|
|
|
PHOTOGRAPHY INTERNATIONAL | | December 2023 | |
|
|
|
|
|
| The 9th Jimei x Arles International Photo Festival will kick off in Xiamen on 15 December 2023, and continue to showcase new international photography works! Three Shadows Photography Art Centre has been working closely with Les Rencontres d’Arles since 2015 to introduce excellent overseas photography works and to explore the creative power of Chinese photography.
|
| | |
|
|
|
|
|
|
|
|
|
|
| SUPREME new york 2017 © anton corbijn | | | | 22 December 2023 – 12 May 2024 | | | | | | | | The world of fashion through the lens of Anton Corbijn. From 22 December 2023 to 12 May 2024, over 200 fashion-related photographs by this leading photographer and filmmaker will be on display at the Cobra Museum of Modern Art in Amstelveen. The MOØDe exhibition also features portraits Corbijn made of people like Kate Moss, Tom Waits, Alexander McQueen and Naomi Campbell. In the exhibition MOØDe, Anton Corbijn (Strijen, 1955) presents photographs from his extensive oeuvre (between 1979 – 2023) in which he explores the crossover between portrait photography and the fashion world. In doing so, Corbijn embraces the terms ‘mood’ and ‘mode’ (‘fashion’) in the broadest sense. Corbijn is an admirer of fashion photographers such as Irving Penn, Nick Knight, Peter Lindbergh, Paolo Roversi and Helmut Newton. Whereas these photographers usually do portraits in addition to fashion photography, with Corbijn it is the other way around: he is a portrait photographer who occasionally visits the fashion world. Photography plays a major role in the global fashion culture and industry. It largely determines how we look at a fashion design and is used by designers to amplify their vision and visual identity. The trendy and ever-changing fashion world collaborates with photographers and visual artists who not only capture reality but also actually create it. For photography, in turn, the fashion world’s distinct visual universe is a very rewarding subject. With MOØDe, Anton Corbijn shows that fashion is all around us. “I predominantly photograph personalities, but fashion is increasingly part of it. We all decide every morning what we will wear that day, even if it is just a hat or a black T-shirt. Fashion is not always spelled with a capital F.” — Anton Corbijn Trademark Corbijn’s photos, with their strong contrast and special light as trademark, always manage to command your attention. Also because of his extraordinary compositions and creative way of photographing. He regards himself as a cross between a traditional portrait photographer and a documentary photographer out to record people in their own physical surroundings and social circumstances. He draws inspiration for the dramatic effects in his photographs from the unorthodox documentary work of photographers such as Ed van der Elsken, Robert Frank and Koen Wessing. Time and again, Corbijn manages to surprise and captivate the viewer with his unique perspective on people and musicians in particular. | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Sally Mann (American, born 1951), Blowing Bubbles, 1987, gelatin silver print, High Museum of Art, Atlanta, purchase with funds from Lucinda W. Bunnen for the Bunnen Collection, 1995.177. | | | | Photography and the American South since 1845 | | Bob Adelman » George N. Barnard » Dawoud Bey » Sheila Pree Bright » William Christenberry » Bruce Davidson » Doris Adelaide Derby » William Eggleston » Walker Evans » Alexander Gardner » Lewis Hine » William Henry Jackson » An-My Lê » Dorothea Lange » Clarence John Laughlin » Danny Lyon » Sally Mann » Ralph Eugene Meatyard » Richard Misrach » Charles Moore » Gordon Parks » Marion Post Wolcott » Kristine Potter » José Ibarra Rizo » RaMell Ross » Rosalind Fox Solomon » Alec Soth » Mark Steinmetz » James Van Der Zee » Edward Weston » Ernest C. Withers » | | ... until 14 January 2024 | | | | | | | | The South has occupied an uneasy place in the history of photography as both an example of regional exceptionalism and as the crucible from which American identity has been forged. As the first major survey of Southern photography in twenty-five years, this exhibition will examine that complicated history and reveal the South’s critical impact on the evolution of the medium, posing timely questions about American culture and character. Featuring many works from the High’s