What to watch on Netflix and elsewhere. ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ 
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Hey,‌

The new things to stream this week:‌

First, another apology for the double email. We're working out technical difficulties. Thanks for your patience. In any case... the new Streamline newsletter...

‌‌

“Marriage Story” debuted on Netflix. This potential Oscar nominee stars Adam Driver and Scarlett Johansson as parents going through a divorce. Noah Baumbach wrote and directed the movie. I enjoyed it quite a bit. The detail work in the storytelling alone is admirable -- watch the movie looking out for all the unique objects characters hold. You can read more about the movie below.

This week, I ranked the eight best shows of 2019. Readers who make it to the bottom of these emails won't be surprised by the top five. "Fleabag" got the top spot of course.

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And "The Marvelous Mrs. Maisel" returned to Amazon Prime for a third season. That show has a treading water problem of having a fairly inert narrative, but the strong comedic dialogue still makes it a marvelous (if unrealistic) world to get lost into.

Miscellaneous streaming things:

NEW:The 8 Best Shows Of 2019

NEW:All The Movies Joining Netflix This Week


7 Netflix Shows To Watch If You Like 'The Crown'

What You Need To Know About The New Streaming Services

The 20 Best Netflix Original Shows Of 2019 So Far

First Impressions Of The New Netflix Movie 'The King'

What Is Arriving And Leaving On Netflix In November

5 True Crime Netflix Original Shows Worth Watching

The 5 Worst Netflix Original Movies Of 2019 So Far

Streaming Television Has Become Anxiety-Inducing Homework

8 Netflix TV Comedies To Watch When You Need A Break From Reality

5 Great Shows Netflix Shouldn't Have Canceled This Year

NEW:What's Arriving And Leaving On Netflix In December

Recent Show Reviews:

"Nailed It! Holiday!"

"The Crown"

"The End of the F***ing World"

"Queer Eye: We're In Japan!"

Until next week ...

Email Todd Van Luling

Song of the Week

 

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What To Stream On Netflix

The Netflix Highlight: “Marriage Story”

What’s up: Netflix’s “Marriage Story” is a movie about divorce. Noah Baumbach directed the movie and wrote the script loosely based on his own divorce from actor Jennifer Jason Leigh. Adam Driver and Scarlett Johansson play the couple. Johansson has also said that she shaped the story to reflect aspects of her own recent divorce, which she was still going through while making this movie. Johansson has divorced twice and her parents also divorced.

The movie’s story focuses on a married couple, Nicole and Charlie, who have an eight-year-old son. Charlie runs a successful theater company and Nicole stars in the plays. She wants to move to Los Angeles, but he wants to stay in New York. The tension of wanting to be their own people (and individual desires to be stars) pulls the relationship apart.

The movie begins with Nicole emerging from a black background, wearing black clothing and looking distressed. Charlie starts a voiceover with the phrase, “What I love about Nicole...”

Nicole emerges from the New York subway. Charlie’s voiceover continues, “She makes people feel comfortable about even embarrassing things.” Then a person with a clipboard persuades Nicole to stop and talk to her. If you’ve ever been a New Yorker, you know that’s an uncommon move.

Alan Alda, Laura Dern, Ray Liotta and Merritt Wever also appear. Baumbach wrote and directed.

“Marriage Story” runs 2 hours, 16 minutes.

Sum-up: Most Academy Award prognosticators believe this will earn multiple nominations, including for Best Picture, screenwriting, directing and in the acting categories.

The movie certainly warrants the praise. Baumbach has created a hyper-detailed story about a painful topic, while still finding ways to inject humor into the direness.

Moments of pain are coupled with realistic absurdities. In a particularly fantastic scene, Nicole, her sister and her mother are freaking out about how the sister will, for legal reasons, serve the divorce papers to Charlie. A long list of complicating factors make this attempt a mess, but a few inspired ones include Charlie getting a text he won the MacArthur Fellowship “Genius Grant” right beforehand, the sister getting nervous and holding a pecan pie for no reason and the son having pooping problems in the bathroom. After the serving occurs and Charlie is devastated, he asks what the pie had to do with everything. Nicole has to explain the pie wasn’t part of the plan. In a funny bit of dialogue, Charlie explains that somehow having the pie involved makes it all worse.

Well-executed and decently budgeted movies that tell small, realistic stories don’t happen much anymore. Sure, these characters are still wealthy and successful artists ― not exactly the most relatable of professions ― but the quiet plot of a family going through a painful breakup is a worthy story amid a sea of historical dramas and superheroes. That Baumbach finds a way to tell such a story in a fast-paced, engaging way is a testament to his talent.

Heads up: The movie centers around characters working in the theater and often has strong “theater person” vibes of over-acting and self-seriousness. The movie also features a movie cliche involving the actors walking around and “doing things” while having conversations that normally would simply involve two people sitting down and talking to each other. When done right, these movements make scenes look and feel more dynamic in movies, hence the cliche. When self-serious “theater person”-vibe characters do this though, the scenes come across as cringey.

Close-up: Early in the movie, while Nicole does a voiceover about what she loves about Charlie, the script has a strong moment of physical comedy. Nicole’s voiceover says that Charlie is very good and tireless about being a dad. Meanwhile, their son wakes up Charlie and says he has had a bad dream. “It’s okay,” Charlie responds.

Charlie lies down in the son’s bed, struggling to stay balanced while on his side. His son has a goofy pillowcase covered in colorful nobs like it’s a spaceship controller. The sheets feature comic book panels of “The Avengers.” The son seemingly falls asleep, but when Charlie gets up, the child asks him to stay.

So Charlie lies on the ground. The son joins him. Charlie gets up and lies back on the small bed. The son joins him again. This sweet, nearly wordless moment establishes the deep affection Charlie has for his child, which ultimately deepens the viewer’s understanding of the eventual pain in divorce.

Read the full "Marriage Story" review.

 

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Netflix Streaming News

 

1. The long runtime of Martin Scorsese’s “The Irishman” became a meme this week. While the movie has earned widespread critical praise, its 3-hour, 29-minute runtime, slow-moving plot and sub-par CGI have made this a hard pass for many. Fans of Scorsese and the movie seem to be getting increasingly defensive.

2. I wrote my annual ranking of the year’s best shows and I included three Netflix Originals. “Tuca & Bertie,” “BoJack Horseman” and “Russian Doll” all made the list.

 

The best shows of 2019 (so far)

 

1. "Fleabag" (Amazon Prime)

2. "Succession" (HBO)

3. "Russian Doll" (Netflix)

4. "BoJack Horseman" (Netflix)

5. "Barry" (HBO)

 

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