| |
| |
| |
| PHOTOGRAPHY INTERNATIONAL | | 4 — 11 June 2025 | |
|
| |
 |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
|
| |
| |
|
| |
 |
| | Scent from Heaven, Still from the Film No. 3, 2023.
© Hiền Hoàng. Performer: Kuoko. Photo: Julia Gaes. | | | | | | | 6 June – 1 September 2025 | | | | Opening: Thursday 5 June 17:30 | | |  | | | | | | | | | | Foam proudly presents the solo exhibition Garden of Entanglement by Hièn Hoàng, which encourages a multi-sensory reflection on the connection between humans and nature. Her practice is deeply shaped by interdisciplinary collaborations with scientists and technologists which reveal the ambivalent role of technology as both a means to understand nature and a force that distances us from it.
Hoàng’s multidisciplinary practice seamlessly weaves together photography, sculpture, video, installation, and performance. Central to her work is the theme of migration—explored not only through the personal lens of her family’s history, but also through the lasting traces of colonialism embedded in nature. In the exhibition Garden of Entanglement, Hoàng explores these narratives through three of her recent projects: Garden of Entanglement, Scent from Heaven, and Across the Ocean.
Hièn Hoàng is a multimedia artist from Vietnam and is based in Germany. She is the winner of the 18th annual Foam Paul Huf Award. Her artistic journey is characterised by pushing the boundaries of perception through diverse media—from experimental films to immersive installations—engaging viewers in emotive landscapes and introspection. She holds a master's degree in photography and design from HAW Hamburg. Hoàng's exhibitions have been featured at prestigious venues, including Rencontres de la Photographie d'Arles, Robert Capa Contemporary Photography Center Budapest, Centro Cibeles Madrid, among others. Her project Asia Bistro was included in Foam Magazine #63 FOOD!
Hièn Hoàng is the 18th winner of the Foam Paul Huf Award, an internationally acclaimed photography prize aiming to support generational talents and provide a platform for photographers from across the world. This prize has been organised by Foam every year since 2007 and is awarded to young photographers by an international independent professional jury. The jury for 2024 consisted of: John Fleetwood (curator and head of the BA Photography at the KABK and director of Photo in South-Africa), Anna-Alix Koffie (artistic director, editor and founder of, among other things, OFF the wall cultures photo), Felipe Romero Beltrán (Foam Paul Huf award winner of 2023), Kathrin Schönegg (curator, author and department head of photography at the Munchner Stadtmuseum) and Kim Sunyoung (writer and senior curator at Museum Hanmi). | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| | | |  | | | World Press Photo of the Year 2025
Mahmoud Ajjour was injured during an Israeli attack on Gaza City, March 2024
© Samar Abu Elouf for The New York Times |
| | | | | | | | | | | | Thu 5 Jun 19:00
6 Jun – 29 Jun 2025 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| | | |  | | | | "La chuette", 2022 ©️ Ayako Takaishi / Courtesy Johanna Breede |
| | | | | | | | | | | | Fri 6 Jun 17:00
6 Jun – 27 Sep 2025 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
 |
| | Ursula Schulz-Dornburg
Erevan-Parakar, Bus stop, Armenia, 2004
© Ursula Schulz-Dornburg | | | | | | | | | | | 7 June – 7 September 2025 | | | | Opening: Friday, 6 June 2025, 6 pm | | | | | | | | | | | | | The artists Ursula Schulz-Dornburg and Farah Al Qasimi will be honoured with the Bernd and Hilla Becher Award 2025. The Kunsthalle Düsseldorf is extending the award with an exhibition of works by the award winners.
Ursula Schulz-Dornburg has been awarded the main award of the Bernd and Hilla Becher Award 2025. She was born in 1938 and has lived in Düsseldorf since 1969. Schulz-Dornburg pursues a cultural-historical anthropological interest in her work, which she describes as the ‘verticality of time’. In her photographs, she attempts to give found and formerly living things a conceptual and contemporary form, as well as to maintain an ongoing awareness of resources – in both human and nature-related ways.
Ursula Schulz-Dornburg studied photography and journalism in Munich from 1959 to 1960, whereupon she developed her own self-taught visual language.
