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| PHOTOGRAPHY INTERNATIONAL | | 13 — 20 September 2017 | |
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| | | | | From September 14–17 the focus of Berlin Art Week will be placed on the two art fairs. The new art berlin is a collaboration between abc art berlin contemporary and Art Cologne, and will take place for the first time in 2017. It will present around 110 international and national galleries from 16 countries at Station at Gleisdreieck. The fourth POSITIONS Berlin Art Fair will return once again to Arena Berlin. Strong new positions and established contemporary artists will be shown alongside works of classical modernism by around 70 exhibitors. |
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BOWNIK "Disassembly 3"
140 x 175 cm, Edition of 4 + 2 AP
Archival Pigment ink on cotton paper | 
BOWNIK "Reverse 9"
130 x 150 cm, Edition of 3 + 1 AP
Archival Pigment ink on cotton paper
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| | | | BOWNIK » Disassembly / Reverse | | | | 16 September – 20 October 2017 | | | | Opening reception: Friday 15 Sep 17:00 | | |  | | | | | | | | | | This autumn The Ravestijn Gallery presents two series by Polish photographer Bownik, "Disassembly" and "Reverse". In his work Bownik uses large format prints that perfectly fit his intellectual approach to photography, which mixes conceptual complexity with an astute sense of details and composition. Disassembly (2014) consists of images of plants and flowers, reminiscent of 19th century taxonomy and botanical drawings, as well as classical still life paintings. The plants on these photographs, however, are not just scientific illustrations, nor are they to be simply admired for their beauty. Instead Bownik "disassembled" his subjects, only to put them back together, according to scientific methods and making use of "unnatural" materials such as plastic cords and pushpins to restore the plant. A highly aestheticized albeit ambiguous effect is achieved by the emphasis on the beauty of the plants: at once demonstrating preoccupations with "beauty ideals", as if the plants were subject to plastic surgery, and the moribund quest to unravel the secrets of nature, inviting further considerations on the relationship between photography and death. In "Reverse" (2016), Bownik continues his fascination for details, technicality and historical representation. The photographs show traditional clothing, worn by historical leaders as well as peasants, from his native Poland and other Eastern European countries such as Ukraine. Instead of presenting the intricate embroidery these costumes are known for, Bownik turned the pieces inside out, exposing their reverse. Another story is laid bare, that of the work and socio-historical circumstances in which these clothes were made while at the same time denying t… | | |
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Burlesque dancer (Satyric dancer), 1926
© André Kertész | 
Mondrian’s studio, Paris, 1926"
© André Kertész" |
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| | | | | | | | | 15 September 2017 – 10 January 2018 | | | | Opening reception: Thursday 14 September 17:30 | | | | | | | | | | | | | This fall, Foam presents Mirroring Life, a retrospective exhibition of the work of photographer André Kertész (1894–1985). Kertész is famous today for his extraordinary contribution to the language of photography in the 20th century. This retrospective marshals a large number of black and white prints as well as a selection of his colour photographs, highlighting his exceptional creative acuity to reconfigure reality through unusual compositions. The exhibition comprises of his early work made in Hungary, his homeland, to Paris, where between 1925 and 1936 he was one of the leading figures in avant-garde photography, to New York, where he lived for nearly fifty years. The exhibition pays tribute to a photographer whom Henri Cartier-Bresson regarded as one of his masters, and reveals, despite an apparent diversity of periods and situations, themes and styles, the coherence of Kertész’s poetic approach. This exhibition is organised with Jeu de Paume, Paris, in collaboration with La Médiathèque d l’architecture et du patrimoine, ministère de la Culture et de la Communication – France and diChroma photography. | | |
