Boston Landmarks Orchestra Seeks Executive Director Boston Landmarks Orchestra seeks an inspiring leader to advance the Orchestra’s mission of building community through innovative, free classical musical programming, accessibility and inclusiveness.[READ MORE]
Communications Director opening in Southwest Florida Artis—Naples is the premier destination for the visual and performing arts in Southwest Florida. We are driven to inspire, educate and entertain by presenting world-class events that enrich our community.[READ MORE]
jobs Queen’s University – Appointment of Director, Agnes Etherington Art Centre The Agnes Etherington Art Centre at Queen’s University is now seeking a new Director who will articulate a bold and dynamic vision that leverages the Agnes’ impressive strengths, collections, and successes through an exciting stage of transformational growth. Queen’s University, and Agnes Etherington Art Centre, are situated on traditional Anishinaabe and Haudenosaunee Territory. The Agnes […] [READ MORE]
jobs The Phoenix Symphony – President & CEO The Phoenix Symphony (TPS) is Arizona's largest performing arts organization and considered a cultural icon. Founded in 1947 as a part-time orchestra, TPS has grown to become Arizona's only full-time symphony orchestra with a 38-week season and 66 musicians. [READ MORE]
jobs Los Angeles Ballet seeks Controller Los Angeles Ballet is seeking an individual with a minimum of 5 years of experience as a controller, preferably for nonprofit arts institutions. [READ MORE]
education Global Arts Management Fellowship The DeVos Institute invites applications for its Global Arts Management Fellowship – a three-year, cohort-based intensive for arts and cultural executives. Apply by Nov. 15. [READ MORE]
Do you ever wonder how choreographers choose their titles? After seeing James Whiteside’s New American Romance on the last day of American Ballet Theatre’s fall season at the former New York State Theater, I spent some time pondering that. – Deborah Jowitt
The aggressively transgressive new MoMA, trying to combat museum-ennui by shaking up its displays, has aimed its cannon at the canon. Its disruptive installation strategy audaciously breaches traditional geographic, temporal and art-historical boundaries, arranging shotgun marriages among strange (and strained) bedfellows and sundering longtime soulmates. – Lee Rosenbaum
Forty-nine years after the fact, I can’t remember how or why I first got interested in Miles Davis. Not that you would have needed a reason to be interested in Miles in 1970. – Terry Teachout
