| | | | THE PHOTOGRAPHY SHOW presented by AIPAD 2025
April 23: VIP Opening Preview 4pm - 9pm
April 24: 12pm – 8pm
April 25: 12pm – 7pm
Night of Photography with ICP from 5pm to 7pm
April 26: 12pm – 7pm
April 27: 11am – 5pm
Park Avenue Armory
67h Street and Park Avenue, New York NY 10065
www.aipad.com/show | |
| | | | | | | | The Photography Show presented by AIPAD, the longest-running fair dedicated to photography in the world, will take place April 23-27, 2025 at the Park Avenue Armory, with exhibitors from around the globe unveiling an exciting and diverse mix of work that reflects a fluid and dynamic understanding of the photographic medium.
The Photography Show showcases exceptional presentations by esteemed members of the Association of International Photography Art Dealers (AIPAD), along with guest exhibitors and galleries new to the fair. The upcoming iteration of the fair represents its continued evolution since returning to the Park Avenue Armory in 2024, with an emphasis on emerging artists, young galleries and new curatorial approaches being placed in dialogue with canonical photographers and legacy photography institutions.
AIPAD welcomes new members Galeria Alta, Galerie Julian Sander, LARGE GLASS and Ungallery, coming to New York in April from Andorra; Cologne, Germany; London, UK and Buenos Aires, Argentina. Exhibiting at The Photography Show for the first time, their presentations will push the boundaries of photography and provide new perspectives alongside the many established, long-time exhibitors.
Complementing these presentations and in tandem with an added day for this year’s fair, The Photography Show will feature an expanded and robust slate of programming. Four days of AIPAD Talks, hosted by thought leaders in the arts and culture space, will be accompanied by insightful walkthroughs and educational events. The celebration of the prestigious AIPAD Award, presented annually to a pioneer in the community, recognizing them for changing the ways we perceive photography, will take place during the new Opening Night Party on Wednesday, April 23. The fair will utilize a new layout and floor plan that will see publishers brought into the main exhibition space, the Wade Thompson Drill Hall, highlighting the importance of book publishing within the landscape of contemporary photography. | | |
| | | | | | | | | | | | | | Guido Guidi
Rimini Nord, 1991
C-type contact print from an 8x10 inch neg.
Image 19.5 x 24.5 cm
Courtesy the artist and Large Glass, London
© Guido Guidi | | | | | | | | | | | | | | | | | | | | Alongside Guidi we show ‘Coast to Coast’, by Swedish photographer Gerry Johansson. This portfolio comprises 10 gelatin silver contact prints, produced by Imagebeeld Edition, Brussels. The photographs were taken during a coast-to-coast long trip in 1983 beginning in Los Angeles and ending in New York. | | | | | | For the Photography Show in New York, in April we will show Guido Guidi’s work in a collection entitled the Vernacular - capturing his brilliant visualising of the everyday.
In an interview in 2015, published in Aperture Magazine (220), Guidi was asked about his sense for the vernacular which he shares with the American artist photographer, Lee Friedlander’s work, “I remember that I had seen Friedlander’s name in Ugo Mulas’s photobook New York: The New Art Scene (1967). As soon as Friedlander’s Self Portrait came out in 1970, I bought it, but it was only on the occasion of the lone photography biennial, Venice ’79, that I was able to meet him. That was when I heard him talk about the vernacular. He said he wasn’t interested in art photography, but in the vernacular photograph, in the snapshot. I could relate to this, of course, since I had grown up with the family photographs shot by my uncle, who had them printed at the photography store before gluing them into an album.” | | |
| | | | | | | | | | | | | 19th Century Rare Book & Photograph Shop; New York, NY • Abakus Projects; Boston, MA • Alta; Anyós, Andorra • Andrew Smith Gallery; Tucson, AZ • BILDHALLE; Zurich | Amsterdam • Bruce Silverstein Gallery; New York, NY • Candela Gallery; Richmond, VA • Catherine Couturier Gallery; Houston, TX • Cavalier Gallery; New York, NY • Charles Isaacs Photographs; New York, NY • CLAMP; New York, NY • Contemporary Works/Vintage Works; Chalfont, PA • | | |
