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| PHOTOGRAPHY INTERNATIONAL | | 6 - 13 February 2019 | |
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| | | | | Haute Photographie - a photography fair with established artists and the younger generation of photographers represented Rotterdam Photo - a festival, photography 4all manifestation explores the realms of our identity Art Rotterdam - four days of the newest developments in contemporary art at Van Nellefabriek |
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| | Luke Guinaldo, Huntington Beach, California, US young surfer | Charlie Phelps, surf lifesaver, Tweed Heads, NSW Australia
2016-2018 © Stephan Vanfleteren, Courtesy Kahmann Gallery, Amsterdam | | | | | | | | until 29 March 2019 | | |  | | | | | | | | | | Kahmann Gallery is proud to present the most recent project of Stephan Vanfleteren: Surf Tribe. This sales exhibition follows the successful showing of the series at the Kunsthal Rotterdam.
For Surf Tribe, Vanfleteren travelled the globe for over 18 months to document various troops of surfers, immersing himself in the international surf community. Instead of the stereotypical shots of boards cleaving the waves, Vanfleteren has captured portraits of the surfers away from the action in his well-known black and white style. We see everyone from surfing legends, competitive surfers, young students to surf hippies. While he went to the famous surf havens in places like Hawaii and California, Vanfleteren also ventured to more obscure spots where surfing is entrenched in the way of life. What connects all of these people, is being part of a global culture that deeply respects the ocean. | | |
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| | | |  | | | Frank Worth: Marilyn Monroe on Deck Chair, 1955
Courtesy Grisebach GmbH |
| | | | | | | | Holywood's Golden Age | | | Fri 8 Feb 18:00
9 Feb – 23 Feb 2019 | | | | | |
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| | | |  | | | | Massimo Pastore: installation view of "Kakemono" |
| | | | | | | | An exhibition with Teresa Cervo | | | Fri 8 Feb 19:00
8 Feb – 24 Feb 2019 | | | | | |
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| | © Edward Burtynsky
Coal Mine #1, North Rhine, Westphalia, Germany, 2015
Series: The Anthropocene | | | | | | | | 12 February – 18 April, 2019 | | | | Opening: Saturday, 9 February, 1-6pm | | | | Lecture with Edward Burtynsky: Thursday 14 February 7 pm | | | | | | | | | | | | | Humankind reached an unprecedented moment in planetary history. Humans now affect the Earth and its processes more than all other natural forces combined. The "Anthropocene Project" is a multidisciplinary body of work combining fine art photography, film, virtual reality, augmented reality, and scientific research to investigate human influence on the state, dynamic, and future of the Earth.
Galerie Springer Berlin is showing a high-quality selection of new photographs from the "Anthropocene Project".
The entire body of work is currently being shown simultaneously at the Art Gallery of Ontario and the National Gallery of Canada. The documentary film "The Anthropocene: The Human Epoch" by Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky will soon be shown in cinemas.
The book "The Anthropocene" has just been published by Steidl in Göttingen.
Detailed information about the entire project: theanthropocene.org | | |
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| | Kasedori, Yamagata, Japon. | Fāmā, Ishigakijima, Okinawa Prefecture.
De la série YOKAINOSHIMA. © Charles Fréger 2013-2015 | | | Charles Fréger » Yokainoshima - Island Of Monsters | | | | until 24 October 2019 | | | | | | | | | | | | | Ogres, spirits, ghosts or demons.
In Japan, myths and folklore have survived since ancient times and into the present. Every fantastic or supernatural creature is attributed to a class called “yōkai".
Owing to the geological nature of the archipelago, the Japanese people are particularly exposed to the creative and destructive forces of the natural elements. The population is particularly attuned to Nature’s rhythm and has maintained specific ties to the primary forces. The belief in mythical and irrational phenomena has had its place in the culture of mankind for millennia.
Some events elude human understanding; the gap is filled by emotions and imagination. This opens a door to parallel worlds, helping to explain inexplicable things, to overcome life’s trials and tribulations, or to seek supernatural protection for the future. These beings, called upon for protection and support, manifest themselves in changing and masked forms, their character and nature ambiguous. Some apparitions are frightening, others inspire respect, others still are adored and solicited for their mercy and their empathy. Celebrated in the rites and traditions of rural folklore, the Yōkai have become popular during festivals and seasonal ceremonies.