She repeatedly travelled to countries such as Armenia, Kazakhstan, Yemen, Syria, Indonesia, Iraq, but also China, Nepal, Russia and Turkey. There she documented changes in the landscape and the decay of political systems. Schulz-Dornburg belongs to a generation of female photographers whose work has only been (re)discovered in German-speaking countries in recent years and has had international exhibitions in recent years, including at the Maison européenne de la photographie in Paris (2019/2020), the British Museum (2018), the Städel Museum in Frankfurt (2018) and the Tate Modern in London (2013 and 2014).
The promotional award goes to the artist Farah Al Qasimi, who was born in Abu Dhabi in 1991 and lives in New York. In her artistic work, she examines post-colonial structures of power, gender and taste in the Arab Gulf states.
Al Qasimi studied photography and music at Yale University in 2012 and received her MFA from the Yale School of Art in 2017. Splitting her time between Dubai and New York, social critique and observation of the multi-layered aspects of each place are indirectly integrated into her artistic practice. Through her bold and vibrant photographs, she explores the unspoken social norms and values embedded in a place, moment or object.
Farah Al Qasimi’s photographic, filmic and performative works create worlds that transcend boundaries of identities and question gender in the age of a global post-internet. Al Qasimi focuses her gaze on the banal in life and imbues it with a contemporary aesthetic.
The Bernd and Hilla Becher Award of the state capital Düsseldorf is awarded every two years. In its endeavours to present the honoured artistic positions to a broad public, the award will be expanded in the format of the Bernd and Hilla Becher Award Week to include an exhibition with works by the award winners, talks and film screenings. | | |
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
 |
| | Lucas Foglia
Erei and Thomas Collecting Painted Lady Butterflies, Mpala Research Centre, Kenya, 2021
Archival Pigment Print
86 x 112 cm
Edition of 8 + 2 AP | | | | | | | | 6 June – 16 August 2025 | | | Opening: Thursday, 5 June, 6-8pm
Introductory remarks: Prof. Anne-Marie Beckmann | | | | | | | | | | | | | Painted Lady butterflies have migrated between Kenya and Norway in search of blooming wildflowers. Constant Bloom follows them on the longest butterfly migration ever discovered, spanning Europe, Africa, and the Middle East. Lucas Foglia’s photographs trace both the path of the butterflies and the people they meet, offering an allegory for our delicate, interconnected, and resilient world.
Lucas Foglia (1983) is a fine art photographer based in the San Francisco Bay Area, who makes stories about people in nature. With a clear aesthetic, his projects convey narratives that are lyrical, nuanced, and compassionate. He received a BFA from Brown University in 2005 and MFA from Yale University in 2010. His 2024 Guggenheim Fellowship traces the longest butterfly migration, creating a metaphor for human connections across international borders.
Foglia's photographic prints have been widely collected and exhibited, including at Fotografiemuseum Amsterdam, International Center of Photography, Museum of Contemporary Art Denver, San Francisco Museum of Modern Art, Fotomuseum The Hague, and Victoria & Albert Museum, London. He has published six books: A Natural Order (2012), Frontcountry (2014), Human Nature (2017), Summer After (2021), Living on Lava (2025), and Constant Bloom (2025). | | |
| |
|
|
| |
| |
|
| | | |  | | | Christiane Feser
Felder 11, 2021, aus der Serie "Felder", seit 2019
© Christiane Feser, VG Bild-Kunst, Bonn 2025 |
| | | | Networked systems | | | | | | | 4 Jun – 18 Oct 2025 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
 |
| | | Annegret Soltau ON THE ETCH, Galerie Anita Beckers 2025 | | | | | | | | ... until 21 June 2025 | | | | | | | | | | | | | After nearly 30 years of collaboration with Annegret Soltau, we are delighted that her radical pioneering work on sensitive themes surrounding womanhood is finally receiving the attention that the art world often denied her at the time of its creation. The exhibition ON THE ETCH is dedicated to the etchings and photo etchings Annegret Soltau created between 1973 and 1982.
Since her studies, Soltau worked with etching and often chose aquatint — a technique that allows for fine gradation of surfaces and is particularly well-suited to the representation of corporeality. The artist first etched her plates and then reworked them to achieve tonal values and plasticity.
Themes such as identity, the body, femininity, and pain have preoccupied the artist to this day and find their origins in her early etchings, some of which are being shown for the first time in this exhibition. It was the artist’s intention to make representation as physically perceptible as possible. Sometimes distant, sometimes strikingly direct, these early prints are reminiscent of the work of Berlin artist Käthe Kollwitz. Kollwitz’s unflinching depictions of bodies marked by war and poverty, and faces shaped by personal life experiences, deeply moved Soltau and became a powerful artistic impulse for her own practice.
