Africa, Asia, Latin America and North America. The artworks reflect our firm’s global reach and long history of supporting emerging, developing, & under-recognized artists.
The photographs in the exhibition express a powerful range of photographic imagination and visual power. Both collectively and individually, the works reveal the deft and varied ways artists transform traditional genres. Whether portraiture, landscape, abstraction or documentary, the presentation mirrors J.P. Morgan’s global 21st-century business and social priorities—reflecting diversity of all kinds through visually compelling images. The exhibition is supplemented by historical and documentary photographs from JPMorgan Chase Corporate History and Corporate Responsibility. | | |
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| | | | | | | | Huan A Hei, The Daughter of The Moon |
| | | | | | | | Beyond the Image，Beyond Imagination | | | | | | | | |
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| | | | | | | | © adagp, Paris 2023 et courtesy Constance Nouvel & Galerie In Situ- Fabien Leclerc |
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| | | | | | | Fred W. McDarrah, Untitled
(Craig Rodwell, gay rights activist and founder of the Oscar Wilde Memorial Bookshop),
New York, New York, October 14, 1969 |
| | | | | | | | MUUS COLLECTION - NEW JERSEY, USA | | | | | | | | |
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| | | | | | | DAIDO MORIYAMA – THE TOKYO TOILET, Hiroo Higashi Park, 4-2-27 Hiroo, Tomohito Ushiro - 2022
© Daido Moriyama Photo Foundation |
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| | | | | | | | OMAR VICTOR DIOP - Quai des Yatchs, in Louis Vuitton Fashion Eye Deauville © Éditions Louis Vuitton |
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| | | | | | | | Louise Desnos, Nadine, 2019 |
| | | | RECENT ACQUISITIONS OF THE CENTRE NATIONAL DES ARTS PLASTIQUES | | | | | | | | | | | | |
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| | | | | | | | ALAIN DELORME, Murmurations |
| | | | | | | | PRIX DU PUBLIC - UNE AUTRE EMPREINTE 2023 | | | | | | | | |
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| | | | | | | | INSOLARE II, Eva Nielsen - BMW ART MAKERS, 2023, Acrylique sur papier et photographie numérique sur calque taille variable. |
| | | | | | | | LAUREATES OF BMW ART MAKERS | | | | | | | | |
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| | © Véronique ELLENA
La source, 2023
courtesy de l'artiste et Photo Days | | | Véronique Ellena »
Le ciel, la terre, et tout ce qu’ils renferment | | | | 9 November – 3 December 2023 | | | | Opening: Thursday 9 November 18:00 | | | | | | | | | | | | | | For Sorbonne Artgallery, Véronique Ellena offers a new vision of the Strasbourg Cathedral Millennium Stained Glass Window she created in 2015, transforming Sorbonne Artgallery windows into details taken from the original work. | | |
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| | Chiara Wettmann
Statelessness in Cote d‘Ivoire, 2023
© Chiara Wettmann | | | | | | | students of the Ostkreuzschule Berlin | | | | | | | | 10 November 2023 – 15 January 2024 | | | | Opening: Thursday 9 November 18:30 | | | | | | | | | | | | | As part of the exhibition series "La jeune photographie allemande", this year, students of Ute Mahler and Marit Herrmann of the Ostkreuzschule Berlin are showing photographic works that address forms of togetherness and tackle the question of what connects people today. The exhibition entitled "With Each Other" will open at the Goethe-Institut Paris on 9 November 2023 at 6:30 p.m., during the international photography fair PARIS PHOTO. The Deutsche Börse Photography Foundation organises the exhibition series annually in cooperation with the Goethe-Institut Paris.
The exhibition comprises photographic positions exploring the tension between community and coexistence. Personal, often biographical works are set against series which provide insights into the longing for new environments and ways of life. Others address the boundaries and challenges of a divided everyday life through themes such as gender and migration.
In their works, the artists supervised by Ute Mahler and Marit Herrmann pick up fundamental phenomena that determine coexistence, such as statelessness, social role models or environmental changes. How does it affect people to live at the foot of an active volcano which could erupt at any time, or how does a couple live together on an otherwise uninhabited island? The photographic images also highlight personal themes such as one’s own adoption experience, transgenerational trauma and the disappearance of jobs and structures due to industrialisation. The wide-ranging aspects of togetherness bear witness to commonalities, basic needs and our concepts of "With Each Other" in all possible forms.