The French photographer Charles Fréger has taken an interest in their effigy. To take their portrait, he places them in an original environment drawn from his imagination: a landscape chosen specially to support an expressive posture a… | | |
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| | | Ruud van Empel, Collage#6 (2017), 88 X 235cm, Archival pigment print | | | | | | | | 9 February – 26 May 2019 | | | | Opening: Saturday February 9, 2019 | | | | | | | | | | | | | Photographer and visual artist Ruud van Empel (1958) has achieved world fame with his fictional children's portraits in paradisiacal surroundings. In his latest photo works, man is no longer present, but he focuses entirely on flora. These latest series can be seen from February 9 to May 26, 2019 in the Belvédère Museum.
The photographic works that are shown in Ruud van Empel - Making Nature consist of carefully composed 'computer collages' in which nature - trees, plants and flowers - are brought to glow with beauty. As in his earlier series, the natural works were modeled on reality, but at the same time also permeated with the mysterious atmosphere of an alienating, almost dreamed (un) reality. | | |
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| | | Nick Brandt: Bus Station with Elephant in Dust, 2018 © Nick Brandt Courtesy ATLAS Gallery London | | | | | | EXHIBITION | | | in partnership with Waddington Custot
from February 7th to March 7th 2019
Waddington Custot, 11 Cork Street Mayfair, W1S 3LT London | | | BOOK SIGNING | | | New book published by Thames & Hudson
Saturday 9th February 12.30 – 14.30
Waddington Custot 11 Cork Street Mayfair W1S 3LT London | | | | | | | | | | | | | Atlas Gallery is delighted to announce the launch of Nick Brandt's much anticipated new body of work THIS EMPTY WORLD. Please join Atlas Gallery this February for the release of the prints, the new exhibition and the publication of Brandt’s new book.
The series addresses the escalating destruction of the natural world at the hands of humans, showing a world overwhelmed by runaway development, where there is no longer space for animals to survive.
Photographed on unprotected, inhabited community land in Kenya, the project is shot mostly at night with constructed sets and an enormous cast. Each image is a combination of two moments in time cap- tured weeks apart, almost all from the exact same locked-off camera position. For the very first time, Brandt's new work is in colour and digital medium format. | | |
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| | Thomas Jorion, Fulmine, Italie, 2018
Pigment print, American box frame in raw oak
Available in three sizes : 64 x 80 cm, 96 x 120 cm, 120 x 150 cm
Edition of 14 all sizes combined
© Thomas Jorion, Courtesy Galerie Esther Woerdehoff | | | | | | | | February 7 – April 6, 2019 | | | | Opening reception: Thursday, February 7, 2019, 6 pm - 9 pm | | | | | | | | | | | | | After his series Trace of Empire, where he froze the ruins of the French colonial empire, photographer Thomas Jorion offers with Veduta a view of Italy appearing from forgotten times.
Palaces, gardens, masserias, summer houses, the photographer has traveled Italy from north to south for almost ten years to find these mysterious and silent precious places that nobody cares about anymore. The grandeur and the architectural splendor of these rich residences of the 18th and 19th centuries thus persist by the prism of the photographer’s gaze. These images, so meditative, photographed with a large-format camera, invite us to an Italian journey, a solitary and beautiful Grand Tour.
Time is suddenly stretched out, without landmarks. A distortion of the present appears through these empty places, still, out of all agitation. Nature always takes up its rights in these timeless places inhabited by a presence of absence. The vegetation pushes the stones with its roots, and models the buildings with a new face, often wilder and more enigmatic, but just as fascinating.
The closed shutters of a ballroom where dust dance in the last rays of the sun and on the pendants of an old chandelier; a room painted al fresco where the nymphs of an ancient Areopagus look at us superbly in a scent of ferns and aging wood. Everything plunges us into a sweet and romantic dream.
In our societies where pressure, profitability and optimization take over every moment, Thomas Jorion find time and tells us other stories through his silent pictures. He questions us deeply about our relationship to life and time. These deserted places where man was but no longer is, question the spectator as an inevitable mise en abîme. Are we the au… | | |
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| | | Catherine Balet: from the series "Moods in a Room" | | | | | | | | 7 February – 30 March, 2019 | | | Opening: Thursday, 7 February, 6-9pm
curated by Fannie Escoulen | | | | | | | | | | | | | After the success of Catherine Balet's last series "Looking for the Masters in Ricardo’s Golden Shoes" in which she revisited the history of photography, the artist creates once more never before seen compositions, through a series she has been working on for nearly twenty years.