extensive collection, A Long Arc will include photographs of the American Civil War, which transformed the practice of photography across the nation and established visual codes for articulating national identity and expressing collective trauma. Photographs from the 1930s to the 1950s, featuring many created for the Farm Security Administration, will demonstrate how that era defined a new kind of documentary aesthetic that dominated American photography for decades and included jarring and unsettling pictures that exposed economic and racial disparities. With works drawn from the High’s unparalleled collection of civil rights–era photography, the exhibition will show how photographs of the movement in the decade that followed galvanized the nation with raw depictions of violence and the struggle for justice. Contemporary photography featured in the exhibition will demonstrate how photographers working today continue to explore Southern history and themes to grasp American identity. | |
| |
|
|
|
|
|
|
|
|
|
| | | | Maks Dannecker: Neue Symbiosen, 2021 |
| | | | | | | | |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Armin Linke, Priva, tomato greenhouse, Priva Campus, De Lier, Netherlands, 2021 © Armin Linke for the project Image Capital by Estelle Blaschke and Armin Linke, 2021 | | Image Capital | | History and present of photography as information technology | | Estelle Blaschke » Armin Linke » | | ... until 21 January 2024 | | | | | | | | The exhibition "Image Capital" tells the history of photography as an information technology. It is dedicated to different imaging procedures and explores the myriad utilitarian uses of the medium and its function in processing and securing the flow of information and data. The concept for the exhibition was developed by the photography historian Estelle Blaschke and the artist Armin Linke. "Image Capital" comprises photographs and video works by Armin Linke, complemented by selected historical photos, archive material and publications. The exhibition in Eschborn also includes a site-specific video work developed by the artist with experts of Deutsche Börse AG. It focuses on how financial data flows are represented visually and help optimise stock trading. Since its invention 200 years ago, photography has reached into every sphere of society, transforming science, art, politics, and the news as well as all kinds of commerce and production. It documents the visible world and is at the same time a tool for storing and reproducing images. Its utilisation came at a time when production and administrative processes were expanding and needed to be optimised. Information needed to flow and be accessible. As a cost-effective and endlessly reproducible recording and storage medium, photography contributed to the development of global industries and economic systems. Today, the increasing digitisation of images and data is opening up new uses for photography, for example in architecture, design or the financial sector. "Image Capital" reflects on the medium and its many operational areas of application. Estelle Blaschke is a photography historian. She holds a professorship for photographic media at the University of Basel. A… | |
| |
|
|
|
|
| Philip Montgomery, State police, George Floyd protests, Minnesota, May 2020 © Philip Montgomery | | New Works – Art Collection Deutsche Börse | | Mohamed Bourouissa » Alejandro Cartagena » Daniel Castro Garcia » Larry Clark » Anton Kusters » Susan Meiselas » Philip Montgomery » Anastasia Samoylova » Mikhael Subotzky » Patrick Waterhouse » | | ... until 21 January 2024 | | | | | | | | The exhibition "New Works" presents a selection of new acquisitions for the Art Collection Deutsche Börse. It brings together works from different geographical regions spanning a period from the mid-20th century to the present. The artists represented focus on social and political issues, turning the spotlight on areas of tension in society and drawing attention to grievances. In their exploration of essential social challenges, the artists develop individual yet universally comprehensible visual languages that offer space for dialogue. The topics on display include the effects of flight and migration as well as social tensions in deprived areas. The artists examine the often ambivalent relationship between humans and nature and address societal and political conflicts, past and present, in Europe, the USA, South Africa and Central America. With an impressive sensitivity to the complexity of broader social contexts, they visualise issues of equal opportunity and forms of political protest and address socio-economic processes and cultural differences between different social milieus. The artists in the exhibition are: Mohammed Bourouissa, Alejandro Cartagena, Daniel Castro Garcia, Larry Clark, Anton Kusters, Susan Meiselas, Philip Montgomery, Anastasia Samoylova, Mikhael Subotzky and Patrick Waterhouse. | |