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| | | #4, from the series Kumpulan Cerita Anak (Collection of Children’s Stories), 2015 © Yudha Kusuma Putera | | | | | | | | | | | | 15 September – 12 November 2017 | | | | Opening reception: Thursday 14 September 17:30 | | | | | | | | | | | | | Foam welcomes photography collective Ruang Mes 56 from Indonesia for a collaborative presentation of Indonesian talent at Foam 3h. For the exhibition Foam X Ruang Mes 56 two young artists, Yudha Kusuma Putera and Andri William were chosen to present their work. Both artists focus on collaboration and on engagement with others. The starting point for the exhibition is the Indonesian tradition of gotong royong. In Indonesian society, the communal spirit is a quintessential aspect of culture. It can be understood on many different levels, including ways of working together, and ways of resolving matters collectively through reciprocal help, with the active participation of members of the community. The photography collective Ruang Mes 56 uses the practice of gotong royong to fulfil everyday needs, creating programmes to sustain the collective independently for more than fifteen years now. Such collaboration is also reflected in the individual practices of Ruang Mes 56 members. | | |
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| | | |  | | | | © Sergey Melnitchenko, Behind the Scenes |
| | | | | | | | | | | Wed 13 Sep 19:00
14 Sep – 15 Oct 2017 | | | | | |
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| | | |  | | | Ohad Matalon: Zeelim, 2013
©Ohad Matalon, Courtesy of Podbielski Contemporary, Berlin |
| | | | | | | | | | | Thu 14 Sep 19:00
14 Sep – 11 Nov 2017 | | | | | |
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| | Sascha Weidner: Drums II, 2013, pigment print, 110 x 150 cm
© The Estate of Artist Sascha Weidner | | | | | | | | 16 September – 25 November 2017 | | | | Opening reception: Friday 15 September 18:00 | | | | | | | | | | | | | The exhibition "Sasha Weidner and Japan" presents a selection of photographs from the "Hanami" series, which were taken by Sasha Weidner during his residency at Villa Kamogawa, Kyoto, Japan in 2013. Thanks to the extensive donation by the Sasha Weidner Estate to the Sprengel Museum in Hannover, elements from that exhibition "It’s all connected somehow" - estate sighting (29 July to 19. November 2017) will be displayed concurrently. Consisting of more than 200 pieces, it is the largest collection of works, comprised of his written and digital estate. The resulting images of the "Hanami"-series share the photographer’s personal view of the cherry blossom season in Japan. The cherry blossom is often associated with the commencement of spring, the act of departure and a new beginning, but also with the ephemerality of nature’s phenomena. In his motifs, Sasha Weidner captures the windblown blossoms or the trees filled with flowers of gleaming white, varying from delicate to vibrant shades of pink, emphasizing their effect through dark, light-swallowing backgrounds. The fascination with and the beauty of the annual blossoming of cherry trees in Japan becomes clear in Weidner’s photographs. A certain melancholy and sadness can be extracted at the same time, which point towards the end of the cherry blossom and all life’s finitude. Events that shook Japan, such as the nuclear catastrophe in Fukushima, also make Weidners photographic motifs appear in dark lighting and allow for life and death, the display of splendour, and destruction to be confronted with one another. | | |
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| | | |  | | | Crossing the Ohio River, Louisville, 1966
© Danny Lyon / Courtesy Gavin Brown‘s Enterprise |
| | | | | | | | | | | Fri 15 Sep 19:00
16 Sep – 3 Dec 2017 | | | | | |
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| | | |  | | | | Das Schnelligkeitsgespenst, 1924 © ullstein bild collection |
| | | | | | | | | | | Fri 15 Sep 19:00
16 Sep – 3 Dec 2017 | | | | | |
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| | Joachim Richau
STEN BROTT I
2010
© Joachim Richau | | | Joachim Richau » FRAGMENT or the Presence of Doubt | | | | 16 September – 23 December 2017 | | | | Opening reception: Friday 15 September 19:00 | | | | | | | | | | | | | Soon after the fall of the Berlin Wall in 1989, photographer Joachim Richau (*1952) began making regular visits to Scandinavia for his work. From the early 2000s onward he began to explore the Swedish landscape more intensively. For more than ten years, Richau had a studio in a forest cabin belonging to friends, far away from any inhabited areas, and he retreated there to work for several months each year. In addition to countless series and individual images, the photographs of the series "FRAGMENT or the Presence of Doubt" were taken here. These works are the focus of the exhibition