Playing with transparencies and surrealist collages, Catherine Balet's new series "Moods in a Room" plays with virtual reality by mixing pictorial textures and digital photographic elements. She superimposes them in multiple layers, giving a material feel to the unreal and a virtuality to her material images! The resulting compositions reveal the various states of consciousness of the artist, and illustrate her commitment to endlessly explore the dualities between content and absence, space and surface. | | |
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| | | |  | | | Mikhail Karikis
Ain’t Got No Fear 2016
Video 10 min. |
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| | | |  | | | Jörg Sasse
7043, 2010
C-print, 120 × 200 cm |
| | | | | | | | | | | | Thu 7 Feb 19:00
8 Feb – 28 Apr 2019 | | | | | |
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 | Fairs |
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| | | | | | | | | | | | | Photography fair:
7 - 10 February 2019
VIP and Press Preview:
6 February 11.00 - 18.00 Opening:
6 February 18.00 - 23.00 Thu-Sat: 11.00 - 19.00
Sun: 11.00 - 17.00
LP2 in Las Palmas Wilhelminakade 326, 3072 AR Rotterdam
T +31 20-846 0770
info@haute-photographie.com
www.haute-photographie.com
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| | | Rotterdam’s boutique photography fair is returning during Art Rotterdam Week, the biggest contemporary art event of the Netherlands, to create new experiences for art collectors and photography enthusiasts alike. Haute Photographie will take place from 7 to 10 February 2019 at LP2 in Rotterdam. Haute is delighted to announce the participating galleries, as well as the return of the Focus Exhibitions, the high-quality book market, and the engaging educational program created in collaboration with Nederlands Fotomuseum.
Haute Photographie 2019 Campaign Artist | Participating Galleries
This year’s campaign image is work made by Marvin E. Newman (US | b. 1927), represented by Howard Greenberg Gallery (US). The photographer, an “unfairly unsung hero” according to the British Journal of Photography, is a native New Yorker who has been taking photographs since the 1940’s. Newman only recently came to wider attention through the book City of Lights: The Undiscovered New York Photographer Marvin E Newman. A selection of Newman’s work will be shown at the fair.
New galleries include Atlas Gallery (UK) showing Andreas Gefeller (DE), Kacper Kowalski (PL), Niko Luoma (FI), and Nick Brandt (UK) and Gallery Fifty One (BE) showing Bruno V. Roels (BE) and Harry Gruyaert (BE). Returning galleries include Ibasho (BE) showing Yoshinori Mizutani (JP), Miho Kajioka (JP), Toshio Shibata (JP), Naohiro Ninomiya (JP), and Toshiya Watanabe (JP); Bildhalle (CH) showing Albarran Cabrera (ES), René Groebli (CH), Thomas Hoepker (DE), and Werner Bischof (CH) and The Ravestijn Gallery (NL) showing Bownik (PL), Christopher Anderson (CA), and Mona Kuhn (BR).
Galerie Caroline O’Breen Amsterdam; Dorothée Nilsson Gallery Berlin
Galerie Wouter Van Leeuwen Amsterdam; Kahmann Gallery Amsterdam
The Little Black Gallery London; MAG Photography Amsterdam; MC2Gallery Milan | | |
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| | | Nude Upside Down and Back Again VIII, 2018 © Mariken Wessels, courtesy THE RAVESTIJN GALLERY | | | | | | | | | | | | | Thursday, Friday, Saturday, Sunday February 7 - 10, 2019: 11.00 - 19.00 hrs | | | | Wednesday February 6, 2019 : Opening by invitation: 18.00 - 22.00 hrs | | | | | | | | | | | | | | Art Rotterdam is the fair to discover young art in the Netherlands. Art Rotterdam - hub of the Art Rotterdam Week - celebrates its 20-year anniversary. For this jubilee edition, the fair has sharpened its varied model focused on young art and has put collaboration centre-stage. | | |
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| | | | | | | | | | | | | | Wed 6 Feb 16:00
7 – 10 Feb 2019 | | | | | |
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| Awards / Call for entries |
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| Festivals |
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| Upcoming |
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| Current |
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| | | |  | | | | Overexposed Memory Space installation 1100x600x310 cm / Single channel video installation, 5 mins / 2015 © Joyce Ho, courtesy TKG+, Taipei |
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| | | |  | | | | 2016 video, 12:48 © Guan Xiao |
| | | | As We May Think: Feedforward | | | | | | – 10 Mar 2019 | | | | | |
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| | | |  | | | | 'Dissent and Desire' photographic installation and gathering place initiated by Sunil Gupta and Charan Singh |
| | | | Possibilities for a Non-Alienated Life | | | | | | – 29 Mar 2019 | | | | | |
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| | | |  | | | | Leigh Bowery & Trojan, 1983 © Jonny Rosza |
| | | | | | | | The Revolt Against Innocent | | | | | | | 14 exhibitions, concerts, screenings | | | – 3 Mar 2019 | | | | | |
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© 30 Jan 2019 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
contact@photo-index.art . T +49.30.24 34 27 80 |
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