From 1975 onward, Soltau took a step further with photography. Her images were no longer anonymous allegories of inwardness but centered her own body as the material for exploration. The documentary and performative character of the medium evokes an immediate physical resonance in viewers. In 1977, Soltau developed the technique of photo etching by scratching into the negatives of her photographs with a needle, repeatedly printing them and gradually transform… | | |
| |
|
|
| |
| |
|
| | | |  | | | Unbekannter Fotograf
LZ 56/LZ 86 am Landeplatz in Königsberg, Winter 1915/1916
© Zeppelin Museum Friedrichshafen |
| | | | Zooming into Zeppelin Photography | | | | | | | Thu 5 Jun 18:00
6 Jun 2025 – 12 Apr 2026 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| | | |  | | | | 06317 Seegebiet Mansfeld Land Amsdorf © André Lützen |
| | | | | | | | | |
|
| |
|
| | | |  | | | | Models on the beach © Michael Nischke |
| | | | Camera Obscura and the art of analog photography | | | | | | | Thu 5 Jun 19:00
6 Jun – 26 Jun 2025 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
 |
| | John Bulmer, Northern England 1960's & 70's.
Vintage Cibachrome print | | | | | | | | | | | ... until 20 June 2025 | | | | | | | | | | | | | | This exhibition brings together a group of photographers, each offering a distinctive lens on Britain’s ever-evolving landscape and identity. Spanning over a century of image-making, the works range from early documentary studies of changing communities in Leeds and Bradford at the turn of the 20th century, to John Bulmer’s striking cibachrome photographs capturing the colour and character of the North of England in the 1960s. Together, these images form a rich visual tapestry of Britain—its people, its places, and its quiet transformations. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
 |
| | | South Africa. Johannesburg. Brackendowns. 2018. My mother at work. © Lindokuhle Sobekwa | | | | | | | | | | | | | | | ... until 15 June 2025 | | | Lindokuhle Sobekwa wins the Deutsche Börse Photography Foundation Prize 2025.
Lindokuhle Sobekwa (b. 1995, South Africa) was awarded the Prize for the book "I carry Her photo with Me", published by MACK in 2024. | | | | | | | | | | | | | The artist was announced as the 2025 winner of the prestigious £30,000 prize at a special ceremony at The Photographers’ Gallery, London, on Thursday 15 May 2025.
The influential prize, presented by the Deutsche Börse Photography Foundation in partnership with The Photographers’ Gallery, rewards artists and their projects recognised as having made the most significant contribution to international contemporary photography over the past 12 months.
Lindokuhle Sobekwa (b. 1995, South Africa) was awarded the Prize for the book "I carry Her photo with Me", published by MACK in 2024.
The deeply personal project began when Sobekwa found a family portrait with his older sister Ziyanda’s face cut out. He found the photograph in his mother’s bible and it remains the only photograph he has of his sister. One day when the siblings were seven and thirteen, she chased him, and he was hit by a car and badly injured. Traumatised by the accident, Ziyanda disappeared hours later. She only returned a decade later, by which time she was very ill. In the intervening years, Sobekwa had become a photographer. When she came back, Sobekwa tried to take Ziyanda’s portrait, but stopped when she reacted angrily. Ziyanda died soon after.