With the exhibition series "La jeune photographie allemande", the Deutsche Börse Phot… | | |
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| | © Elger ESSER
Les Fleuriaux, 2023
courtesy de l'artiste, Galerie RX et Photo Days | | | | | | | | 10 November – 3 December 2023 | | | | Opening: Friday 10 November 17:30 | | | | | | | | | | | | | | Photo Days presents an exhibition of Elger Esser in the Rotonde Balzac, opened for the occasion. Inspired by the world of the famous writer, the artist from the Düsseldorf school has delved into his archives of the Loire riverbank landscapes to illustrate the settings of Balzac's novel "Le Lys dans la vallée". | | |
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| | | | | | | Paris Photo announces more than 200 exhibitors.
SOLO SHOWS | Hassan Hajjaj » 193 GALLERY* | Alberto García-Alix » ALBARRÁN BOURDAIS* | Matei Bejenaru » ANCA POTERASU | Omar Victor Diop » Lee Shulman, The Anonymous Project » BINOME & MAGNIN-A | Tom Wilkins » CHRISTIAN BERST ART BRUT | Jung Lee » CHRISTOPHE GUYE | Samuel Fosso » CHRISTOPHE PERSON* | Anastasia Samoylova » DOT FIFTYONE* | Johannes Brus » JUDITH ANDREAE | Ray Mortenson » L. PARKER STEPHENSON | Guido Guidi » LARGE GLASS* & VIASATERNA* | Nino Migliori » M77* | Gyula Zaránd » OLIVIER WALTMAN* | Sandra Kantanen » PURDY HICKS* | François Halard » RUTTKOWSKI;68* | Pascal Convert » RX | Juergen Teller » SUZANNE TARASIEVE | Paul Kooiker » TEGENBOSCHVANVREDEN* | Vasantha Yogananthan » THE PHOTOGRAPHERS' GALLERY* | Jean-François Lepage » TOBE
DUO SHOWS | David De Beyter » Thomas Devaux » BACQUEVILLE* | Barbara Probst » Guy Tillim » KUCKEI+KUCKEI | Ken Ohara » Melissa Shook » LA PATINOIRE ROYALE BACH* & MIYAKO YOSHINAGA | Judith Stenneken » Krisa Svalbonas » MARSHALL* | Milagros de la Torre » Roberto Huarcaya » ROLF ART
CURIOSA | Nhu Xuan Hua » (1989, Paris, France) ANNE-LAURE BUFFARD* | Jonathan Rosić » (1979, Tirlemont, Belgique – Bruxelles, Belgique) ARCHIRAAR | Andrés Barón » (1986, Bogota, Colombie – Paris, France) DS GALERIE* | Ilanit Illouz » (1977, Paris, France) FISHEYE* | Massao Mascaro » (1990, Lille, France – Bruxelles, Belgique) GALERIE C* | Felipe Romero Beltrán » (1992, Bogota, Colombie – Madrid, Espagne) HATCH* | Constance Nouvel » (1985, Courbevoie, France – Paris, France) IN SITU - FABIENNE LECLERC* | Rebekka Deubner » (1989, Munich, Allemagne – Paris, France) JÖRG BROCKMANN* | Yelena Yemchuk » (1970, Kiev, Ukraine – New York, États-Unis) KOMINEK* | Hubert Crabières » (1988, Aix-en-Provence, France – Argenteuil, France) MADÉ* | Hoda Afshar » (1983, Téhéran, Iran – Melbourne, Australie) MILANI* | Kara Springer » (1980, Bridgerton, La Barbade – Toronto, Canada) PATEL BROWN* | Silvia Bigi » (1985, Ravenna, Italie – Milan, Italie) RED LAB* | Vivian Galban » (1969, Buenos Aires, Argentine) ROLF ART | Chen Ronghui » (1989, Lishui, China - Shanghai, China) UP* | Eleonore Lubna » (1989, Paris, France) | Louis Matton (1989, Paris, France) YOUNIQUE* | | | | 9 – 12 November 2023 | | | | Preview: Wednesday 8 November 2023 | | | | | | | | | | | | | | |
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| | | | Polycopies 2023 a bookfair with 50 publishers, booksellers and photographers from all continents. |
| | | | | | | | | | | | | | | | | | POLYCOPIES will take place during Paris Photo from
Wednesday 8th to Sunday 12th of November.
