Red Never Lasts
by Anya Krugovoy Silver

There’s no doubt it’s the most glamorous,
the one you reach for first—its luscious gloss.
Russian Roulette, First Dance, Apéritif, Cherry Pop.
For three days, your nails are a Ferris wheel,
a field of roses, a flashing neon Open sign.
Whatever you’re wearing feels like a tight dress
and your hair tousles like Marilyn’s on the beach.
But soon, after dishwashing, typing, mopping,
the chips begin, first at the very tips and edges
where you hardly notice, then whole shards.
Eventually, the fuss is too much to maintain.
Time to settle in to the neutral tones.
Baby’s Breath, Curtain Call, Bone.
 

“Red Never Lasts” by Anya Krugovoy Silver from from nothing. © Louisiana State University Press, 2016. Reprinted with permission.  (buy now)

It's the birthday of the woman who wrote the lines: "O beautiful for spacious skies, / For amber waves of grain, / For purple mountain majesties / Above the fruited plain!" That's Katharine Lee Bates (books by this author), born in Falmouth, Massachusetts, on Cape Cod (1859).

Bates graduated from Wellesley College, then became an English professor there. She spent the summer of 1893 teaching at Colorado College in Colorado Springs, and it was there in Colorado that inspiration struck for her most famous poem. She said: "One day some of the other teachers and I decided to go on a trip to 14,000-foot Pike's Peak. We hired a prairie wagon. Near the top we had to leave the wagon and go the rest of the way on mules. I was very tired. But when I saw the view, I felt great joy. All the wonder of America seemed displayed there, with the sea-like expanse." When she got back to her hotel room, she wrote down the famous opening lines to "America the Beautiful." It was published two weeks later, and it was first sung to the tune of all sorts of songs, usually to "Auld Lang Syne." It wasn't until 1910 that the lyrics were paired with the music we know today, an instrumental piece named "Materna" that had been composed in 1882.

It's the birthday of classical scholar Edith Hamilton (books by this author), born to American parents in Dresden, Germany (1867). She grew up in Fort Wayne, Indiana. She had two sisters, and their father didn't think much of public schools so he taught all the girls himself. He began teaching Edith Latin when she was seven, and after six weeks of instruction he assigned her a translation of Caesar. Her father also taught her Greek, German, and French.

After this academic childhood, she was sent off to Miss Porter's School in Farmington, Connecticut, a "finishing school" for young women. The school provided a solid education, but it was not meant to prepare women for college. So after she was finished at Miss Porter's, Hamilton threw herself into studying so that she could pass the difficult entrance exam for Bryn Mawr College, near Philadelphia. She did pass, and after graduating from Bryn Mawr, she went off to Europe with her sister Alice. Edith was hoping to earn a doctorate from the University of Leipzig, but she found that women were not allowed to earn such advanced degrees there. So she went to the University of Munich. She was the first woman to attend classes there, and her professors made her sit up on the stage next to them while they lectured so that the male students would not have to interact with her.

Hamilton was on a path toward earning her Ph.D. at Munich when she got a job offer to be the first headmistress of Bryn Mawr Preparatory School in Baltimore, a school created with the intention of actually preparing girls for college..'"

She was extremely successful as the head of the school, and she remained there for 26 years. Mary Armstrong Shoemaker, a teacher at Bryn Mawr School, said: "One day when a friend confessed that she did not really know the difference between Sophocles, Euripides, and Aeschylus (the three great Greek writers of tragedy), Edith cried, 'My dear child,' leapt to her feet, and began pulling volumes off the shelves, translating bits from each poet and explaining their differences with such humor and passion that someone who was there said, 'She made me feel she must have just had lunch with Aeschylus.'"

The story goes that Hamilton tried to retire sooner than the 26 years she ended up staying at Bryn Mawr, but that the board refused her resignation for several years because she was so well-liked. After retiring, she bought a house on the coast of Maine, where she spent summers with her partner, Doris Fielding Reid. Reid was a former student of Hamilton's who became an investment banker. She worked and Edith kept house. They spent their winters in New York City or Washington, D.C., with a lively circle of friends. Hamilton often entertained her social circle with casual lectures and anecdotes about Greek tragedy, and her friends encouraged her to write her thoughts down and publish them. She refused over and over, but finally the editor of Theater Arts Monthly convinced her to submit a piece. It was such a success that she continued to write articles, and collected them into her first book, The Greek Way (1930), published when she was 63 years old. In The Greek Way, she wrote: "The Greeks were not the victims of depression. Greek literature is not done in gray or with a low palette. It is all black and shining white or black and scarlet and gold. The Greeks were keenly aware, terribly aware, of life's uncertainty and the imminence of death. Over and over again, they emphasize the brevity and the failure of all human endeavor, the swift passing of all that is beautiful and joyful. To Pindar, even as he glorifies the victor in the games, life is 'a shadow's dream.' But never, not in their darkest moments, do they lose their taste for life. It is always a wonder and a delight, the world a place of beauty, and they themselves rejoicing to be alive in it. Quotations to illustrate this attitude are so numerous, it is hard to make a choice. One might quote all the Greek poems there are, even when they are tragedies."

Hamilton made up for lost time by writing many more books, including The Roman Way (1932); Spokesmen for God (1949); Echo of Greece (1957); and most famously, Mythology: Timeless Tales of Gods and Heroes (1942), a retelling of the Greek myths. In 1957, she was made an honorary citizen of Athens, and she visited Greece for the first time in her life, at the age of 90.

She said: "It has always seemed strange to me that in our endless discussions about education so little stress is laid on the pleasure of becoming an educated person, the enormous interest it adds to life. To be able to be caught up into the world of thought — that is to be educated."

It's the birthday of filmmaker Cecil B. DeMille, born in Ashfield, Massachusetts (1881). He made 70 films from 1914 to 1956, and all but six of them made money. He loved to produce lavish spectacles with a cast of thousands, and his first splashy historical drama was Joan the Woman (1916), about Joan of Arc. Joan the Woman was one of the movies that lost money, so the studio didn't green-light another spectacle for several years. But even when the plot line was fairly domestic, as in Don't Change Your Husband (1919) and Why Change Your Wife? (1920), he often included elaborate flashback sequences of historical scenes.

He got a second chance at spectacle in 1923, when he made The Ten Commandments. It was one of the biggest moneymakers of the silent film era, but it went way over budget, and DeMille lost his job with Famous Players-Lasky, the studio with which he had had a contract. He remade The Ten Commandments in 1956, and while he was filming on location in Egypt, DeMille had a massive heart attack. He went back to work after a week, against his doctor's orders. He managed to finish the film, but it was his last, and he died in 1959.

Be well, do good work, and keep in touch.^®

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