| |
|
|
|
|
|
|
|
|
| Installtion view Cindy Sherman: ANTI–FASHION, Sammlung Falckenberg 2023 | | Cindy Sherman » ANTI–FASHION | | ... until 28 January 2024 | | | | | | | | The American artist Cindy Sherman (*1954 in New Jersey) is one of the most important and internationally successful contemporary artists. In her photographs, she stages herself in a wide range of roles that skewer entrenched ideals and stereotypes in a manner that is as playful as it is critical. Sherman finds inspiration in various forms of visual culture: cinema, television, advertising, magazines, art history, fairy tales, the Internet, and social media act as catalysts for a multifaceted body of photographic work in which fashion is a constant. With around 50 works spanning five decades, the exhibition "ANTI-FASHION" takes an in-depth look at the fascinating dialogue the artist maintains with the fashion world. Since the 1980s, Sherman has been drawing on a number of commercial commissions from renowned fashion houses and designers such as Chanel and Stella McCartney as well as international fashion magazines such as Vogue and Harper’s Bazaar as a constant source of inspiration. By the same token, the artist influences and stimulates the aesthetics of the fashion world and continues to inspire an entire generation of photographers. Sherman’s provocative photographs do not convey the glamour, sex appeal, or elegance that we commonly associate with fashion. Instead, they show characters that are anything but desirable and run counter to the fashion world ideals of flawlessness. Last, but by no means least, the exhibition reveals the subject of fashion as the starting point for the artist’s critical examination of aspects of identity, sex, gender, and age. Sherman’s myriad characters demonstrate the artificiality and mutability of identity, which appears – now more than ever – to be selectable, (self-)co… | |
| |
|
|
|
|
|
|
|
|
| Kathrin Linkersdorff Microverse I / 13, 2023 archival pigment print © 2023 Kathrin Linkersdorff | | Kathrin Linkersdorff » Works | | ... until 21 January 2024 | | | | | | | | Kathrin Linkersdorff’s (*1966) fascinating large-scale works fluctuate between art and science. With experiments in which the artist explores the nature of plants and thus offers an enlarged view of their fragile inner structures, she works at the intersection of photography and botany. She deliberately sets processes of decay in motion in order to expose the inner structure of flowers and other plants. She captures their revealed structures in staged photographs, for which she uses a variety of photographic techniques, from dye transfer to high-quality archival pigment prints on special cotton paper. Her thinking and the aesthetics of her photographs are rooted in the Japanese concept of wabi sabi, according to which beauty is the acceptance of impermanence, imperfection, and vulnerability. For her series "Fairies", the artist first collects tulips and carefully dries them over a period of several weeks. During this time, she extracts the pigments from the flowers, which she then reconcentrates into a natural dye. She then immerses the dried, translucent flowers in a liquid medium in which their petals unfold. In her new research project, which will be shown for the first time at PHOXXI she makes use of bacteria. The resulting new series of works will be created in collaboration with the microbiologist Prof. Dr. Regine Hengge from Excellence Cluster Matters of Activity at Humboldt-Universität zu Berlin. In order to visualize processes that materials undergo in nature, discolored plants and fruits will serve as a growth substrate for bacteria, which form morphologically differentiated and spectacularly colorful colonies with their colored antibiotics. The complex interplay of growth and decay in nature is thus made directly visible.
