Happy Tuesday! For your morning dose of exquisite painting, we offer reviews of Chitra Ganesh’s multiverse-hopping feminist figuration and Aliza Nisenbaum’s forcefields of community.
For your helping of scientific art, a delightful finding proves what van Gogh enthusiasts have always known: “The Starry Night” is a wonder in more ways than one. Read Rhea Nayyar’s report on a study that details how the iconic painting’s eddies of wind followed the laws of physics before they were even discovered.
More for you to chew on below, including Ed Simon on Holbein the Younger’s relationship with death, an exhibition on Black menswear across history at The Met, and the Jeff Koons-Squarespace partnership nobody asked for. Bon appetit!
— Lakshmi Rivera Amin, Associate Editor
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There are boundless ways to interpret the artist’s works, each populated with fierce femmes and curious chimera, and layered with symbols. | Julie Schneider
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IN THE NEWS
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FROM OUR CRITICS
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The artist depicts Los Angeles dancers as they dance, dress, and rest. | Faye Hirsch
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SPONSORED
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The Institute for Doctoral Studies in the Visual Arts is accepting applications for the May 2025 cohort of its low-residency PhD program. Learn more
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The photographer's autobiography takes us on a long voyage from East to West and back again without smoothing over the potholes in the road. | Julia Curl
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MORE ON HYPERALLERGIC
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The festival returns for its 22nd edition this week with behind-the-scenes tours of historic landmarks, award-winning architecture, artists’ studios, and more. | Aaron Short
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Death, in the artist’s imagination, is the oblivion that spares no one, regardless of what you have or haven’t done, regardless of who you are. | Ed Simon
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You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a paid member. |
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