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| PHOTOGRAPHY INTERNATIONAL | | 6 - 13 November 2019 | |
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| | | |  | | | | Aleksandra Mir, 'First Woman on the Moon', 1999 |
| | | | | | | | Loop Festival 2019 | | | 12 Nov – 24 Nov 2019 | | | | | |
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| | | |  | | | © Helga Paris
Ohne Titel, 1982
Aus der Serie Georgien
Besitz der Künstlerin |
| | | | | | | | | | | | Thu 7 Nov 19:00
8 Nov 2019 – 12 Jan 2020 | | | | | |
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| | Roland Guttermann worked under the Stasi for the passport control (PKE) at the Helmstedt–Marienborn border crossing (the largest and most important border crossing on the inner German border during the division of Germany), he decided to stay in the area and repair cars.
Dario-Jacopo Laganà: "Deutschland Übergestern" | | | | | | | | Radical changes in the workplace after the turn | | | | 8 November 2019 – 3 January 2020 | | |  Opening: Thursday, 7 November, 7pm | | |  | | | | | | | | | | The fall of the Berlin Wall has produced many different stories, some of which are so specific and complex that they require a profound knowledge of German history in order to be understood. When designing projects that deal with historical issues, it is necessary to find the right balance between historical precision and emotional accessibility to arouse the viewer's interest.
The photographic project Germany Übergestern (sponsored by the Federal Foundation for the Study of Communist Dictatorship in East Germany - GDR) investigates the stories of those people who did not fit into the new system after the fall of the wall with their previous professional biography, drastically change their job and career and they had to leave their former life behind.
The Italian photographer Dario J Laganà has met some of these people after extensive research on working and industrial culture of the GDR after the reunification period. In the exhibition he reconstructs a number of these personal life-paths in photographic portraits and interviews, which bring the reader and the viewer closer to this part of German history and its protagonists. Anyone who has worked or is still at work can easily identify with these types of stories. The universal connotation of work can be understood by anyone without the specific knowledge of the socio-political circumstances that characterized events after the fall of the Wall.
In addition to the radical changes that can be seen as negative changes in working life, there are also cases where the break with the past and reunification have brought a positive change and new opportunities. Among other things, you will find stories of people who repaired umbrellas before the turnaround and now run a transporta… | | |
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| | | |  | | | | © Nelly Rau-Häring, 1. Mai Berlin-Ost, 1988. |
| | | | | | | | | | | | Thu 7 Nov 19:00
8 Nov 2019 – 19 Jan 2020 | | | | | |
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World Trade Center, New York 1977
© Hannes Kilian | 
Pavillion de la Marine Marchande, Weltausstellung Paris, 1937
© Hannes Kilian |
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| | | | | | | | 9 November 2019 – 31 January, 2020 | | | Opening: Saturday, 9 November, 12-3pm
in the presence of Gundel Kilian | | | | | | | | | | | | | Hannes Kilian was the eye of a long century - one that was often as crazy and breathtaking as the characters it left behind. Sometimes, Kilian managed to capture this craziness in a single photo - sometimes knowingly and deliberately, sometimes by chance and en passant. This was also the case in 1977, when the photographer, born in Ludwigshafen in 1909, saw the mysterious silhouette of a small church in the shadow of the two large towers of the then-young World Trade Center. On a black-and-white photograph photographed from below, Kilian combines the three buildings into a structure-oriented composition: Neo-Romanesque arches cast their shadows before the then highest temples of postmodernism. What may have looked like in 1977, like a passing punchline in Manhattan's multi-layered architectural history, turned out to be a queasy anticipation for 9/11: The insignia of the old gods meet the new symbols of a capitalism that has become religious: tower against turret God against Idol - like a first prelude to the long-awaited next millennium.