| |
| |
|
|
|
|
|
| | | | Bertien van Manen: aus der Serie "Let's sit down before we go" C print, Ed. of 10 + 2 AP |
| | | | | | | | |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Simone Nieweg Landscape with Vegetable Beds and Wheelbarrow, Pontarlier, 2004 © Simone Nieweg, VG Bild-Kunst, Bonn 2023 | | Simone Nieweg » Plants, Sheds, Arable Land | | ... until 21 January 2024 | | | | | | | | "You have to hurry up if you want to see something; everything disappears." This observation made by the French Impressionist Paul Cézanne based on his own experience also applies to the work of photographer Simone Nieweg (b. 1962). For the master student in Bernd Becher’s class at the Düsseldorf Art Academy, the view of nature and the arable land created by human hand formed important starting points for her artistic work back in the 1980s. Even then, she was already preoccupied by urgent questions about how we treat our natural resources. Her color photographs, which Nieweg shoots in the Rhineland and other regions of Germany as well as in France using a large-format camera, draw our attention to the often overlooked outskirts of towns and industrial areas. They highlight the aesthetic qualities that unfold when these still un-zoned areas are cultivated in a limited fashion, usually upon individual initiative, for gardening or agriculture. Elements that give the land structure and continuity are captured here: alternative allotment gardens, future building land, patches of meadow, fields going to seed with wild vegetation, vegetable beds, plowed fields in winter, or blossoming fruit trees as harbingers of spring. Structures built by simple means, whether sheds or compost racks, reveal themselves to be typical components of their particular landscapes. The exhibition will be accompanied by an eponymous catalogue, published by Schirmer/Mosel Verlag. | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Charles Bukowski, San Pedro, California, April 1, 1985 (April Fool’s Day) © Abe Frajndlich | | Abe Frajndlich » Chameleon | | 13 December 2023 – 1 April 2024 | | | | | | | | He has portrayed creatives from music, art, and showbiz, surreally depicted the boundlessness of the big city and brought the greats of photographic history in front of the camera. With ABE FRAJNDLICH. CHAMELEON , the Kunstfoyer presents the iridescent diversity in themes of the American photographer Abe Frajndlich (*1946, Frankfurt am Main). Facets of his biography, which oscillate between many worlds, are also given space in the exhibition. On display are about 200 works from the 1970s onwards, including Frajndlich’s earliest vintage prints from Cleveland. The streets, whether in New York, long his home, or wherever his journey led him, provided an ongoing stage. A chance meeting on the streets of London with John Kobal, the collector and publisher of 20th-century Hollywood portraits, led to pursuing ideas about identity, freedom, and photography. Naturally, a large proportion of this exhibition presents portraits of artists who influenced his life, above all the performer Rosebud Conway, known as »Rosie«, and Minor White, photographer, founder of Aperture magazine, and Frajndlich’s photographic mentor. After his book Lives I’ve Never Lived about Minor White, Abe realized that he wanted to continue to make images of the photographers he felt had impacted the 20th century; eventually becoming his first major series in color, Masters of Light , underwritten by Eastman Kodak for the 150th anniversary of photography. Each of these staged pictures uniquely alludes to aspects of the icons' life or work. Commissioned throughout the 1980s and 1990s by FAZ magazine, Frajndlich was able to provide his insight into the American art scene. Extensive series of Cindy Sherman, Nancy Spero, and David Ireland ar… | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| | | | Elinor Carucci, “South African Collar: Ginsburg’s favorite collar, worn in her official portrait,” 2020. |
