Resources, workshops, and fodder for the teacher’s soul
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Classroom Connections | Teacher Update

Host Melissa Hendrickson gestures toward a sculpture of a buffalo on DC's Q Street bridge (also known as the Dumbarton Bridge).
Art & Humanities | Resources and Professional Development from the Smithsonian American Art Museum

Digging Deeper with Smithsonian American Art Museum 

Winter 2020

Whether shining a light on multiple facets of seemingly-simple issues or seeking to understand the complexities of being human, each of these four resources offers a way for you and your students to use art to go beyond the surface.

Please consider forwarding this to a colleague!

Smithsonian Experts on Video

Did you know that buffalo and bison are not the same thing?

SAAM’s new video series, Re:Frame, brings together SAAM art historians and researchers from across the Smithsonian—think zoologists, geologists, musicologists, and astronomers—to explore art’s many meanings.

An upbeat host seeks out diverse perspectives and discovers the ways that knowledge is interconnected in the real world. 
Check Out Re:Frame
Ornately-designed black mirrors stacked seven deep photographed on a white background. Fred Wilson, I Saw Othello's Visage in His Mind, 2013, Murano glass and wood, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2019.8, (c) 2013, Fred Wilson.

Teacher Workshop: Reading, Writing, and Speaking with Shakespeare at the Heart

Saturday, April 4, 9:30 a.m.1:30 p.m.

In this lively workshop, we will practice strategies for connecting art and literature in the classroom and helping students understand and interrogate a range of works. How can we dig deeply together to find the relevant heart of complex texts and unlock students’ speaking and writing skills? This weekend workshop is intended for teachers of all grades and subjects.
Co-facilitated by Folger Shakespere Library.
Register Now

Additional Workshop

Using Craft to Climb Bloom’s Taxonomy

Thursday, January 23, 4:30 p.m.
Registration Required

Seen from behind, a teacher is silhouetted in front of a quilt made of diamonds set out in a radiating pattern.

Apply to Attend SAAM’s Summer Teaching Institutes

Applications due March 30, 2020

Be inspired this summer! Join a community of educators from across the country for an exciting exploration of the connections among American art, history, and English/language arts. Each week-long institute features interactive content sessions, gallery talks, and hands-on activities. You’ll gain comfort in using American art to make interdisciplinary connections and foster critical thinking skills. Walk away with a tool kit of practical strategies and a cohort of colleagues invested in continued growth.

 

  • Week 1: Monday, June 22-Friday, June 26, 2020
  • Week 2: Monday, July 13-Friday, July 17, 2020

 

Apply Now
A painting of undulating landscape and clouds in tones of sepia, blue and green. Chiura Obata, Grand Canyon, May 15, 2910, watercolor on silk, Amber and Richard Sakai Collection.

Exhibition to Consider
Chiura Obata: American Modern

Through May 25, 2020

Japanese-born artist Chiura Obata’s seemingly effortless synthesis of different art traditions defies the usual division between “East” and “West.” This retrospective offers opportunities for students to consider the universal challenges to becoming a successful artist as well as the particular struggles and dreams of America’s minority and immigrant communities.
History teachers: consider how Obata’s work can give your students a window onto the effects of Executive Order 9066.
Explore Online

Museum Educator at Your Service

Here for You

If you don’t see anything here that connects directly to your curriculum, take heart! I’ve got lots more resources behind the screens and I'm here for you (DeinesE@si.edu).

With my best,
Elizabeth
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Image Credits
Top: Fred Wilson, I Saw Othello's Visage in His Mind, 2013, Murano glass and wood, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2019.8, (c) 2013, Fred Wilson.

Center: Photo by Mary Tait

Bottom: Chiura Obata, Grand Canyon, May 15, 1940, watercolor on silk, 17 1/2 x 21 3/4 inches, Amber and Richard Sakai Collection.
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