Of all this, Hannes Kilian, who died two years before September 11, 2001, knew nothing. As so often in his long life as a photographer, it was rather fortune and coincidence that led him to shake hands with images like this one. Where other photographers tried to grab the world spirit by leaping over the great historical moments, the course of events for Kilian revealed itself more in the layering of banality and everydayness. Perhaps his penchant for the small and anecdotal was one of the reasons why he never achieved the same fame during his lifetime as some of his contemporaries. Throughout the many phases of his multi-faceted creations, Hannes Kilian remained an exceptional talent and a loner. He did not associate him… | | |
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| | | |  | | | | © Christoph Püschner |
| | | | | | | | | | | | Thu 7 Nov 19:00
7 Nov – 29 Dec 2019 | | | | | |
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| | | |  | | | Johannes aus einer Kreuzigungsgruppe, Nürnberg, um 1360
fotografiert von Alfred Tritschler 1948
Museum Schnütgen, Köln © Dr. Paul Wolff & Tritschler, Historisches Bildarchiv, Offenburg |
| | | | | | | | Alfred Tritschlers Fotografien der Sammlung Schnütgen | | | Fri 8 Nov 17:00
9 Nov 2019 – 16 Feb 2020 | | | | | |
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| | | | | | friendship.ngo | | | | | | | Thu 7 Nov 17:00
7 Nov – 21 Dec 2019 | | | | | |
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| | | |  | | | Preproduction image made by director Sally Potter for the film "Orlando", 1988
© Sally Potter |
| | | | Inspiriert von Virginia Woolf | | | | | | | Thu 7 Nov 19:30
8 Nov 2019 – 12 Jan 2020 | | | | | |
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| | | |  | | | | Shahidul Alam (b. 1955, Dhaka, Bangladesh); Smriti Azad, Dhaka; 1994; photograph courtesy of Drik. |
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| | | |  | | | | Ange Leccia, Laure - Girls, Ghosts and War, 2019 © Ange Leccia |
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| | | |  | | | | © Marilou Poncin |
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| | | |  | | | | © Philippe Durand |
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| | | |  | | | | GLASS by Daisuke Yokota |
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| | ERIC MEIER
Entrance, 2018 | DOROTHEE WALDENMAIER
Fluss, 2018 |
| | | | | | | les œuvres des Meisterschüler de Heidi Specker | | | | | | | | Jeu, 07.11.2019 - Di, 12.01.2020 | | | | Vernissage le jeudi 7 novembre à 19h en présence des artistes | | | | | | | | | | | | | À l’occasion de la foire internationale de la photographie PARIS PHOTO et dans le cadre de la série La jeune photographie allemande, le Goethe-Institut de Paris et la Deutsche Börse Photography Foundation présentent les travaux des Meisterschüler (étudiants de la master class) de Heidi Specker, professeure à la Hochschule für Grafik und Buchkunst (école de graphisme et art du livre) de Leipzig depuis 2011 et voix parmi les plus marquantes de la photographie contemporaine en Allemagne. Dans l’exposition collective "ICI ET LÀ-BAS", les artistes abordent le sujet de la frontière de différents points de vue – physiques, géographiques, politiques et conceptuels.
La photographie allemande ne vit pas seulement de l’excellente réputation de ses représentant.e.s établi.e.s, mais elle est aussi largement portée par la dynamique et la volonté absolue de jeunes talents. Avec la série La jeune photographie allemande, le Goethe-Institut de Paris et la Deutsche Börse Photography Foundation, en collaboration avec des écoles supérieures et des académies choisies, concentrent leur regard sur la scène artistique montante et présentent les tendances actuelles de la photographie contemporaine en Allemagne.
L’apprentissage de la photographie artistique à la Hochschule für Grafik und Buchkunst (HGB) remonte à une longue tradition et se distingue aujourd’hui par une grande ouverture. Les études visent le développement d’une attitude et d’un langage artistiques propres. Ces aptitudes, des étudiant.e… | | |
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| | | |  | | | | © Evelyn Bencicova |
| | | | | | | | | | | | Fri 8 Nov 19:00
8 Nov – 10 Nov 2019 | | | | | |
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| | | Fernand FONSSAGRIVES & Noé SENDAS | | | CORPS FORMELS | | | | | | | ... until 4 January 2020 | | | | | | | | | | | | | Galerie Miranda presents a photographic dialogue between the sensuality of Fernand Fossagrives' formal black and white nudes from the 1950s and the contemporary manipulated works by Noé Sendas - rigorous, sophisticated and witty.