"I carry Her photo with Me" documents Sobekwa’s photographic search for the life his sister had lived and the people she had met. Combining photographs, handwritten notes and family snapshots in this scrapbook-like publication, Sobekwa explores the memory of his sister, his family history and the wider implications of disappearances in South Africa. The work is part of his wider practice on fragmentation, poverty and the long-reaching ramifications of Apartheid and colonialism across all levels of South African society. | | |
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| | | |  | | | | Retrato de una joven con quimono. 1933 © Dora Maar |
| | | | | | | | | | | | PHotoESPAÑA 2025 | | | Thu 5 Jun 19:00
6 Jun – 14 Sep 2025 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | |  | | | | © Alinka Echeverría |
| | | | | | | | | | | | PHotoESPAÑA 2025 | | | 11 Jun – 14 Sep 2025 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | |  | | | | Daytime Meetup 2023 from The Lams of Ludlow Street © Thomas Holton |
| | | | | | | | | | | | Wed 4 Jun 18:00
4 Jun – 13 Aug 2025 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
 |
| | Elizabeth Lennard
What is the difference, 2002
Caisson lumineux avec planche contact
Signé, titré et numéroté par l'artiste à l'encre noire au dos du caisson
Dimensions du montage : 50 x 60 cm
Elizabeth Lennard / Courtesy Galerie Pixi Marie-Victoire Poliakoff / Les Douches la Galerie, Paris | | | | | | | | | | | ... until 31 July 2025 | | | | | | | | | | | | | A tight framing on two hanging keys, a container, a sponge, four objects suspended on a white wall, and a few ceramic tiles... This 1939 photograph by Daniel Masclet is intriguing. It deliberately embraces its own banality, both through its subject matter and the title given by its author: Dans ma cuisine. There is nothing exotic, no promise of elsewhere, no event or decisive moment to capture. Daniel Masclet draws our attention to a seemingly insignificant corner of his apartment, inviting us to look differently, to linger on this arrangement of everyday objects that possess no apparent aesthetic value. This photograph serves as the starting point for our exhibition, bearing the same title, to explore how and why kitchens and culinary arts, along with their contents, have become subjects of interest for photographers over the decades.
La table servie1 (circa 1823-30), one of the earliest photographs in the history of the medium, attributed to Nicéphore Niépce (perhaps in collaboration with Louis Daguerre), features bottles, a glass, a spoon, a knife, and a piece of bread, all arranged on a white tablecloth draped over a table. In his pursuit of a new photographic process, Niépce adopted the visual codes of still life painting. This early attempt at recording reality was later pursued by photographers in the second half of the 19th century (Charles Aubry, Adolphe Braun, Charles Carey, etc.), who honed their craft on inanimate, docile subjects, favoring bouquets of flowers, still lifes with skulls, rabbits, and hanging pheasants, or other accumulations of antiques and sculptures, thus adhering to the conventions of fine art. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
| |
|
| |
 |
| | | Kanagawa, 1967. From A Hunter. © Daido Moriyama/Daido Moriyama Photo Foundation. | | | | | | A Retrospective | | | | ... until 22 June 2025 | | | | | | | | | | | | | Over the course of his sixty-year career, Daido Moriyama (b. 1938, Osaka) decisively altered how we experience photography. He used his camera to investigate post-war Japanese society and document his surroundings, but he also questioned the nature of photography itself.
His unmistakable visual language is as lauded as his countless publications, which are central to his work.
This retrospective will be the first to exhibit most of his famous series along with dozens of Moriyama’s photobooks and magazines, plus numerous works and large-scale installations. Taken together, is presents one of the most innovative and influential artists and street photographers of our day.
Moriyama’s photographic subjects captivated viewers from the start, whether he was working with mass media and advertisements, societal taboos, or the theatricality of everyday life. He captured the clash of Japanese tradition and accelerated Westernization following the US military occupation of Japan after the end of World War II. Inspired by US artists such as Andy Warhol and William Klein, the photographer vivisected burgeoning consumer society in Japan. He explored the reproducibility of images, their dissemination, and consumption. Over and again, Moriyama placed his archive of images in new contexts, playing with enlargements, crops, and image resolution. Even today, his pioneering artistic spirit and visual intensity remain groundbreaking.