| | | | | | | | |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| © Morvarid K. This Too Shall Pass - Chapter 1, Temps 1.4, 2023 courtesy Galerie Thierry Bigaignon, Paris | | Morvarid K » This Too Shall Pass | | ... until 23 December 2023 | | | | | | | | First solo show by Iranian artist Morvarid K at the gallery, this exhibition, entitled "This Too Shall Pass", is a continuation of the one held at the Musée de l'Église Saint-Vincent in Mérignac (France), and follows on from the Bibliothèque nationale de France 's acquisition of three works from the same series. It also allows us to extend the scope of the series to the scale of our space, as it was partially exhibited in Amsterdam last September during a highly acclaimed participation at the Unbound by Unseen fair. Born in Teheran in 1982, Morvarid K's attachment to Iranian identity is the foundation of her relationship with the world and her artistic sensibility. Through the manipulation of photographic material, her work questions our relationship to the world, transformative memory and the in-between. The photographic medium is the starting point, anchoring his work in reality, while superimposition and transformation techniques provide the additional expressions that photography cannot capture. Overwhelmed by the images of the fires in Australia in 2019 and 2020, Morvarid K feels the compelling need to go there and see the static, silent, empty landscapes, to witness the overwhelming absence of life, to confront what remains … | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| JEAN MORAL FRANÇAIS, LONDRES, 1934 | WILLY ZIELKE, VARIATION AFGA I, C. 1933 |
| | I want to see art / Je veux voir de l'art | | Homage to Christian Bouqueret (1950-2013) | | Laure Albin-Guillot » Dieter Appelt » Gerd Bonfert » Pierre Boucher » Kurt Buchwald » Roger Catherineau » Dörte Eißfeldt » Thomas Florschuetz » Anneliese Hager » Jean Moral » Roger Parry » André Steiner » Maurice Tabard » André Thévenet » André Vigneau » Willy Otto Zielke » | | ... until 24 February 2024 | | | | | | | | Françoise Morin and Les Douches la Galerie are pleased to invite you to the opening of the new collective exhibition, 'I want to see art', curated by Eric Rémy. This exhibition is a vibrant tribute to Christian Bouqueret (1950-2013), historian, gallery owner, and collector, who passed away ten years ago. It’s a rare opportunity to explore vintage prints from photographers, particularly those from the interwar period, which he passionately advocated during his lifetime. The exhibition also showcases the contemporary German photographic scene. Five years ago, I discovered Les Douches la Galerie, located two streets over from the flat where I had lived with Christian Bouqueret for thirteen years. The gallery's director, Françoise Morin, was surprised by this random coincidence when I explained my connection to him, as she was in the very process of consulting the catalogues of the photographers Pierre Boucher, Jean Moral and René Zuber that Christian had written. I took that as a sign pointing to a future collaboration to bring those photographs from the interwar period to light and thereby preserve the memory of his work. – Eric Rémy As a young man drawn to the artistic avant-garde, Christian Bouqueret regularly visited the Musée d'art moderne de Paris and the galleries on the Boulevard Saint-Germain, especially those managed by Denise René. In 1973, while an active member of FAHR1, a romantic involvement led him to abandon his Chinese studies in Paris and head for Berlin where he studied art history and German. In the cosmopolitan city, where the wall still rose as a bulwark between two world views, he discovered the Bauhaus school that brought photography into the educat… | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Chiara Wettmann Statelessness in Cote d‘Ivoire, 2023 © Chiara Wettmann | | With Each Other | | students of the Ostkreuzschule Berlin | | Janick Entremont » Bimal Fabbri » Cecilia Gaeta » Max Korndörfer » Elliot Kreyenberg » Mirka Pflüger » Henry Schulz » Jonathan Scotti » Anika Spereiter » Chiara Wettmann » | | ... until 15 January 2024 | | | | | | | | As part of the exhibition series "La jeune photographie allemande", this year, students of Ute Mahler and Marit Herrmann of the Ostkreuzschule Berlin are showing photographic works that address forms of togetherness and tackle the question of what connects people today. The exhibition entitled "With Each Other" will open at the Goethe-Institut Paris on 9 November 2023 at 6:30 p.m., during the international photography fair PARIS PHOTO. The Deutsche Börse Photography Foundation organises the exhibition series annually in cooperation with the Goethe-Institut Paris. The exhibition comprises photographic positions exploring the tension between community and coexistence. Personal, often biographical works are set against series which provide insights into the longing for new environments and ways of life. Others address the boundaries and challenges of a divided everyday life through themes such as gender and migration. In their works, the artists supervised by Ute Mahler and Marit Herrmann