Fernand Fonssagrives (1910 - 2003, France)
Born in 1910 to a sculptor father and a musician mother, Fonssagrives developed an early sensitive to physical grace and movement and his first career was as a dancer. He moved to America at the age of 18 to continue his studies of dance and returned to Europe at the age of 21 for his military service. In 1935 he met the young Swedish dancer Lisa Bergstrom who would became his dance partner then his wife. Following a diving accident Lisa gave him a Rolleiflex and he commented that it was his first 'real' camera, and it would be become like a part of his body. The couple divorced in 1950 and Lisa later married Irving Penn. Fernand Fonssagrives' most memorable work traces their unique partnership, captured in sublime black and white chiaroscuro nudes formalized by a geometric play of light and shadow, that created a precedent at the time, much imitated since. Galerie Miranda will present a selection of signed artist prints of key works from the 1950s, exhibited in Paris for the first time.
Noé Sendas (b. 1972, Belgium, lives and works in Berlin)
Noé Sendas began exhibiting his work in the late nineties. He resorts to different means of expression: video, sculpture, collage, drawing and photography. Explicit and implicit references to artists and literary, cinematic, or musical creations are part of his raw materials. Rooted in cinematic and literary references, his images depict phantom-like, partial figures whose heads and limbs appear to be invisible, or which have seemingly blended into furniture or walls. Drawing upon photographic modernism, abstraction and surrealism, his staged, partly erased human bodies directly and indirectly reference Dora Maar and Man Ray, John Baldessari and Guy Bourdin, Robert Gober and John Stezaker. After more than 50 solo expositions in Europe, Galerie Miranda will present for the first time in Paris selected recent works by Noé Sendas, in particular his 2015 body of work "Wallpaper* Girl". | | |
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 | Fairs |
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| | | | | | | | | | | | | Wed November 6 : by invitation only
Thu November 7 : 12 pm - 8 pm | Fri November 8 : 12 pm - 8 pm
Sat November 9 : 12 pm - 8 pm | Sun November 10 : 12 pm - 7 pm
See Paris Photo 2019...», a guide for the fairs Paris 2019 . | | | | | | | | | | | | | November 7 through 10, Paris Photo, the international art fair for photography, will reunite 180 galleries and 33 art book dealers across 5 sectors: Main Gallery and Book Sectors, PRISMES, Curiosa, and Film. Discover the most important selection of exceptional photographic art and published works from 31 countries worldwide. 30 Solo shows delve deeper into the work of one artist.
The Curiosa sector, this year presents a focus on emerging art and is curated by Osei Bonsu (Curator, International Art) featuring works by Olivia Mihălţianu, Marie Clerel, Leandro Feal, Roman Moriceau, Alfredo Rodriguez, Morvarid K, Nate Lewis, Elsa Leydier, David Meskhi, Elsa & Johanna, Marguerite Bornhauser, Nydia Blas, Andrès Denegri and Thomas Hauser. PRISMES, dedicated to large formats, series and installations highlights 14 projects exhibiting major works and unveiling specially commissioned projects by Marie Cloquet, Igor Eŝkinja, Stéphane Lavoué, Jérémie Lenoir, Inez & Vinoodh, Marianne Csáky, SubREAL Group, Zohra Opoku, Olaf Breuning, Susan Derges, Marco Maria Zanin, Yannig Hedel, Yhonnie Scarce and Joel Sternfeld.
See the 2019 exhibitor list
Paris Photo is a key event for collectors, art world professionals and those passionate about art and photography. Public programming is an essential component of the fair and includes curated exhibitions, talks, awards, book signing sessions, and off-site exhibitions.
View the public programme
The Platform Conversations
Experimental forum, the platform proposes cycle of conversations with leading figures in the field with series led by David Campany, Hans-Ulrich Obrist, Osei Bonsu, Emanuele Quinz and Samuel Bianchini, and round-table discussions and presentations by Fannie Escoulen, Michel Poivert, Françoise Paviot. See the detailed program and the complete list of participants on-line.
The Artists talks by The Eyes
The Eyes Magazine presents a program of 33 intimate 15-minute talks in three 45-minute daily sessions dedicated to the photographic object and its author with renowned and emerging photographers including Martin Parr, Valerie Belin, Tom Wood (a French premiere), Joel Meyerowitz, Roger Ballen, Carolle Benitah, Katrien De Blauwer, Thibault Brunet, Alice Quaresma among others. Complete program available October 1st. | | |
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| | | | | | FOTOFEVER PARIS 2019 | | | | | | PREVIEW (VIP & press): Thursday 7 November, 5pm - 7pm
OPENING NIGHT (by invitation only): Thursday 7 November, 7pm - 10pm
PUBLIC OPENING HOURS: Friday 8 November, 11am - 8pm
Saturday 9 November, 11am - 8pm | Sunday 10 November, 11am - 6pm | | | | | | | | | | | | | fotofever returns to the Carrousel du Louvre for its 8th edition!