at the Alfred Ehrhardt Foundation. Distancing himself from the documentary trend that dominated photography in the 1980s and 1990s and drawn towards abstract, less narrative form of visual expression, Richau was encouraged and influenced by the work of Alfred Ehrhardt. Ehrhardt’s close-up images of sand structures in the watt and Icelandic lava formations and, to a greater extent, his body of drawings and paintings defined by a reduction to a few, selected visual elements—all had an impact on Richau’s approach to making images. Correspondingly, Richau’s intense close-ups of a snow-covered stone quarry achieve a degree of abstraction that lends them a painterly quality. Through the gaze of the camera, the layers of stone become fragmentary, removed from their surroundings and a focus is placed on their structures, emphasizing their graphical patterns. Richau’s intensive, immediate, and longstanding exploration of the structures of this landscape formed the basis of such images. Through living and working in this remote environment enabled him to experience maximum artistic immersion, contemplation, and concentration enabled him to… | | |
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| | | Peter Klare: Edificio Panamericano, 2016, 125 x 181,5 cm, silver pigmented gouache on hand printed photograph | | | | | | | | 16 September – 18 November 2017 | | | | Opening reception: Friday 15 September 18:00 | | | | | | | | | | | | | Artist Peter Klare appears for the first time at Gallery Springer. His series of large size, painted-over photographs, entitled “Silver,” forms part of an extensive collection of urban and natural landscape photos which the artist, using the medium of painting, has altered in different ways. Montevideo, Los Angeles, Berlin and London, but also beaches and forests, become the studio for his technique of overpainting. As a result of the employment of this technique, each place unleashes a distinctive palette of colors and painting composition– photograph and painting reciprocally illuminate each other. Los Angeles is dominated by a golden bronze tone, Berlin carries the color of cheap sneakers, the forest features delicately nuanced natural shades and Montevideo overflows in a silver. Strictly speaking, the technique of painting over photographs as employed in the series "Silver" achieves a "painting-away" of the world, of visible objects, which seem to Peter Klare to be unnecessary for the photographic image. The technique deliberately evokes notions of a particularly awkward manner of retouching. The application of the silver gouache is relaxed and freehanded and appears as an independent composition set against the photo. Thus the light-reflecting, metallic color bonds with the photographic background at the same time that it retains its own integrity as an image, counteracting the angles of perspective of the photograph. By way of these immediate and obvious interferences a picture emerges that is no longer either a photograph or a pure painting. Developed by hand, Klare has enlarged the original motifs to such a degree that not only the smallest details become visible but also the grain of the film. Conseque… | | |
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| | | |  | | | Laurence Aberhart Kamala, Astral and Charlotte, Lyttelton, October 1981.
8 x 10" contact print. Collection of Christchurch Art Gallery Te Puna o Waiwhetu, purchased 2016 |
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| | | |  | | | | © Henry Maitek |
| | | | | | | | | | | Thu 14 Sep 19:00
14 Sep – 29 Oct 2017 | | | | | |
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| | | Lucas Foglia, Lava Boat Tour, Hawai’i, © Lucas Foglia, courtesy Michael Hoppen Gallery | | | | | | | | 12 September – 21 October 2017 | | | Gallery talk, Thursday 14th September, 7:00 PM. Michael Hoppen Gallery. Free entry, RSVP essential Book launch, Wednesday 13th September, 6:30 PM. The Photographers' Gallery, 16-18 Ramillies St | | | | | | | | | | | | | Michael Hoppen Gallery is delighted to present Human Nature, our third exhibition by American photographer Lucas Foglia. This new series made over a three year period, Foglia explores the issues of the incessant human activity that has impacted on our natural environment so much so, that it is altering the worlds climate. In this new series, Foglia leads us through his journey in chapters of images. Moving from city to city through forests to farms and deserts to ice fields and oceans. Scientists are pictured quantifying and studying our relationship with the natural world, measuring how we as human beings