pick up fundamental phenomena that determine coexistence, such as statelessness, social role models or environmental changes. How does it affect people to live at the foot of an active volcano which could erupt at any time, or how does a couple live together on an otherwise uninhabited island? The photographic images also highlight personal themes such as one’s own adoption experience, transgenerational trauma and the disappearance of jobs and structures due to industrialisation. The wide-ranging aspects of togetherness bear witness to commonalities, basic needs and our concepts of "With Each Other" in all possible forms. With the exhibition series "La jeune photographie allemande", the Deutsche Börse Phot… | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| | Prix Elysée 2025 | | International Photography Prize | | Apply until January 28, 2024 More information: prixelysee.ch | | | | | | | | The Prix Elysée is one of the world's most prestigious photography awards, with a prize of CHF 80,000. Its aim is to support the photographic production of a mid-career artist. Thanks to this financial support, the artist can develop an original project on the theme of his or her choice. The call for entries for the Prix Elysée 2025 is open from November 10, 2023 to January 28, 2024 on Picter. Founded in 2014, the Prix Elysée is the result of an exclusive partnership between Photo Elysée and Parmigiani Fleurier. The eight nominees will be announced in June 2024, and the winner will be chosen by an international jury in 2025. Who is the Prix Elysée for? The aim of the Prix Elysée is to raise the international profile of a promising photographer, recognized in his or her own country, and to provide substantial financial support for an ambitious project. Photographers who have built their careers on exhibitions and publications, but who have not yet benefited from a mid-career retrospective, are eligible. Photographers must be recommended by a recognized professional in the field of photography or art (gallery, publishing house, etc.). How to apply? Entries can be submitted from November 10, 2023 to January 28, 2024 on the Picter platform. Instructions and prize regulations are available in English and French at prixelysee.ch How does it work? Eight nominated photographers are selected on the basis of the quality of their applications. Each nominee receives a contribution of CHF 5,000 to further his or her research. Photo Elysée announces the selection of the eight artists nominated for the Prix Elysée 2025. The winner is then chosen by a jury of international experts and receives CHF 40,000 to complete the project. A further CHF 40,000 is dedicated to promoting the project (publication and/or exhibition). | | Timeline 10 November 2023: Application open 28 January 2024: Closing date for applications 22 June 2024: Announcement of the 8 nominees for the Prix Elysée 2025 and presentation of the finalized project by Debi Cornwall, winner of the Prix Elysée 2023. June 2025: Announcement of Prix Elysée 2025 winner | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Garush Melkonyan. Stills from the video Cosmovisión, 2023. Courtesy of the artist / ADAGP, Paris. | | Jimei x Arles International Photo Festival 2023 | | | | |
| | | | | | | Jimei x Arles International Photo Festival was co-initiated by Three Shadows Photography Art Centre and Les Rencontres d'Arles in 2015, supported by Jimei District Committee of the CPC and the Government of Jimei District, and co-hosted by Three Shadows and Xiamen Tianxia Jimei Media Co., Ltd. Jimei x Arles International Photo Festival introduces excellent photography works from overseas with an inclusive and multicultural attitude while synchronizing with the latest international insight. It supports and encourages the creation, studies and curation of Chinese photography so as to facilitate its presence in the public as well as on the international stage. Since its inception, Jimei x Arles International Photo Festival has presented nearly 300 exhibitions from China and other Asian countries, as well as a selection of outstanding works from Les Rencontres d'Arles. Over 600 artists’ works have been presented and the festival has attracted a total of 430,000 visitors. The 9th Jimei x Arles establishes an Art Committee including director of Les Rencontres d’Arles Christoph Wiesner, noted photography critic Gu Zheng, co-founder of Singapore International Photography Festival (SIPF) and founding director of DECK Gwen Lee, Chinese contemporary photographer and co-founder of Three Shadows