100 galleries & publishers from 20 countries 2019 exhibitors list
250 artists presented 2019 list of artists
fotofever welcomes you for its 8th edition at the Carrousel du Louvre with an inspiring program for an international audience. More than 200 artists, 100 galleries and publishers from 20 countries are gathered for this new edition.
And once again, fotofever confirms its commitment towards living artists and offers collectors, art professionals and the public the opportunity to acquire works from an novel, accessible yet exacting selection.
This year more than ever women are honored in the heart of the city of light! And for the 180th anniversary of the invention of photography, fotofever unveils the boldness and creativity of the French scene.
To discover fotofever paris 2019 programme, click here! | | |
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| | | © Douglas Mandry; Uri, Rotstock, from the series "Monuments", 2019; Lithography on used geotextile (glacier protection blanket) 128 x 144 cm Unique Piece Douglas Mandry Bildhalle Gallery (CH) | | | A PPR OC HE 2019 | | | | AN INNOVATIVE ART FAIR DEVOTED TO THE PHOTOGRAPHIC MEDIUM | | | | | | | Thu 7 November : 11am-2pm Press preview | 2-10pm upon invitation
Fri 8 November : 11am-1pm upon invitation | 1-8pm public by reservation
Sat 9 November : 11am-1pm upon invitation | 1-7pm + 7pm-10 pm public by reservation
Sun 10 November : 11am-1pm VIP, upon invitation | 1-6pm public by reservation | | | | | | Le Molière 40, rue de Richelieu, Paris 1e
Free entrance upon reservation
www.approche.paris
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| | | | | | 15 contemporary a ppr oc h e s to the photography medium will be shown over the 4 days period of Paris' international photography event.
Connoisseurs and collectors will be invited, by reservation only, in the intimacy of a private mansion of Paris' first arrondissement. | | | Cathryn Boch Galerie Papillon (FR)
Anaïs Boudot Galerie Binome (FR)
Jonny Briggs Ncontemporary (IT)
Lindsay Caldicott Christian Berst Art Brut (FR)
Eléonore False a ppr oc he sector (FR)
My-Lan Hoang-Thuy a ppr oche sector (FR)
Benoît Jeannet Galerie Eric Mouchet (FR)
Lebohang Kganye AFRONOVA Gallery (ZA)
Douglas Mandry Bildhalle Gallery (CH)
Thomas Paquet Galerie Thierry Bigaignon (FR)
Florian Pugnaire & David Raffini Ceysson & Bénétière (FR, LU, US)
Sébastien Reuzé Meyer Zevil Art Projects (FR)
Noé Sendas mc2 Gallery (IT)
Laure Tiberghien Lumière des roses (FR)
Dune Varela a ppr oc he sector | | |
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| | | |  | | | Benji Reid, Going Home, 2019
Courtesy the artist and October Gallery |
| | | | | | | | | | | | 9 -11 Nov: Sat, Sun 12pm-8pm; Mon 12pm-7pm | | | | | |
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| | | | | | 45 specialized international photography book publishers | | | | | | | 6 - 10 November 2019
Wed 17 - 22:00, Thu 11 - 21:00, Fri 11 - 21:00,
Sat 11 - 21:00, Sun 12 - 19:00 | | | | | |
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| | | | | | | | | | Art Publishing Fair | | | 7 - 10 November 2019
Thu 17:00 – 21:00, Fri 13:00 – 21:00,
Sat 11:00 – 19:00, Sun 11:00 – 18:00 | | | | | |
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| | | | | | | | | | | | | | 7 - 11 November 2019
Thu 10-19:00, Fri 10-19:00,
Sat 10-19:00, Sun 10-19:00, Mon 10-18:00 | | | | | |
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| | | | | | | | | | | | | | Thu 7 Nov
8 Nov – 11 Nov 2019 | | | | | |
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| Auctions |
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| | 356
Francesca Woodman (1958-1981)
Providence. Rhode Island, 1975-1978.
