Merce in Three Dimensions Alla Kovgan’s new film Cunningham not only shoots its dancers in three dimensions, but collages historic, two-dimensional black-and-white images in smaller sizes on the screen, often overlaid with print. This practice allows us to choose (or stumble upon) those visions most meaningful to us, or to accept multiplicity and not worry about what we didn’t see. – Deborah Jowitt
Furtwängler in Wartime Books continue to be written about what it was like to live in Germany under Hitler. I wonder if any of the authors have auditioned Wilhelm Furtwängler’s wartime broadcasts with the Berlin Philharmonic. They should. – Joseph Horowitz
She was just a Miller’s daughter: ENO revives a middle-period Verdi The English National Opera is having a tough old time, but the company is still capable of both daring and successful ventures, such as the new Luisa Miller, a Verdi rarity last staged in London in 1858. – Paul Levy
Remembering Tobi Tobias Tobi was among the first group of writers I invited to blog on ArtsJournal. I had read her for years and appreciated her elegance, clarity and erudition. Though her judgments were crisp, they were never made lightly. She knew the art deeply and it informed her judgments. – Douglas McLennan
In Memoriam: Tobi Tobias (1938-2020) Alongside the the wonderful, illuminating dance criticism she wrote for decades, she wrote wonderfully well about fashion, and only when I became a mother did I realize that while Tobi was raising her offspring, she was writing dozens of children’s books. – Deborah Jowitt
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