Daido Moriyama: A Retrospective is the product of a three-year research period, and is one of the most comprehensive exhibitions ever mounted of this artist’s work. It is organized by Instituto Moreira Salles in cooperation with the Daido Moriyama Photo Foundation. Chosen by The Guardian as the year`s best photo show in London. This show has been presented at Instituto Moreira Salles (São Paulo), C/O Berlin, The Photographer’s Gallery (London), The Finnish Museum of Photography (Helsinki) and PhotoElysée (Lausanne), at Fotografia Europea it arrives for its first Italian stop. | | |
| |
|
|
| |
| |
|
| | | |  | | | | Martin Essl: aus der Serie "Le bateau ivre" |
| | | | | | | | | | | | Thu 5 Jun 19:00
6 Jun – 2 Aug 2025 | | | | | |
| | | | | | | |
|
| |
| | | |  | | | | Anaïs Horn: aus der Serie "Apousia", 2025 |
| | | | | | | | | | | | Thu 5 Jun 19:00
6 Jun – 2 Aug 2025 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | |  | | | No.223, Blossom Mode, 2023,
Photography with archival pigment print. |
| | | | | | | | | |
|
| |
| |
|
| |
 | Fairs |
|
| |
| |
|
| |
 |
| | | | photo basel 2025 | | | | switzerland's first international art fair dedicated to photography | | | | | | | 16 - 22 June, 2025 | | | Tuesday, 17 June 12h-20h
Wednesday, 18 June 12h-20h
Thursday, 19 June 12h-20h
Friday, 20 June 12h-20h
Saturday, 21 June 12h-20h
Sunday, 22 June 12h-18h | | | | | | | | | | | | | | In addition to showcasing the finest in photography from leading international galleries and over 150 exceptional artists, this year’s edition of photo basel presents an enriched and dynamic program dedicated entirely to the world of fine art photography. The 2025 lineup features a compelling mix of curated exhibitions, artist talks, panel discussions, and special projects that explore both classic and contemporary photographic practices. With a focus on innovation, critical dialogue, and cross-cultural exchange, photo basel continues to be a vital platform for collectors, curators, and photography enthusiasts alike. | | |
| |
|
|
| |
| |
|
| | | | | | | | | | | | | | Mon-Wed 16-18 June
19 – 22 June 2025 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
| Auctions |
|
| |
| |
|
| |
 |
| | Auction 369, Lot 738
Andreas Gursky
"Messe Leipzig", 1995
C-print, laminated behind acrylic glass
124 × 175,5 cm
EUR 20,000 - 30,000 | | | Contemporary Art | | | | | | Auction:
Friday, 6 June 4 pm
Preview:
Wednesday, 4 June, 10am to 3pm
Online Catalogue:
here |  |
| | | | | | | | | | | | | The contemporary art auction brings together highlights from painting, sculpture, photography, works on paper and graphic art. We are delighted to present both established artists such as Albert Oehlen and Max Bill as well as newcomers to the market. These include internationally renowned German artists such as Alicja Kwade, Daniel Richter, Melike Kara and Friedrich Kunath. Our contemporary auction is regarded as trend-setting and is regularly complemented by exciting international offerings, including works by Cyprien Gaillard, Sterling Ruby and Hernan Bas.
This season, our auction is once again comprised of a carefully curated selection of contemporary artworks from the 1960s to the present day, reflecting the exceptional talent of established masters and emerging artists in a dynamic market. | | |
| |
|
|
| |
| |
| |
|
| |
 |
| | Michal Smajewski, dit Michel SIMA (1912-1987)
Pablo Picasso avec ses oeuvres - Antibes, circa 1946
Dora Maar au chapeau (1941) - Femme au collier jaune (1946)
Deux épreuves argentiques d’époque
Estimation : 1 500 – 2 000 € | | | Michel Sima » Dans l’atelier des Maîtres | | | | | | | | | | | | | | | | | Public exhibition
Sunday, June 1 from 14:00 to 19:00
Monday, June 2 from 11:00 to 18:00
Tuesday, June 3 from 11:00 to 18:00
Wednesday, June 4 from 11:00 to 18:00
Specialist:
Antoine ROMAND - Assisted by François Cam-Drouhin and Agathe Ouallet-Imbault
22, rue Bisson 75020 Paris
+ 33 (0)6 07 14 40 49
antoine@antoineromand.fr
www.antoineromand.fr | | |
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
 |
| | 117
Henri Cartier-Bresson (1908-2004)
Marseille, 1932.
Gelatin silver print, signed. | | | Photographs | | | | | | | | | | | | | | | | | 19th century photographs by :
Photographies anciennes :
Édouard Baldus | Louis-Auguste Bisson | Samuel Bourne | Maxime Du Camp | Félix Gaillard | André Giroux | Alexis de la Grange | John Beasley Greene | Kusakabe Kimbei | Victor Laisné | Jean Laurent | Gustave Le Gray | Louis Humbert de Molard | Félix Nadar | Émile Pécarrère | Guglielmo von Plüschow | Carleton E Watkins | Charles L Weed.