Wednesday 8th Nov; 3pm-10pm
Thursday 9th Nov; 11am-9pm
Friday 10th Nov; 11am-9pm
Saturday 11th Nov; 11am-9pm
Sunday 12th Nov; 12pm-7pm | | |
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| | | © Magnum Photos | | | | | | | a series of talks, film screenings, and book signings | | | | | | | | Saturday 11 November 11:00 - 18:15 | | | | | | | | | | | | | In parallel with Paris Photo, Magnum will host a number of free events around the fair as Magnum photographers gather in the city. Join us at the Magnum Gallery in the 11th arrondissement on Saturday, November 11, for a program of talks and book signings with 10 Magnum photographers. The event opens at 11:00 a.m. and visitors are invited to come and go as they please as talks and signings take place throughout the day.
11:00 In Conversation: Antoine d'Agata, Raymond Depardon, and Philippe Séclier
12:45 Film Screening with Harry Gruyaert
14:00 Traces: A Presentation by Stuart Franklin
15:00 In Conversation: William Keo and Yegan Mazandarani
15:50 Les Italiens: A Presentation by Caroline Barbey
16:20 What's Ours: A Presentation by Myriam Boulos
16:50 Men Untitled: A Presentation by Carolyn Drake
17:15 Devotion: A Presentation by Steve McCurry
17:45 Selected Writings: A Presentation by Richard Kalvar | | |
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| | | | | | | | | | Chile Arte Contemporáneo | | | 8 – 12 Nov 2023 | | | | | |
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| | Lot 41
JEAN-BAPTISTE MONDINO
Karen Elson for Gianni Versace, 1997
Estimate EUR 10,000 - 15,000 | Lot 42
NICK KNIGHT
Kirsten Owen for Martine Sitbon, 1991
Estimate EUR 10,000 - 15,000 |
| | | Photographies & Lothar Schirmer's Glamour Collection | | | | | | | Online Auction: 26 October – 9 November, 2023 | | | Viewing Paris: All lots offered in the sale will be exhibited at Christie’s Paris from November 4 - 9.
Online catalogue: here | | | Specialist, Head of Sale:
Fannie Bourgeois
fbourgeois@christies.com
+33 (0)1 40 76 84 41
Head of Photographs, Europe:
Elodie Morel-Bazin
emorel-bazin@christies.com
+33 (0)1 40 76 84 16 | | | | | | | | | | | | | Christie’s Photographs Department in Paris is pleased to announce their fall Photographies sale, an online auction open for bidding from 26 October - 9 November.
The auction will present 153 photographs by major artists of the 20th and 21st Century’s, such as Peter Beard, Constantin Brancusi, William Klein, Robert Mapplethorpe, Man Ray, Hiroshi Sugimoto and Irving Penn alongside Contemporary practitioners like Wolfgang Tillmans, Shirin Neshat, Anne Collier, Prince Gyasi, Sarfo Emmanuel Annor, Reine Paradis and Viviane Sassen.
The first section of the sale, Lothar Schirmer’s Glamour Collection (lots 1-82), is dedicated to the famed Art Publisher.
After publishing more than 1,500 books dedicated to Art and Photography (including 386 editions still available), Lothar Schirmer needs no introduction. Behind the name is a founder infusing the famous publishing house with boundless life and passion. The common thread in his collection – assembled with passion over the last fifty years – is Glamour. Divided into three categories: celebrity portraits, erotic nudes, and fashion advertisements, featuring famous photographers such as Helmut Newton, Cindy Sherman, Peter Lindbergh, Anton Corbijn, Dominique Isserman, Patrick Demarchelier, Jeanloup Sieff, Jean-Baptiste Mondino, Steven Klein and Nick Knight.
All lots offered in the sale will be exhibited at Christie’s Paris from November 4 - 9. | | |
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| | 302.
Robert Mapplethorpe (1946-1989)
Parrot Tulips, 1988.
Vintage gelatin silver print, signed.
