Today is the day of our festive 15th anniversary party!
Today is the day ofour festive 15th anniversary party! If you're in New York, there's still timeto get a ticket to our gathering at Red Pavilion cabaret club starting at7pm. The program includes a series of drag performances, DJ music, food, and good vibes allaround.
Meanwhile, we report on an artistic protest against the Noguchi Museum’s ban on Palestinian keffiyehs for staff, concerns for the future of a sculpture garden in Manhattan, and the unfortunate story of a Dutch museum technician who dumped an artwork in the trash by mistake.
And there’s more, including the dubious origin story of reality TV, Petah Coyne’s maximalist baroque feminism, a spotlight on the fool in art, and a documentary film about the dark history of New York's Lincoln Center. — Hakim Bishara, Senior Editor | |
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You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a paid member. | | Become a Member |
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| | | In Cue the Sun!, Emily Nussbaum pulls nuggets of truth from the history of the notorious genre to illuminate what keeps viewers coming back for more. | Alex Bowditch |
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SPONSORED | | | | Deoscóredes Maximiliano dos Santos (Mestre Didi) was an influential Afro-Brazilian artist, spiritual leader, and writer. In Didi’s work, the encounter between tradition and African heritage unified with the vernacular of contemporary art brings to life a semi-abstract conceptual and emotional vocabulary that fuses past and present to restore and renew life. Learn more |
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LATEST REVIEWS | | | | Saints, Sinners, Lovers and Fools at the Montreal Museum of Fine Arts reminds us that nothing will stop people from acting foolish except themselves. | Daniel Larkin |
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| | | | Coyne’s work sits between abundance and suffocation, uses seductive materials to serve uncomfortable truths about the barriers that face women. | Debra Brehmer |
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| | | | Director Stanley Nelson traces a linear narrative from San Juan Hill’s origins to its demolition to make way for Lincoln Center, displacing thousands. | Michael Piantini |
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You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a paid member. | | Become a Member |
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