Modern and contemporary photographs by :
Photographies modernes et contemporaines :
Berenice Abbott | Antoine d’Agata | Laure Albin Guillot | Dieter Appelt | Nobuyoshi Araki | Balthus | Bernd Bescher | Guy Bourdin | Brassaï | Harry Callahan | Henri Cartier-Bresson | Lucien Clergue | Bruce Davidson | Robert Doisneau | George Dureau | Alfred Eisenstaedt | Giuseppe Enrie | Walker Evans | Patrick Faigenbaum | Gene Fenn | Franco Fontana | Robert Frank | Gilbert Garcin | Luigi Ghirri | Francis Giacobetti | Mario Giacomelli | Léon Gimpel | Ernst Haas | Philippe Halsman | Raoul Hausmann | Lucien Hervé | Lewis Hine | Horst P. Horst | Frank Horvat | George Hoyningen-Huene | Lotte Jacobi | Pierre Jahan | Yousuf Karsh | William Klein | Germaine Krull | Karl Lagerfeld | Jacques Henri Lartigue | Peter Lindbergh | Urs Lüthi | Man Ray | Ralph Eugene Meatyard | Duane Michals | Richard Misrach | Masao Mochizuki | Lisette Model | Carlo Mollino | Jean Moral | Daido Moriyama | Yan Morvan | Ugo Mulas | Vik Muniz | Helmut Newton | Gabriel Orozco | Martin Parr | Irving Penn | Bernard Plossu | Robert Rauschenberg | Bettina Rheims | Marc Riboud | Herb Ritts | George Rodger | Willy Ronis | Sebastião Salgado | Pentti Sammallahti | Jan Saudek | Steve Schapiro | Malick Sidibé | Jeanloup Sieff | Aaron Siskind | Bert Stern | Sasha Stone | Annelies Strba | Maurice Tabard | Miroslav Tichy | Patrick Tourneboeuf | Pierre Verger | Weegee | Sabine Weiss | Masao Yamamoto - Personal album of Antoine d’Orléans, c. 1855-1865.
- Travel photography albums (Spain, Morocco, Egypt, Iran, Kurdistan, India, China, Japan, New Caledonia).
- Gun 1, painted print by William Klein, 1954.
- A rare set of eight vintage gelatin silver prints by Bernd and Hilla Bescher, 1975.
| | |
| |
|
|
| |
| |
| |
|
| |
| Festivals |
|
| |
| Upcoming |
|
| |
| |
|
| |
 |
| | | | | | | | | | | | 7 – 22 June 2025 | | | STARTING AT 12PM ON SATURDAY JUNE 7 AND SUNDAY JUNE 8,
AT BROOKLYN BRIDGE PARK’S EMILY ROEBLING PLAZA! | | | | | | | | | | | | | To celebrate the opening of the festival, Photoville will present a free Community Weekend (June 7 and 8), a visual storytelling event bringing various artists to Brooklyn Bridge Park, featuring 60 exhibitions and free public programming from Leica Camera , Creatively Wild , The Pulitzer Center , The International Center of Photography , The Marshall Project , Cynthia Santos Briones , The End Fund , The Climate Museum , and food and beverage vendors from Photoville’s longtime friends at Smorgasburg .
The evening of Saturday June 7 will see visual stories projected on the big screen under the Brooklyn Bridge for Catchlight ’s “ Night of Photojournalism ,” in partnership with Dysturb, Enlight Foundation, and PhotoWings, taking viewers behind the lens to explore what it takes to document truth in a complex world. It will kick off with a special presentation—from the Chris Hondros Fund and Photoville—of Tamir Kalifa ’s “ WITNESS ,” a multimedia performance of story, song, and photography.
Our Photo Village, with its classic shipping containers will be returning to Brooklyn Bridge Park – with additional open-air exhibitions in NYC Parks, and other NYC cultural institutions and public spaces through the five boroughs.
The Festival will also feature artist-led walking tours, workshops, and opportunities for educators and students to connect with the Festival’s featured visual storytellers. | | |
| |
|
|
| |
| |
|
| | | | | | Biosphere | | | | | | | 5 Jun – 30 Jun 2025 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | Festival de photographie international et gratuit | | | | | | | Sat 7 Jun 14:00
7 Jun – 14 Jul 2025 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | Bedrock | | | | | | | 7 Jun – 14 Sep 2025 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
|
| |
|
| | | |  | | | | © Maison Solide |
| | | | | | | | | |
|
| |
| |
|
| |
 |
| | | Tamara Dean © Festival La Gacilly-Baden Photo | | | Festival La Gacilly-Baden Photo 2025 | | | | AUSTRALIA & THE NEW WORLD | | | | | | Baden bei Wien:
The largest outdoor photography festival in Europe
will take place from 13 June until 12 October 2025.
festival-lagacilly-baden.photo
opening weekend
from 13 to 15 June 2025 |  |
| | | | | | | | | | | | | Since its inception, our Festival La Gacilly-Baden Photo has been committed to placing nature, which gives us life, at the centre of the exhibitions. Photographic narratives describe the beauty of our planet Earth as well as its environmental problems.