| | | | | | | | | | | | | | Tim Walker
Xiao Wen Ju with Hokusai’s Great Wave of Kanagawa, Eglingham, Northumberland, 2012
Archival pigment print
Image size: 86 x 106.6 cm
Paper size: 110 x 132 cm | | | | | | | | | | | | | | | | | | | Nobuyoshi Araki
Dead Reality, 1997
Signed verso
Silver gelatin print, printed 2024
38.5 x 57.8 cm | | | | |
| | | | | | | | | | | | | Daniel / Oliver Gallery; Brooklyn, NY • Danziger Gallery; New York, NY | Los Angeles, CA • Deborah Bell Photographs; New York, NY • Echo Fine Arts; Cannes, France • Form. Gallery; Dinard, France • Galerie Bruno Tartarin; Paris, France • Galerie Clémentine de la Feronnière; Paris, France • Galerie Johannes Faber; Vienna, Austria • Galerie Olivier Waltman; Paris | Miami • Galerija Fotografija; Ljubljana, Slovenia • Galerie XII; Los Angeles, CA / Paris, FR • Gilman Contemporary; Ketchum, ID | | |
| | | | | | | | | | | | | | Oliver Abraham, David Lynch, 2010/2025,
Gelatin Silver Print
© 2025 Oliver Abraham | | | | | | | | | | | | | | | | | | | | | | Elfriede Stegemeyer Untitled (self portrait), c. 1933 Gelatin Silver Print on Agfa-Brovira paper 17.9 x 23.5 cm | | | | |
| | | | | | | | | | | | | Gitterman Gallery; New York, NY • HackelBury; London, United Kingdom • Hans P. Kraus Jr. Inc.; New York, NY • Higher Pictures; Brooklyn, NY • Holden Luntz Gallery; Palm Beach, FL • Howard Greenberg Gallery; New York, NY • Ilaria Quadrani Fine Arts; New York, NY • Jackson Fine Art; Atlanta, GA • jdc Fine Art; San Diego, CA • Joseph Bellows Gallery; La Jolla, CA • Keith de Lellis Gallery; New York, NY • La Galerie de l'Instant; Paris, France • Marshall Gallery; Santa Monica, CA • | | |
| | | | | | | | | | | | | | | Luzia Simons, Stockage #217, 2024, scannogramm, archival print on aludibond, 100 x 130 cm, edition 1/5 + 1 AP | | | | | | | Luzia Simons (born in Quixada, Ceara, Brazil) is a graduate in History and Fine Arts at the Sorbonne University in Paris. She continued her studies in Stuttgart and now lives and works in Berlin, Germany. With regular exhibitions in Europe and Brazil, Luzia’s works make it possible to experience divergence. She developed her own shooting technique, the scanogram – a way of looking at things without a central angle or focus where all details become heightened. Her artistic focus is primarily on the diversity and plurality of perceptions in relation to their different cultural heritage. Her flowers appear in her works as signifiers of historic, cultural, or colonial meanings and are used to discuss the question of social identity and globalization. Her works appear in public and private collections around the globe, among them Deutscher Bundestag, Berlin; Fonds National d Art Contemporain, Paris-Ile de France, France; Casa de las Américas, Havana, Cuba; Pirelli/ Museu de Arte de São Paulo, Brasil; Dansk Bibliotekscenter, Denmark, and many others. | | | | | | | | | | | | | | | | | Stojan Kerbler, Before Lunch, 1978, silver gelatine print, 25 x 38 cm, open edition | | | | | | Boris Gaberščik (1957) is widely acclaimed for his recognisable analogue still life photography, in which he plays with objects, light and composition to produce new visual and contextual meanings. His works are internationally recognised and included in many museum and private collections. He has received several awards for his works, which have been presented in publications in Slovenia and abroad. In 2018 he received a Prešeren Foundation Award, the highest national award in the field of arts, selected and granted by the Prešeren Foundation. His works have been presented at Paris Photo (2010, 2011), Photo Basel (2017, 2018, 2019, 2020, 2022) and viennacontemporary (2019, 2021, 2022), among other fairs. Since 1985 he has had many solo exhibitions in Ljubljana, Slovenia (Gallery Equrna, Museum of Modern Art), Graz (Orpheum), Salzburg (Gallery Fotohof), Warsaw (ZPAF), Paris (VU') and has participated in group exhibitions all over the world.