Edition of 3. | | | Photographs Photographies | | | | | | | | | | | | | | | | | 19th century photographs by :
Photographies anciennes :
Lai Afong | Marie-Alexandre Alophe | Albert d’Amad | Eugène Atget | François Aubert | Charles Hippolyte Aubry | Edmond et Henri Becquerel | Bisson Frères | Félix Bonfils | Adolphe Braun | Alphonse de Brébisson | Julia Margaret Cameron | Étienne Carjat | Jules Chevrier | Thomas Child | Ladislas Xavier Chodzkiewicz | Charles Clifford | Louis Joseph Deflubé | Jules Duboscq | Louis-Émile Durandelle | Eugène Disdéri | Henri-César-Désiré de Ferron de l’Échapt | Hippolyte Frandin | Jules Gervais-Courtellemont | Joseph-Philibert Girault de Prangey | Gustave Le Gray | Émile Gsell | William John Hawker | Alphonse-Eugène Hubert | George Huebner | Edward King Tenison | Charles Kroehle | Auguste Laresche | Charles Marville | Jules Micol | Paul Nadar | Charles Nègre | Kazumasa Ogawa | Pierre-Louis Pierson | Pierre Alfred Raginel | Stanislas Ratel | Pierre-Ambroise Richebourg | Jean-Baptiste Sabatier-Blot | William Saunders | Suzuki Shin’ichi II | Félix Thiollier | Adrien Tournachon | Francisco Van Kamp | Amédée et Adolphe Varin and others
Large collection of daguerreotypes Edward King Tenison’s personal album Travel albums (China, Japan, Pacific) Disdéri albums from the Maurice Levert collection | | |
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| | Stephen Shore
U.S. 10, Post Falls, Idaho 8/25/74, 1974
Chromogenic print (c-print)
Estimate: $25,000—35,000 | | | Photography Masters: Online Auction | | | | | | | Online Auction: bidding ends Wednesday 15 November 2023, noon (ET) | | | | Browse full sale: here | | | | | | | | | | | | | Artnet’s Photography Masters online auction is now open for bids until November 15. Featuring iconic works of American and European classical photography by Henri Cartier-Bresson, Ansel Adams, Helmut Newton, Robert Adams, Man Ray, Edward Weston, Irving Penn and more, this auction speaks to the nuanced beauty of the black-and-white photograph. Browse a selection of lots below, or browse the whole sale here.
Featuring: Helmut Newton, Robert Adams, Man Ray, Coburn, Dorothea Lange, Steve McCurry, Ralph Gibson, Mapplethorpe, Cindy Sherman, Shirin Neshat, Larry Sultan, Nick Brandt, Stephen Shore, Marc Riboud, Ansel Adams, Henri Cartier-Bresson, Edward Weston, Manuel Bravo, Yousuf Karsh, Ormond Gigli, Robert Mapplethorpe, Steven Klein, Peter Beard, Hiroshi Sugimoto, Irving Penn, Terry O'Neill
Place your bids before the online auction ends on November 15: here
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| | Lot 109
REN HANG (1987–2017)
Untitled, China 2010s
Start price: €8.000
Estimate: €14,000 - €16,000 | | | OstLicht Photo Auction | | | | Saturday, 18 November, 5 pm CET | | | | | | Preview:
Monday 13 November - Friday 17 November, 12–18h
Saturday 18 November, 12–17h or by appointment
by appointment
Expert guided tour
with Simone Klein and Taiyoung Ha
Tuesday 14 November, 19 h
Please register with stacherl@ostlicht.org
Contact: Peter Coeln
coeln@ostlicht.org
Online Catalog: here |
PHILIPPE HALSMAN (1906–1979)
'Halsman - Dalí Portfolio', 1948–1964, Lot 57 |
| | | | | | | | | | | | | The high-quality selection of more than 210 lots includes highlights, icons and rarities from 160 years. The discovery of a portrait of Gustav Klimt can certainly be described as a photo-historical sensation. The photograph by FRIEDRICH VIKTOR SPITZER from 1905 has until now been unknown and displays extreme precision in the geometry of the picture as well as in the balance of light and dark. It shows the main representative of Art Nouveau in expressive characterisation, to which the staging of the hands also contributes.
The auction also includes works by RUDOLF KOPPITZ (a.o. the famous "Movement Study" from 1925), TRUDE FLEISCHMANN (with a portrait of Max Reinhardt from 1928), ANDRÉ KERTÉSZ (with "Satiric Dancer", 1926), AUGUST SANDER (with one of his most iconic photographs - "The Bricklayer", 1928), ERNST HAAS (with a unique vintage print from "Homecoming Prisoners", 1947), WEEGEE ("The Critic", 1943), ROBERT FRANK ("Candy Store, 86th Street", 1955), MARIO GIACOMELLI ("Dancing Priests", 1962), PHILIPPE HALSMAN ("Dalí Portfolio", 1948-1964), GÜNTER BRUS ("Strangulation", 1968), ALFONS SCHILLING ("Chicago" from the series "Burning Cars", 1968), ERWIN WURM ("Jakob, Jakob fett", 1994), REN HANG (2 signed prints, China c. 2010).