In 2025, the Festival La Gacilly-Baden Photo is dedicated to the theme of AUSTRALIA & THE NEW WORLD. A gigantic open-air gallery 7 kilometres long, with around 1,500 large-format images in the parks and gardens and the old town of Baden, transforms the city into a city of images for four months for the eighth time. With free admission, over 30 exhibitions, 7 days a week, from midnight to midnight, invite you to linger.
Australia, almost a hundred times the size of Austria, has a population of barely 26 million. Australian photographers are ambassadors for the beauty of a unique continent that needs to be preserved. They love their country so much that they even use poetry to criticise its failings, and use a visual medium that overflows with creativity. Their works explore the themes of identity and environment, moving between drama, black humour, fiction and reality: Matthew Abbot, Narelle Autio, Tamara Dean, Adam Ferguson, Bobby Lockyer, Trent Parke, Anne Zahalka, Viviane Dalles and Agence France-Presse.
In the New World, we encounter the works of Louise Johns and Joel Meyerowitz in the USA, which we juxtapose with the perspectives of Austrian Alfred Seiland. Mitch Dobrowner's photographs bear witness to the apocalypse of extreme weather phenomena. George Steinmetz's magnum opus “Feed The Planet” answers the question of wh… | | |
| |
|
|
| |
| |
| |
| Current |
|
| |
| |
|
| |
 |
| | | | FOTOGRAFIA EUROPEA 2025 - XX edition | | | | AVERE VENT'ANNI - BEING TWENTY | | | | | | | Reggio Emilia 24 April – 8 June 2025 | | | The 20th edition of the Reggio Emilia festival is dedicating its exhibitions to a time of life when the possibilities seem endless.
Chiostri di San Pietro, Palazzo da Mosto, Palazzo dei Musei, Biblioteca Panizzi, Spazio Gerra and the Circuito OFF venues will play host to exhibitions by both the greats of photography and emerging talents | | | | | | | | | | | | | From 24 April to 8 June 2025, Reggio Emilia will yet again examine changes in contemporary society through the eyes of the greats of photography and emerging talents with the 20th edition of FOTOGRAFIA EUROPEA, the festival organised and promoted by Fondazione Palazzo Magnani and the Municipality of Reggio Emilia, with the support of the Emilia-Romagna Region.
“BEING TWENTY” is the theme chosen by the festival’s artistic directors Tim Clark (editor of 1000 Words), Walter Guadagnini (photography historian and director of CAMERA - Centro Italiano per la Fotografia) and Luce Lebart (researcher and curator, Archive of Modern Conflict).
How many times, as adults, do we say “if only I was twenty again”? A phrase, an expression that, in an ideal world, would free us from the responsibilities and burdens of being grown-ups and take us back to a time bathed by the waters and lightness of youth, when everything was still a wonderful possibility and the future was just waiting to be written.
But what does it mean to young people today to be twenty? Twenty is an age of contradictions; twenty-year-olds are adults, but often still live at home with their parents; they are connected to the whole world, but the loneliness can be overwhelming. They face huge expectations, both personal and social: finding a fulfilling job, building meaningful relationships, giving a sense to their own existence, and imagining a better world, for themselves and others.
This year, Fotografia Europea wanted to follow this path, walk part of the way alongside the young people of Generation Z, who have grown up at a time when technological progress has opened up infinite possibilities, but also unprecedented crises to be tackled, individually and collectively. This generation is rediscovering the importance and need to fight for their rights and for a more equitable future.