Stojan Kerbler (1938) was born at Ptujska Gora. He was first proclaimed best exhibitor in Slovenia in 1969 and best exhibitor in Yugoslavia in 1970 (A FIAP). Since then he received several awards for his work in photography, among them the prestigious award of the Prešeren foundation in 1979 and an award for the highest achievement in art by the president of Slovenia. In 1977, the People of Haloze series was exhibited in the gallery of Eastman Kodak Company. In 1980 he received the FIAP Gold Medal for the exhibition in Landerneau, France. Stojan Kerbler has received a total of 500 awards and prizes of which 120 were at international exhibitions. His works have been presented at more than 100 solo exhibitions in Slovenia, Austria, Bulgaria, Germany, Poland, Soviet Union, Spain, USA and Yugoslavia. In 2018 he exhibited in Ljubljana's Museum of Modern Art with a large retrospective exhibition. An overview catalogue was released along with the exhibition.
Jadran Lazić, the first Yugoslav paparazzo, began his career in 1971 by photographing Hajduk in his hometown of Split and continued with Charlotte Rampling in Paris. He achieved world fame when, at the funeral of Soviet President Brezhnev, he managed to take a close-up photo of the deceased, which Newsweek later chose as the photo of the year. We can say that there is no Hollywood star and celebrity of the 70s and 80s who were not caught by Lazić's lens, from Yugoslav Dino Dvornik, Mišo Kovač, Suzana Mančić, Dražen Petrović and many others, to Jodie Foster, Gillian Anderson, Sylvester Stallon, Roman Polanski, Robert De Niro, Jamie Foxx, Abu Abbas, Johnny Depp, Jean-Claude Van Damme, Elizabeth Taylor, David Bowie, Bianca Jagger, Kirk Douglas, Sigourney Weaver, Jack Nicholson, Carlo Ponti, Sofia Loren, Marlon Brando, Richard Gere and many others.
Sergio Scabar (Ronchi dei Legionari, 1946–2019) became interested in photography in 1964. From 1966 to 1974, he occasionally took part in national and international competitions, using photography mainly for documentary and reportage purposes. Later, in the 1980s, his work underwent a fundamental change, as the human figure disappeared and his interest shifted to nature. In 1996, he began to use a unique technique of "alchemical" printing with silver salts in his series The Theatre of Things/Il Teatro delle cose. | | |
| | | | | | | | | | | | | Miyako Yoshinaga Gallery; New York, NY • Momentum; Miami, FL • Monroe Gallery of Photography; Santa Fe, NM • Nailya Alexander Gallery; New York, NY • Obscura Gallery; Santa Fe, NM • Paul M. Hertzmann, Inc.; San Francisco, CA • Peter Fetterman Gallery; Santa Monica, CA • POLKA; Paris, France • Richard Moore Photographs; Oakland, CA • Rick Wester Fine Art; New York, NY • Robert Mann Gallery; New York, NY • ROSEGALLERY; Santa Monica, CA • | | |
| | | | | | | | | | | | | | Jeffrey Milstein
Container Port 43, Long Beach, 2016
Signed and inscribed on artist's label
Archival pigment print
55.5" x 74" inches
Edition of 10 | | | | | | | | | | | | | | | | | | | Julie Blackmon
Smoke Bomb, 2024
Signed and inscribed on artist's label
Archival pigment print
26 x 36.5 in. - Edition 3 of 10
Add'l sizes
36 x 51.2 inches
44 x 63 inches | | | | |
| | | | | | | | | | | | | Sasha Wolf Projects; New York, NY • Scheinbaum & Russek Ltd.; Santa Fe, NM • Scott Nichols Gallery; Sonoma, CA • Staley-Wise Gallery; New York, NY • Stephen Bulger Gallery; Toronto, ON • Stephen Daiter Gallery; Chicago, IL • Throckmorton Fine Art; New York, NY • Toluca Fine Art; Paris, France • Ungallery; Buenos Aires, Argentina • Vasari; Buenos Aires, Argentina • Weston Gallery, Inc.; Carmel, CA • Yancey Richardson Gallery; New York, NY | | |
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© 21 Apr 2025 photography now UG (haftungsbeschränkt)
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