alter nature and, importantly, how spending time in wild spaces and nature can fundamentally changes us. Both factual and lyrical, Human Nature is a celebration of the curious. At times funny, at others, sad and sensual, the images illuminate the human need to connect with nature and to the wildness in ourselves. Continuing in the vein of his previous projects A Natural Order and Frontcountry, Foglia creates intelligent and challenging questions in his photographs through his total immersion in his subject. Foglia has always been interested in the complex relationship between man and nature in all its varying guises, often with an environmental emphasis. His continued focus in this very topical and much discussed subject , underscores how we as individuals need to re-examine our own behavior, to see how we can individually play our own part in modifying the way human beings treat our most precious resource – our natural environment. | | |
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| | | |  | | | | Gaucho Gil. Buenos Aires, 2009; print 2017, Marcos López, hand-colored inkjet print. Courtesy of Rolf Art & Marcos López. © Marcos López |
| | | | Photography from Argentina, 1850 - 2010. | | | | | | 16 Sep 2017 – 28 Jan 2018 | | | | | |
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| | Edward Burtynsky: Markarfljót River #3, Erosion Control, Iceland, From the series Water, 2012
© Edward Burtynsky, courtesy Galerie Stefan Röpke, Köln / Galerie Springer Berlin
| | | | | | | | | | | | | 13 September – 21 October 2017 | | | | Opening reception: Wednesday 13 September 19:30 | | | | | | | | | | | | | This group exhibition showcases eerily beautiful photographs by Edward Burtynsky, Mishka Henner and Yvon Lambert, which tell a spooky tale about the exploitation of nature by humankind. "If we destroy nature, we destroy ourselves!", argues Edward Burtynsky. In Artnews, Alex Greenberger sums up Mishka Henner’s work "The scariest thing about Mishka Henner’s 'photographs' is that they are so beautiful". Yvon Lambert’s photographs of "industrial sculptures" portray remnants of Luxembourg’s steel industry... | | |
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| | | Jens Liebchen: Motiv #14, from the series System, 2014 | | | | | | | | | | | | | 15 September – 21 October 2017 | | | | Opening reception: Friday 15 September 19:30 | | | | | | | | | | | | | This exhibition will feature the series "System" by Jens Liebchen in dialogue with Hiroyuki Masuyama’s series Flowers. In 2014, Hannes Wanderer wrote about Jens Liebchen's series: "Nature only delivered the material for the trees. Position, growth, size and shape have been defined by people and designed down to the smallest detail." | | |
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| | | |  | | | | Ellen von Unwerth: Look of Love, from the series "Heimat" © Ellen von Unwerth |
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| | | |  | | | | Roger Catherineau, L'Inconnue Revelee, 1959-60, Vintage silver gelatin print printed in 1963, 12 x 9 3/4 in. |
| | | | | | | | | | | Wed 13 Sep 18:00
7 Sep – 21 Oct 2017 | | | | | |
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| | | Verso la Stazione di P.G., 2017 © Paolo Ventura | | | | | | | | 21 September – 11 November 2017 | | | | | | | | | | | | | | |
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| | | |  | | | | Patty Chang, Installation view, Invocation for a Wandering Lake, Part I, 2015. Projection, 12:49 minutes, sound, dimensions variable. Courtesy the artist and BANK/MABSOCIETY. Photo by Hai Zhang |
| | | | | | | | | | | Sun 17 Sep 14:00
17 Sep 2017 – 18 Feb 2018 | | | | | |
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| | | |  | | | | Sable Elyse Smith, Men Who Swallow Themselves in Mirrors (video still), 2017. Courtesy the artist |
| | | | | | | | | | | Sun 17 Sep 14:00
17 Sep 2017 – 18 Feb 2018 | | | | | |
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| | | © Clément Cogitore / ADAGP, Paris 2017 | | | Clément Cogitore » Braguino or the impossible community | | | | 15 September – 23 December 2017 | | | | | | | | | | | | | Clément Cogitore visited Braguino twice (in 2012 and 2016), « Braguine’s place » in Russian, taken from the name of a family of ‘Old Believers’ living in a handful of huts lost in the middle of the Taiga deep in the heart of Siberia, 700 km from the nearest village. He went to Braguino to try to solve the mystery of Sasha’s drive to move to there with his family over thirty years ago, in the hope of living in peace, and constructing a completely self-sufficient lifestyle. However, very