The projects chosen examine this and much more besides, drawing attention to stories that may be new and unusual but are also bursting with that boundless vital energy that makes you believe, at least once in your life, that you can change the world. | | |
| |
|
|
| |
| |
|
| | | |  | | | | Clara Watt, Provision 8, The Promotion of Proper Human Sexual Rights and Family Values, Te Komititanga Square, 23 May – 12 June |
| | | | | | | | | |
|
| |
|
| | | | | | I’ve seen things you wouldn’t believe… | | | | | | | – 15 Jun 2025 | | | | | |
| | | | | | | |
|
| |
|
|
| |
| |
|
| |
 |
| | | | Bernd and Hilla Becher Prize Week 2025 | | | | Ursula Schulz-Dornburg » Farah Al Qasimi » | | | Exhibition | Opening | Film programme | Lecture | Excursion |
Award ceremony | Guided tour and discussion | Art in public space | | | | 2 – 6 June 2025 | | | Every two years, the state capital of Düsseldorf awards the Bernd and Hilla Becher Prize to personalities who have made an important contribution to contemporary discourse in art through their work in the context of photography. The prize is awarded by the Lord Mayor on the recommendation of an independent international jury of experts.
On 4 June 2025, the main prize will be awarded to Ursula Schulz-Dornburg and the promotional prize to Farah Al Qasimi. | | | | | | | | | | | | | In order to convey the artistic positions of the prizewinners, the Cultural Office of the City of Düsseldorf has designed the Bernd and Hilla Becher Prize Week with the following programme:
Public lecture
by Farah Al Qasimi
Thursday: 5 June 2025, 6 pm
Düsseldorf University of Applied Sciences/Peter Behrens School of Arts
Münsterstraße 156/Building 6, 40476 Düsseldorf
Opening of the exhibition
Friday: 6 June 2025, 6 pm
Kunsthalle Düsseldorf
Grabbeplatz 4, 40213 Düsseldorf
Bernd and Hilla Becher Prize Exhibition 2025
Ursula Schulz-Dornburg and Farah Al Qasimi
7 June – 7 September, 2025
Art in public space
2 June until 6 June, 2025
Urban space Düsseldorf
Exhibition of the Bernd and Hilla Becher Award winners in public urban space on 14 billboards.
All events are free of charge. Space at the events is limited.
Please book in advance at: fotografie@duesseldorf.de
More information: hier | | |
| |
|
|
| |
| |
|
|
| |
|
| | | | | | open air festival - So British! | | | | | | | – 5 Oct 2025 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
 |
| | | | Photoszene-Festival | | | | | | | | | | ... until 15 June, 2025 | | | | | | | | | | | | | The Photoszene Festival is set to take place at ninety-nine locations in the city from 16 May until 15 June.
In addition to the six exhibitions in the curated core programme at nine locations, ninety more museums, institutions, galleries and art spaces will be participating in an eclectic photography-themed exhibition trail throughout the urban area. As before, the principle of participating and sharing is a significant feature of the Internationale Photoszene Köln. With this year’s edition of the Festival, the Internationale Photoszene Köln has set off on the path towards becoming more sustainable, more inclusive and more diversity-sensitive. Therefore, in many areas measures have been taken to make this intention a reality – first and foremost a provision of the programme in Simplified Language (digital and analogue).
Festival’s programme
The principle curated core programme comprises Artist Meets Archive, for which five international artists – Marta Bogdańska, Elena Efeoglou, Andrés Galeano, Pauline Hafsia M’barek und Jimmi Wing Ka Ho – worked with five of Cologne’s archives and collections and develop Festival exhibitions out of their research at the Kölnisches Stadtmuseum, the Rautenstrauch-Joest Museum, Museum Ludwig, Cologne Cathedral and the Photographische Sammlung/SK Stiftung Kultur, as well as a group exhibition arising from an Open Call with the theme of "Feelings & Photography", which will reflect the topic area of feelings in and through photography. In addition, photography’s great diversity is demonstrated by numerous participating exhibitions. Alongside that, there is a comprehensive supporting programme comprising artist talks, tours, workshops and a symposium on Feelings in Photography in partnership with the Academy of Media Arts Cologne. | | |
| |
|
|
| |
| |
|
|
| |
|
|
| |
|
|
| |
|
| | | | | | 51 ARTISTS / 16 EXHIBITIONS | | | | | | | – 29 Jun 2025 | | | | | |
| | | | | | | |
|
| |
|
|
| |
| |
| |
|
| |
| |
|
| |
© 4 June 2025 photography now UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editors: Claudia Stein & Michael Steinke
contact@photography-now.com . T +49.30.24 34 27 80 |
| |