[Paula in a mirror].
Vintage gelatin silver print.
Estimate : 8 000 / 12 000 € | | | Photographs
Photographies | | | | | | | | | | | | | | | | | 19th century photographs by :
E. Baldus | H. Bayard | R. de Bérenger | P. Berthier | G. de Beaucorps | A. Braun | L. A. de Brébisson | E. Carjat | D. Charnay | E. Colliau | E. S. Curtis | A. Delaunay | E. Delessert | M. Du Camp | L. de Clercq | L. E. Durandelle | C. Famin | A. Fortier | A. Giroux | C. S. Grasset d’Orcet | Houseworth & Co. | L. A. Humbert de Molard | P. Jeuffrain | J-C. Langlois | E. Lebel | A. Le Blondel | G. Le Gray | H. Le Secq | E. Lory | C. Marville | R. du Manoir | Dux de Massa | L. E. Méhédin | F. Moulin | E. Muybridge | F. Nadar | C. Nègre | E. de Noailles | V. Orly | Otto | E. Pécarrère | E. de Rostaing | A. Salzmann | C. Silvy | E. Sulzer | A. Terris | A. Thivet | E. d’Urban | A. Vacquerie | J. Vallou de Villeneuve | A. Violin | and miscellaneous.
Modern and contemporary photographs by :
B. Abbott | L. Albin-Guillot | M. Alpern | N. Araki | D. Arbus | H. Bellmer | A. Bertsch | E. Boubat | G. Bourdin | M. Bourke-White | M. Bovis | B. Brandt | Brassaï | R. Capa | L. Carroll | H. Cartier-Bresson | V. Chochola | L. Clark | L. Clergue | D. Colomb | I. Cunningham | D. Dailleux | R. Doisneau | T. Drahos | F. Drtikol | E. Erwitt | G. Figueroa | N. Finkelstein | L. Fournol | R. Frank | C. Freire | G. Freund | F. Garduno | E. Gérhin | M. Giacomelli | R. Gibson | N. Goldin | S. Greene | R. Groebli | P. Halsman | R. Hausmann | M. E. Hewitt | S. Hiett | L. Hine | J. F. Jonvelle | A. Kertész | E. Khaldei | W. Klein | B. Klemm | A. Korda | Les Krims | O. Ly | S. Masour | Man Ray | R. Mapplethorpe | D. Masclet | R. Meatyard | S. McCurry | L. Miller | L. Misonne | P. Molinier | P. Monti | S. Moses | H. Newton E. Olaf | Orlan | B. Plossu | R. Rauschenberg | René-Jacques | M. Riboud | A. Rodtchenko | W. Ronis | J. Rossler | P. Roversi | L. Roze | T. Ruff | M. Sidibé | J. Sieff | S. Skoglund | B. Stern | A. Sterenberg | L. Stettner | J. Sudek | P. de Vallombreuse | E. Van der Elsken | A. Villers | Walery | Weegee | G. Winogrand | M. Wolf | F. Woodman
Specialist :
Antoine Romand - Assisted by François Cam-Drouhin and Agathe Ouallet
22, rue Bisson 75020 Paris
+ 33 (0)6 07 14 40 49
antoine@antoineromand.fr | francois@antoineromand.fr | agathe@antoineromand.fr
www.antoineromand.fr
Sales administrator :
Magdalena MARZEC
+ 33 (0)1 78 91 10 08
magda.marzec@ader-paris.fr
Viewing on appointment :
Salle des ventes Favart
Ader Nordmann Auction House
3, rue Favart 75002 Paris
Monday, November 4th, 11.00 am to 06.00 pm
Tuesday, November, 5th, 10.00 am to 12.00 pm
Exhibition:
Salle 11 - Hôtel Drouot
9, rue Drouot 75009 Paris
Wednesday, November 6th, 11.00 am to 06.00 pm
Thursday, November 7th, 11:00 am to 12:00 am
Online catalogue : www.ader-paris.fr
Live bidding : www.drouotonline.com | | |
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| Festivals |
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| Upcoming |
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| | | | | | | | | | | | | | Thu 7 Nov 17:30
7 Nov – 28 Dec 2019 | | | | | |
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| | | | | | Even Outer Space | | | | | | | 12 – 24 Nov 2019 | | | | | |
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| | | |  | | | | © Julio Bittencourt // aus der Serie "Ramos" |
| | | | Gerechtigkeit | | | | | | | 7 – 24 Nov 2019 | | | | | |
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| Current |
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| | | | | | | | TAXED TO THE MAX | | | | | | | | ... until 1 December 2019 | | | | | | | | | | | | | | | The 26th edition of the festival examines the societal tensions created by international conglomerates with their vast accumulations of capital and their influence on national and global politics. TAXED TO THE MAX asks: how does the increasingly perfected entanglement of corporatism, finance capital and modern government affect the lives of regular people?
