This week's best highlight was NASA's release of breathtaking images by the James Webb telescope. I can't think of a better form of escapism. What's to escape? Well, things like pay inequalities, plagiarism, racism, and other art world maladies that you can read about in our news stories this week. But let's shift the tone to more positive things, like our two-part coverage of the borderless Yiddishland Pavilion at the Venice Biennale and reviews ranging from Laurie Anderson's latest exhibition to Lydia Ricci's miniature mementos. May the rest of your weekend be positive. — Hakim Bishara, interim editor-in-chief Helen Frankenthaler, “Madame Butterfly” (2000) (image courtesy Dulwich Picture Gallery, © 2021 the Helen Frankenthaler Foundation, Inc./ARS, NY and DACS, London/Tyler Graphic Ltd.) The Biggest Lie About Abstract Expressionism Max Lunn addresses the exclusion of women artists in the narrative of the artistic movement.The scholarship has been tirelessly corrected, the books have been re-written: It’s clear that women were front and center of Abstract Expressionism. But the power of a simple narrative of a few great men still stands in the way of experiencing the richness of mid-century abstraction. It’s time to flesh the story out. Platform’s special anniversary capsule includes 40 new artworks from the best-selling artists of the site’s first year. Learn more. A “stellar nursery” with young stars (image produced by NASA and the Space Telescope Science Institute; via Webb Space Telescope) Become a member today to help keep our reporting and criticism free and accessible to all. Installation view of Laurie Anderson, “To Carry Heart’s Tide (The Canoe)” (2020) in Laurie Anderson: The Weather at the Hirshhorn Museum and Sculpture Garden (photo by Ron Blunt, courtesy the artist) Anderson insists that she doesn’t consider herself a political artist, but she also admits that her artistic choices are entangled with her politics. Discovering Rick Barton John Yau on Writing a Chrysanthemum: The Drawings of Rick Barton at the Morgan Library & Museum. Installation view of works by Jimena Sarno (left) and Raphael Montañez Ortiz (right) in Sonic Terrains in Latinx Art, Vincent Price Art Museum, 2022 (photo by Monica Orozco) Presenting a history of Latinx sound practices steeped in resistance, Sonic Terrains in Latinx Art lays clear that the phenomenology — and the efficacy — of sound comprises much more than aural experience. Ella Ponizovsky Bergelson and Anna Elena Torres, Pseudo-territory (2022) (courtesy the artists/Yiddishland Pavilion) Mapping Out “Refugee Modernism” at the Venice Biennale In a second article, Chelsea Haines highlights Yiddishland Pavilion artists that question the borders that continue to define the art world. From Divinely Evil (2020), dir. Gustavo Vinagre (all images courtesy Anthology Film Archives) Talking Sex With Two Film Curators Dan Schindel talks with Róisín Tapponi and Jed Rapfogel about their Anthology Film Archives retrospective and formative erotic film experiences.Jed Rapfogel: I think that cinema has always been a key source for learning about experiences — sexual and otherwise — outside of one’s own culture or background. That’s all the more true when it comes to erotic experience, at least in cultures where frank discussion about sex is discouraged. Floyd D. Tunson, "Hearts and Minds" (1993-1995) (image courtesy the Colorado Springs Fine Arts Center at Colorado College) Required Reading This week, the global population approaches eight billion, Hermès is coming to Brooklyn, how to live longer, and much more. Surf’s up! We’re swept away by this soft cotton tea towel, which features a dynamic detail from one of the most famous images in Japanese art. Check out these artsy tea towels! |