Let's face it: all of us inhabit institutions that we would have built differently. We inherited policies and procedures and even physical plants with aspects that we'd happily do without. Sometimes we bristle under the constraints put upon us by founders and historical bodies that could know nothing of our contemporary challenges.

Many of us have probably daydreamed what it would be like to be free of such constraints -- to "re-imagine" the institution from scratch. Then, we tell ourselves, we'd really be free to push forward our mission and vision. But now, in the real world, these constraints are like millstones, anchors dragging on the bottom as we try to steer the ship forward into new waters.

Could we ever imagine receiving such constraints as gifts? Indeed, is it possible that the constraints of handed-down traditions could be catalysts for creativity and imagination?

I was recently struck by something of a parable in this regard. In May, after a protracted -- and very public -- legal battle, the Barnes Foundation, a Philadelphia fine-arts institution, opened a new building on that city's famous "museum row." Called the Barnes Philadelphia, the new museum houses Albert Barnes' world-class collection of modern art, moved there from its former suburban home in Lower Merion, Pa. The legal wrangling need not detain us here. It's the result that yields an interesting case study of "traditioned innovation."