| | | |  | | | Sinje Dillenkofer: Case 82
Daguerreotypes, ca. 1870, Property of his Highness Friedrich Duke of Württemberg, 2010
125 x 169 cm, Archival Pigment Print, Edition 6 | | | | | | TRANSLOCALS | | | | 25 March – 6 May, 2017 | | | | Opening: Saturday, 25 March, 3-8pm | | |  | | | | | | | | | |  | | | Sinje Dillenkofer: Case I 13
Order of Merit awarded by the State of Tyrol, 2nd half 20th century, Historical Collections, Innsbruck, 2015
44 x 42 cm, Archival Pigment Print, Edition 6 | | | | | | The "TRANSLOCALS" exhibition is a series of inside views of historic and modern boxes of which Sinje Dillenkofer took photographs in private and public collections or museum archives, among them the Louvre Museum in Paris.
Her main interest is of empty containers, étuis, caskets or cases and their various lines, forms, constructions and imprints in lid and bottom - the «architectures of the archive». The photographs appear abstract as autonomous pictures in which time and the past become visible. The lines and shapes emerge because precious items such as scientific instruments, jewellery or articles for everyday use have been protected and archived. The objects themselves do not appear in the pictures, but are present through the negative form of the upholstered hollow space. Their impression allows the photographs to assume a painterly quality, a poetic life of their own. As "TRANSLOCALS", the photographs transfer the objects places from the archive to the Fine Art context. | | | | | |  | | | Sinje Dillenkofer: Case I 5
Alcohol thermometer of the municipal market office, ca. 1950, City Archive/Museum Innsbruck, Austria, 2015
115 x 200 cm, C-Print, Edition of 6 | | | | | | | This results in a change of paradigms and perspectives that permits viewers, depending on their cultural background and experiences, to perceive things in new ways. The series is about switching "views" and "places" about the attempt to «relocate» a person and his or her understanding of culture and about analysing the significance of archive and the culture of memory. | | | | | |  | | | Sinje Dillenkofer: Case I 22
Colt percussion revolver system, 1849-55, Historical Collections, Innsbruck, 2015
43.5 x 82.5 cm, Archival Pigment Print, Edition 6 | | | | | | Sinje Dillenkofer (b. 1959) graduated from the State Academy of Fine Arts in Stuttgart, 1988. This was followed by periods working in New York (DAAD) and by artist-in-residence grants at the Cité Internationale des Arts in Paris in 1992 and at Baldreit in Baden-Baden in 1995.
She received the Paul-Strecker-Prize for painting of the Landesmuseum Mainz in 1995, the Casa Baldi grant in Rome in 1999, and the grant from der ZF Art Foundation in Friedrichshafen in 2009. Dillenkofer's work is represented in various private and public collections, for example, the Victoria & Albert Museum in London; the Louvre Museum, service of History of Louvre and the Fondation Musée de la Chasse et de la Nature in Paris; the Staatsgalerie Stuttgart; the Saarlandmuseum in Saarbrücken; the Museum Ludwig in Cologne; the Berlinische Galerie and the Kupferstichkabinett in Berlin; the DZ Bank in Frankfurt; the ZF Art Foundation in Friedrichshafen; the Collection Regard in Berlin; and SPALLART in Salzburg.
In Switzerland her work has been presented in museum group exhibitions such as "missing link" at the Kunstmuseum Bern in 1999 and "Le siècle du corps, 1900–2000" at the Musée de l'Elysée Lausanne in 2000. | | | | | |  | | | Sinje Dillenkofer: Case 9
Diptych, Set of ice cream spoons, 1928, private property, Innsbruck, 2015
each 82.5 x 70.5 cm, Archival Pigment Print, Edition of 6 | | | | | | unsubscribe here
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