Another focal point is the second part of 100 exhibition prints from the collection "In Our Time". Presented around 1990, this touring exhibition was the largest group show to date of the legendary Magnum photo agency, with around 280 photographs, and brings together outstanding works by the most important Magnum photographers such as HENRI CARTIER-BRESSON, BRUCE DAVIDSON, JOSEF KOUDELKA, WERNER BISCHOF, RENÉ BURRI, ROBERT CAPA, ELLIOTT ERWITT, SEBASTIÃO SALGADO, INGE MORATH, ERNST HAAS and many others. The large-format b/w baryta prints and colour prints using the dye-transfer process are all signed or stamped.
A special thanks goes to our independent expert Simone Klein, who has been an internationally recognised figure in photography for many years. She was Head of Photography at Kunsthaus Lempertz for 9 years, and from 2007 to 2015 she was Director of the Photography Department at Sotheby's Europe, leading auctions in Paris, London and New York. She was sales director at Magnum Photos since 2015. Since 2018, she has been working as an independent consultant for photography. | | |
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| | | | | | | | | | | | | | Tue 14 Nov 19:00
14 Nov – 24 Nov 2023 | | | | | |
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| | | | | | 400+ Talented and awarded artists from all over the world | | | | | | | Fri 10 Nov 18:00
10 – 12 Nov 2023 | | | | | |
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| | | | | | Cosmos Cinema | | | | | | | 9 Nov 2023 – 31 Mar 2024 | | | | | |
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| | | | | | | | | | Featuring over 110 exhibitions,
700 artists,
and a variety of talks and events. | | | | | | | Fri 10 Nov
10 Nov – 3 Dec 2023 | | | | | |
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| | | | | | | | | | Inciting Passion | | | 10 – 17 Nov 2023 | | | | | |
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| | | | | | 12 EXHIBITIONS / 11 PLACES | | | | | | | – 26 Nov 2023 | | | | | |
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| | | | | | Groningen - Friesland - Drenthe | | | | | | | – 10 Dec 2023 | | | | | |
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| | | | | | | | au sein du programme VIP de Paris Photo | | | | | | | | 3 November – 3 December 2023 | | | | | | | | | | | | | A PHOTO ● VIDEO TOUR IN AND AROUND PARIS
Photo Days 2023
For the past 4 years, Photo Days has been inviting visitors to a unique photographic experience in and around Paris. For the entire month, museums, cultural institutions, galleries, foundations, fairs and festivals join forces with Photo Days to introduce enthusiasts and curious onlookers to the full diversity of the worldwide photographic production.
Photo Days takes you from one bank of the Seine to the other, for an exceptional immersive experience, from November 3 to December 3.
Exhibitions
Photo Days promotes contemporary creation by commissioning artists to invest atypical spaces and venues.
● Rinko KAWAUCHI, M/E
November 7 to 28 2023, at the Fondazione Sozzani, 22 rue Marx Dormoy, Paris 18e
For the first time since 2005, Rinko Kawauchi is back in Paris, with an installation especially conceived for Photo Days in an exceptional private venue, the Fondazione Sozzani.
● Elger ESSER, Le Lys dans la Vallée
November 10 to December 3, 2023 at Rotonde Balzac, Fondation des Artistes - Hôtel Salomon de Rothschild, 24 rue de Balzac, Paris 8e
Photo Days presents an exhibition of Elger Esser in the Rotonde Balzac, opened for the occasion. Inspired by the world of the famous writer, the artist from the Düsseldorf school has delved into his archives of the Loire riverbank landscapes to illustrate the settings of Balzac's novel "Le Lys dans la vallée".
● Véronique ELLENA, Le ciel, la terre, et tout ce qu’ils renferment Tribute to Pierre-Alain Parot
November 9 . December 3, 2023 at Sorbonne Artgallery, Galerie Souffot - 12 Place du Panthéon - Université Paris 1 Panthéon-Sorbonne, Pari… | | |
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| | | | | | International Photography Festival of Tenerife | | | | | | | November 2023 | | | | | |
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| | | | | | Memory is an Editing Station | | | | | | | – 28 Apr 2024 | | | | | |
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| | | | | | choreographies of the impossible | | | | | | | – 10 Dec 2023 | | | | | |
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| | | | | | | Noga Shadmi's series of the kidnapped penetrates the heart.
Keep sharing your images, together we will raise the global awareness and bring them back home. |
| | | | | | | | International Photography Festival | | | postponed >> March 2024 | | | | | |
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| | | | | | More than 100 photographers and artists from 18 countries of 25 exhibitions | | | | | | | – 11 Feb 2024 | | | | | |
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© 8 November 2023 photography now UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Michael Steinke
contact@photography-now.com . T +49.30.24 34 27 80 |
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