rapidly this paradise becomes the scene of an open battle between two families who cannot live side by side, who cannot agree to a shared way of life. This impossible community is the central axis of Clément Cogitore’s film, photo and sound work. Plunged into darkness, the installation at LE BAL is like total immersion for the visitor, at the heart of a narrative in several acts, each one a filmed fragment revealing another intrigue, each one with its own rhythm, place and action : arriving in Braguino by helicopter, Sacha’s dream, a bear hunt, the mysterious island where the children roam free, all build to the intense crescendo of an armed conflict. All of which throws us into a twilight world, as do the large, luminous photos in muted tones that track this journey. With truly archaic dramaturgical prompts, Clément Cogitore evokes the conflictual tenets of the great myths. Braguino relates the experience of a two-pronged dilemma: to escape or stay put, to build something together, or destroy oneself. Far more than a mere ethnographical study, Clément Cogitore tells a cruel tale that echoes ‘the tipping point of our civilisation’. | | |
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| | | © SHIN Gi Cheol | | | | | | | | | | | | | 9 September – 14 October 2017 | | | | | | | | | | | | | | |
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| | | | | | | | | | | | | The Faraway Nearby Photographs of Canada from The New York Times Photo Archive | | 13 Sep – 10 Dec 2017 | | | | | | | |
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| | The Philippines' Most Overcrowded Jail - General News, third prize singles © Noel Celis, Agence France-Presse Conditions are getting worse as police wage an unprecedented war on crime. There are 3,800 inmates at the jail, which was built six decades ago to house 800, and they engage in a relentless contest for space. Men take turns to sleep on the cracked cement floor of an open-air basketball court, the steps of staircases, underneath beds and hammocks made out of old blankets. July 21, 2016 | | | World Press Photo 2017 | | | | 15 September – 22 October 2017 | | | | Opening reception: Thursday 14 Sep 19:00 | | | | | | | | | | | | | Autumn in Vienna is the season of World Press Photo. As the Photo of the Year the jury of the 60th annual Photo Contest selected an image by Turkish photographer Burhan Ozbilici–a decision which has spurred controversy among the photo community. The picture shows how Mevlüt Mert Altıntaş, a 22-year-old off-duty police officer, assassinated the Russian ambassador to Turkey, Andrey Karlov, at an art exhibition in Ankara, Turkey, on 19 December 2016. Mary F. Calvert, member of the jury, spoke about the winning photograph: "It was a very very difficult decision, but in the end the majority felt that the picture was an explosive image that really spoke to the hatred of our times. Every time it came on the screen you almost had to move back because it’s such an explosive image and we really felt that it epitomizes the definition of what the World Press Photo of the Year is and means." For the sixteenth time in a row, the exhibition of the best international photojournalistic works will be on display at WestLicht Museum, opening its gates to the public on 15 September. Last year’s edition of the show attracted close to 23,000 visitors. The award-winning single pictures and stories show the past year in icons of contemporary history and present important events in politics, society, sports and nature. Among the dominant topics in this year competition are the conflicts in the Islamic world, in particular the war in Syria and the struggle against the IS in Northern Iraq, as well as the fate of the refugees on their dangerous routes to Europe. | | |
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| | | |  | | | | Miroslav Tichý © Jana Hebnarova, Kyjov, CZ |
| | | | | | | | | | | Thu 14 Sep 18:00
15 Sep – 5 Nov 2017 | | | | | |
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 | Fairs |
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| | | | Artbaena+ La Hydra, Mexico City © Z ONA MACO FOTO | | | | | | | | | | | | | 20 – 24 September 2017 | | | | Opening reception: | | | | | | | | | | | | | With ZONA MACO’s experience and background as Latin America’s leading art fair platform, the third edition of ZONA MACO FOTO will be held from September 20th through September 24th in Mexico City, simultaneously with ZONA MACO Salón del Anticuario, shaping the biggest meeting point for the most important international photography and antique collectors, in an unprecedented way for the region.