With the 34 participants, the festival presents a refreshing mix of photo series, mixed media, video and sound installations, performances, and spatial work on this theme.
TAXED TO THE MAX
...at least you are not afraid to live life on the brink of chaos
Alan Gignoux | Anika Schwarzlose | Bérangère Fromont | Brigitte de Langen | Coralie Vogelaar | David Klammer | Davide Monteleone | Dorothée Elisa Baumann | Ezio D’Agostino | Gina Peyran Tan | Glenna Gordon | Igor Tereshkov | Ishan Tankha | Ivar Veermäe | John Vink | Jos Jansen | Joseph Rodríguez | Kanad Chakrabarti | Lana Mesić | Lena Dobrowolska & Teo Ormond-Skeaping | Mari Bastashevski | Mark Curran | Martin Toft | Marvin Leuvrey | Michele Borzoni | Oliver Ressler & Zanny Begg | Sergey Novikov & Max Sher | Sven Johne | Thomas Kuijpers | Tony Fouhse | Ursula Biemann Mentorship young curators: George Knegtel & Laura Carbonell Reyes
A new Noorderlicht initiative is a mentorship for young curators who are invited to curate an exhibition that will flank the festival. With this mentorship program Noorderlicht realizes the ambition to not only produce exhibitions and festivals, but to also facilitate the photographic community, invest in emerging voices and share its experience and knowledge. George Knegtel (Netherlands, 1992) and Laura Carbonell Reyes (Colombia, 1986) have been selected for this pilot edition. For their exhibition, they have invited the following participants.
Daniël Siegersma | Keijiro Kai | Lonnie van Brummelen & Siebren de Haan & Tolin Alexander | Lucia Nimcova & Sholto Dobie | Marcos Ávila Forero | Roberto Huarcaya | | |
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| | | | | | V BIENNIAL OF PHOTOGRAPHY ON INDUSTRY AND WORK: 11 EXHIBITIONS / 11 VENUES | | | | | | | – 24 Nov 2019 | | | | | |
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| | | | | | The Seventh Continent | | | | | | | – 10 Nov 2019 | | | | | |
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| | | |  | | | | © Johanna Heldebro, Night Watch II, from To Come Within Reach of You (Gunnar Heldebro, Hässelby Strandväg 55, 165 65 Hässelby, Sweden), 2009 |
| | | | | | | | | | | | Chapter One: 06 JUN - 25 SEP
Chapter Two: 17 OCT - 21 DEC | | | | | |
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| | | | | | International Photography Festival | | | | | | | – 31 Dec 2019 | | | | | |
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| | | | | | Terra Nostra - The Age of the Anthropocenee | | | | | | | – 5 Jan 2020 | | | | | |
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| | | | | | Edition 2019 | | | | | | | – 16 Nov 2019 | | | | | |
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| | | | | | IMAGINED COMMUNITIES | | | | | | | – 2 Feb 2020 | | | | | |
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| | | | | | 72 DAYS OF FREE ART | | | | | | | – 1 Dec 2019 | | | | | |
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| | | Bárbara Wagner & Benjamin de Burca, Swinguerra, 2019. Film still. | | | | | | | May You Live in Interesting Times | | | | | | | | ...until 24 Nov 2019 | | | | | | | | | | | | | | | | The 58th International Art Exhibition, titled May You Live In Interesting Times, will take place from 11 May to 24 November 2019 (Pre-opening on 8, 9, 10 May). The title is a phrase of English invention that has long been mistakenly cited as an ancient Chinese curse that invokes periods of uncertainty, crisis and turmoil; "interesting times", exactly as the ones we live in today. |
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