Photography Art Centre RongRong,executive director of Three Shadows Photography Art Centre Yan Qi. This year the Art Committee takes over the Art Directors’ jobs to co-organize 32 exhibitions, featuring works by over a hundred artists from France, Germany, the United States, Italy, Denmark, Finland, Iceland, Norway, Sweden, the Philippines, Malaysia, Singapore, Thailand, Bangladesh, Cambodia, Mainland China, Taiwan, and Hong Kong. “Jimei x Arles Discovery Award” and “Curatorial Award for Photography and Moving Image” will announce this year’s winners during the opening week of the festival. Starting from this year, Jimei x Arles has established the 'Dummy Book Award,' aimed at encouraging and supporting artists in their creative endeavors centered around photography books. This year, the exhibitions of Jimei x Arles will be held at Jimei Art Centre and Three Shadows Xiamen Photography Art Centre, as well as in galleries and art schools in Xiamen and Fuzhou as the sub-venues. The Jimei Art Centre is located on the 1st to 4th floors of the podium of the Jimei Chengyi International Business Center, an iconic landmark in Xiamen. It will be open to the public for the first time as the main venue of Jimei x Arles. The 2023 Jimei x Arles introduces the “Isles Project” under the theme of “Art is Never Alone.” Centered around the Jimei x Arles main venue, this project radiates and collaborates with diverse cultural, artistic, and living spaces, inviting the audience to embark on an urban art stroll. During the Jimei x Arles opening week from December 15 to 17, a series of engaging activities, including the opening ceremony, portfolio reviews, lectures, workshops, artist-guided tours, performances, and educational tours, will warmly welcome you to the vibrant city of Xiamen! | | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| | The Indian Photography Festival (IPF) - Hyderabad 2023 | | | Sharafat Ali » Christian Als » Giovanni Ambrosio » Christoph Bangert » Günter Beer » Regina Bermes » Supratim Bhattacharjee » Peter Bialobrzeski » Jürgen Bindrim » Birte Zellentin & Patrik Budenz » Jan-Peter Boening » Katharina Bosse » Tatenda Chidora » James Whitlow Delano » Barbara Dombrowski » Stephan Elleringmann » Norbert Enker » Maria Feck » Bettina Flitner » Peter Granser » Jan Grarup » Andreas Herzau » James Hill » Sandra Hoyn » Britta Jaschinski » Hannes Jung » M'hammed Kilito » David Klammer » Vincent Kohlbecher » Dirk Krüll » Axel Krause » Kai Löffelbein » Michael Lange » Paul Langrock » Frederic Lezmi » Manfred Linke » André Lützen » Ingmar Björn Nolting » Lee-Ann Olwage » Amy Parrish » Johannes Reinhart » Dani Sandrini » Helena Schätzle » Smita Sharma » Eleonore Sok » Henrik Spohler » Berthold Steinhilber » Andreas Teichmann » Marylise Vigneau » Wolfgang Volz » Marc Wilson » Michael Wolf » ... | | ... until 7 January 2024 | | | | | | | | The 9th edition of the Indian Photo Festival will be presented from November 23 to January 7 at the State Gallery of Art, Madhapur, and other venues across Hyderabad. The event is free and open to the public. The Indian Photo Festival (IPF) - Hyderabad, a not-for-profit initiative of the Light Craft Foundation, is India's longest-running international photo festival, showcasing a wide range of photography from India and around the globe with a series of events including Talks and Discussions, Exhibitions, Portfolio Reviews, Screenings, Book launches and Workshops. The IPF creates a platform for professional and aspiring photographers, photography lovers and the public. The festival strives to promote the art of photography and, at the same time, address social issues through the medium of photography. The 9th edition of the Indian Photo Festival will be presented from November 23 to January 7 at the State Gallery of Art, Madhapur, and other venues across Hyderabad. The event is free and open to the public. Stay up to date with what we’re up to: IPF 2023 Schedule | Facebook | Instagram | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| | | | Noga Shadmi's series of the kidnapped penetrates the heart. Keep sharing your images, together we will raise the global awareness and bring them back home. |
| | | | | | | | |
|
|
|
|
|
|
|
|
|
|
This newsletter was sent to newsletter@newslettercollector.com If you can't read this mail, please click here. Forward this newsletter Like it on Facebook Unsubscribe here |
|
© 13 December 2023 photography now UG (haftungsbeschränkt) Ziegelstr. 29 . D–10117 Berlin Editor: Michael Steinke contact@photography-now.com . T +49.30.24 34 27 80 |
|