ZONA MACO has successfully settled Mexico as a collecting epicenter for the last 15 years. The ZONA MACO fairs are considered a benchmark within the art, design and antiques ecosystems in Latin America, and have had an annual growth along with solid reliance from key actors in the global scene.
ZONA MACO FOTO will feature vintage, modern and contemporary photography, establishing Mexico as the center of the photography world for the third time, while securing the links among galleries, institutions, collectors and specialized editors. | | |
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| | | | | | | | | | | | | Wed 13 Sep
13 – 17 Sep 2017 | | | | | |
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| Festivals |
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| Upcoming |
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| | | | | | | | | | | | | ManifestO 2017 Rencontres Photographiques de Toulouse | | 15 – 30 Sep 2017 | | | | | | | |
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| | Hans Eijkelboom,
Photo Note 27 March 2016 (Athens) | Photo Note 14 May 2016 (Kassel)
Photo Note 2 April 2016 (Athens) | Photo Note 14 May 2016 (Kassel)
clockwise from top left
each color photograph, 60 × 50 cm; | | | | | | | | | | | – 17 September 2017 | | | | | | | | | | | | | The documenta 14 is the fourteenth edition of the art exhibition documenta and will take place 2017 in both Kassel, Germany its traditional home, and Athens, Greece. It will be held first in Athens from 8 April till 16 July, and in Kassel from 10 June till 17 September 2017. As part of the concept of the artistic director Adam Szymczyk the exhibition will proceed in both countries. The artists should work with and on both locations. www.documenta14.de | | |
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| | | | | | man-made landscapes | | | | | | 12 Sep – 21 Oct 2017 | | | | | |
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| | | Natalie Bookchin, My Meds, 2009/2016, aus: Testament, Mehrkanal-Videoinstallation, Farbe, Ton, © Natalie Bookchin | | | | | | | Farewell Photography | | | | | | | – 5 November, 2017 | | | | In 2017 the internationally renowned Fotofestival Mannheim-Ludwigshafen-Heidelberg will be renamed as the Biennale für aktuelle Fotografie | | | | | | | | | | | | | | The first Biennale für aktuelle Fotografie, which will be on show from 9 September 2017 in Mannheim, Ludwigshafen and Heidelberg, takes its leave from photography as it has been known hitherto. Under the title “Farewell Photography”, a six-member curator team will shed light on radical ways of handling images in the digital age and present an alternative look at photography’s history. The Biennale will be showing works by more than 60 international photographers and artists in seven chapters in seven museums of the region. | | |
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| | |  | | | | Mannheim, Heidelberg, Ludwigshafen DE | OFF//FOTO | |
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Manfred Rinderspacher. HEADS
Kulturzentrum dasHaus, Ludwigshafen (2. –29.09.2017)
© Manfred Rinderspacher | 
Universe Fancy Dancers – die Techno & House Scene der 90er
STAYTION Hotel, Mannheim (23.09. - 28.10.2017)
© Klaus Hecke |
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| | | | | | | | Über 70 Fotografieausstellungen in der Metropolregion Rhein-Neckar | | | | | | | | – 5 November 2017 | | | | | | | | | | | | | | |
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| | | Boris Mikhailov. Detail from Parliament series, 2014-2017. Courtesy of the artist | | | | | | | | | | | | – 26 November 2017 | | | | | | | | | | | | | The 57th International Art Exhibition, titled VIVA ARTE VIVA and curated by Christine Macel, is organized by La Biennale di Venezia chaired by Paolo Baratta. The Exhibition will be open to the public from Saturday May 13th to Sunday November 26th 2017, at the Giardini and the Arsenale venues. The preview will take place on May 10th, 11th and 12th, the awards ceremony and inauguration will be held on Saturday May 13th 2017. The Exhibition will also include 85 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city centre of Venice. Also for this edition, selected Collateral Events by non-profit national and international institutions, present exhibitions and initiatives. Detailed information can be found on www.labiennale.org/en/art/ | | |
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© 13 September 2017 photography-now.com
Ziegelstr. 29 . D–10117 DE . Berlin . Editor: Claudia Stein + Michael Steinke . contact@photography-now.com . T +49.30.24 34 27 80 |
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