A guest post by actor/writer/arts administrator Selena Anguiano, who shares some concerns about the use of benchmarks in the process of pursuing equity in nonprofit arts organizations. – Doug Borwick

As I hear my student playing the piano through Zoom, just for a moment, I think I am hearing Paderewski in 1912. The sound is imperfect. At moments it drops out. There are distortions of speed and rhythm. Yet, my ear, my mind is hearing music: completing and linking together the aural information that is there. – Bruce Brubaker

As it happens, I don’t care at all for Childe Hassam’s better-known etchings — I find them fussy — but lithography brought out a freer, more adventurous streak in his work, and there is one print of his that I have long sought, Avenue of the Allies. Also made in 1918, it is a lithographic monochrome pendant to the well-known series of thirty-odd brightly colored “flag paintings” that Hassam made during and after World War I. – Terry Teachout

Taking a page from the problematic playbooks of the Berkshire, Everson and Baltimore museums, the Greenville County Museum of Art, South Carolina, has become the latest poster child for deplorable deaccessions. – Lee Rosenbaum

The Secretary General of the European Union Youth Orchestra shares about the connection between the UN Sustainable Development Goals and the mission of arts organizations. – Aaron Dworkin